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The Rolling Stones - No Expectations

The Rolling Stones - No Expectations Lyrics and Youtube Music Videos

Album: Beggars Banquet
Released: 1968

No Expectations Lyrics

Take me to the station
And put me on a train
I've got No Expectations
To pass through here again

Once I was a rich man and
Now I am so poor
But never in my sweet short life
Have I felt like this before

You heart is like a diamond
You throw your pearls at swine
And as I watch you leaving me
You pack my peace of mind

Our love was like the water
That splashes on a stone
Our love is like our music
Its here, and then its gone

So take me to the airport
And put me on a plane
I've got no expectations
To pass through here again

Writer/s: JAGGER, MICK / RICHARDS, KEITH
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

No Expectations Song Chart

When Rolling Stones founder Brian Jones died in 1969, this song took on new meaning, as lyrics like "Our love is like our music, it's here and then it's gone" made it a fitting elegy. Mick Jagger explained: "That's Brian (Jones) playing steel guitar. We were sitting around in a circle on the floor, singing and playing, recording with open mikes. That was the last time I remember Brian really being totally involved in something that was really worth doing. He was there with everyone else. It's funny how you remember - but that was the last moment I remember him doing that, because he had just lost interest in everything." (thanks, Bertrand - Paris, France)

The Stones performed this on Rock and Roll Circus, a British TV special The Stones taped in 1968, but never aired. Brian Jones played this with a passion he was clearly losing as drugs took over his life. Rock and Roll Circus was released on video in 1995.

Nicky Hopkins, who also played with The Who and The Beatles, played piano on this.

Lenny Kravitz opened several shows for The Rolling Stones in 1994, and was invited onstage to jam with them at a Cleveland show. Kravitz helped out Mick Jagger in 2001, co-writing, performing on, and producing his song "God Gave Me Everything." (thanks, Bertrand - Paris, France, for above 2)

This song was featured in the 1978 ant-war film Coming Home, with Jane Fonda and John Voight. (thanks, Michael - LA, CA)

Joshua Radin - Beautiful Day

Joshua Radin - Beautiful Day Lyrics and Youtube Music Videos

Album: Onward and Sideways
Released: 2013

Beautiful Day Lyrics

Gonna wash the dust off my soul
Gonna listen to some rock 'n' roll
No cares, come what may
I'm making a Beautiful Day

Gonna drive my car to the sea
Swim out far cause I believe
That waves will wash the grey away
I'm making a beautiful day

Let me hear you say

Ooh, oh oh, my my
I'm learning to fly
Hey, hey, what's that you said
Let's not forget we're alive

Gonna climb that hill behind my house
See what this place is all about
Cause from above it all, you can't help but say
It's gonna be a beautiful day
It's gonna be a beautiful day

But let me hear you say

Ooh, oh oh, my my
I'm learning to fly
Hey, hey, what's that you said
Let's not forget we're alive

Gonna turn my enemies into friends
What's broken gets stronger when it mends
When we all come together, this song will play
We'll sing, it's a beautiful day
It's gonna be my beautiful day

Oh oh, my my
I'm learning to fly
Hey, hey, what's that you said
Let's not forget we're alive

Writer/s: KENNETH A PATTENGALE, JOSHUA RADIN
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Beautiful Day Song Chart

This originally appeared on Radin's 2013 self-released album Wax Wings. After realizing the track had received quite a bit of play on Spotify, he decided to give it new life by incorporating guest vocals by his former tourmate, Sheryl Crow. "I didn't re-record the song, I just re-recorded the harmony with Sheryl," he told Radio.com . "That was something I had always longed to do because I had always been such a fan of hers. She's just such an amazing artist, singer, writer and performer."

Sheryl Crow did her vocals in one take over a Skype session.

The song soundtracks a Subaru commercial, which was released in January 2015 under the title of "2015 Subaru XV Crosstrek: Fountain."

The Rolling Stones - Street Fighting Man

The Rolling Stones - Street Fighting Man Lyrics and Youtube Music Videos

Album: Beggars Banquet
Released: 1968

Street Fighting Man Lyrics

Everywhere I hear the sound of marching, charging feet, boy
'Cause summer's here and the time is right for fighting in the street, boy
Well what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a Street Fighting Man
No

Hey! Think the time is right for a palace revolution
'Cause where I live the game to play is compromise solution
Well, then what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

Hey! Said my name is called disturbance
I'll shout and scream, I'll kill the king, I'll rail at all his servants
Well, what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No

Writer/s: RICHARDS, KEITH / JAGGER, MICK
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Street Fighting Man Song Chart

This song deals with civil unrest in Europe and America in 1968. There were student riots in London and Paris, and Vietnam protests in America. The specific event that led Mick Jagger to write the lyrics was a demonstration at Grosvenor Square in London on March 17, 1968. Jagger (along with Vanessa Redgrave), joined an estimated 25,000 protesters in condemning the Vietnam War.

The demonstrators marched to the American embassy, where the protest turned violent. Mounted police charged the crowd, which responded by throwing rocks and smoke bombs. About 200 people were taken to the hospital and another 246 arrested. Jagger didn't make it to the embassy: before the protest turned violent, he abandoned it, returning to his home in nearby Cheyne Walk. Jagger realized that his celebrity was a hindrance to the protest, as his presence distracted from the cause.

This was the first Stones song to make a powerful political statement, although with an air of resignation. Jagger opens the song declaring "that the time is right for fighting in the street," but goes on to sing, "But what can a poor boy do, 'cept sing in a rock and roll band."

This sense of hopelessness in the face of atrocity may be why the Rolling Stones became apolitical, focusing their efforts on songs about relationships and rock n' roll. In the process, they became very rich and beloved by members of all political persuasion.

In the US, this was released as a single on August 31, 1968, just a few days after the Democratic National Convention, which took place August 26-29. The convention was marred by violence, as Chicago police clashed with protesters. When the song was released, every radio station in Chicago (and most in the rest of the country), refused to play it for fear that it would incite more violence. There was no official ban in America or Chicago, but stations knew it was in their best interest to shun the song, which accounts for its meager chart position of #48.

Mick Jagger later said: "The radio stations that banned the song told me that 'Street Fighting Man' was subversive. Of course it's subversive, we said. It's stupid to think you can start a revolution with a record. I wish you could!"

The original title of this song was "Did Everybody Pay Their Dues?" It had completely different lyrics and therefore altogether a different and rather strange meaning: Jagger sings about an Indian chief and his family. The music however was basically the same (slightly alternative mixes exist) - but the lead guitar over the chorus was omitted on the final mix of "Street Fighting Man." Fairly listenable versions have appeared on various bootlegs. (thanks, Christopher - Vienna, Austria)

Keith Richards created a distinctive guitar sound on this track using a technique he also used on "Jumpin' Jack Flash," where his acoustic guitar was overdubbed several times. Says Richards: "Street Fighting Man was all acoustics. There's no electric guitar parts in it. Even the high-end lead part was through a cassette player with no limiter. Just distortion. Just two acoustics, played right into the mike, and hit very hard. There's a sitar in the back, too. That would give the effect of the high notes on the guitar. And Charlie was playing his little 1930s drummer's practice kit. It was all sort of built into a little attaché case, so some drummer who was going to his gig on the train could open it up - with two little things about the size of small tambourines without the bells on them, and the skin was stretched over that. And he set up this little cymbal, and this little hi-hat would unfold. Charlie sat right in front of the microphone with it. I mean, this drum sound is massive. When you're recording, the size of things has got nothing to do with it. It's how you record them. Everything there was totally acoustic. The only electric instrument on there is the bass guitar, which I overdubbed afterwards. What I was after with all of those - Street Fighting Man, Jumping Jack Flash - was to get the drive and dryness of an acoustic guitar but still distort it. They were all attempts at that."

Dave Mason did session work on this track. He played the shelani, an Indian reed instrument. Mason went on to form the group Traffic, and has played guitar on albums by Jimi Hendrix, George Harrison, Paul McCartney and Fleetwood Mac.

Mick Jagger said of this song: "It was a very strange time in France. But not only in France but also in America, because of the Vietnam War and these endless disruptions.... I wrote a lot of the melody and all the words, and Keith and I sat around and made this wonderful track, with Dave Mason playing the shelani on it live. It's a kind of Indian reed instrument a bit like a primitive clarinet. It comes in at the end of the tune. It has a very wailing, strange sound." (thanks, Bertrand - Paris, France)

In the US, the single was originally released with a picture on the sleeve of police beating protesters in Los Angeles. The music was different on this version, with different vocals and more piano. This single was quickly pulled by the record company and is now a rare collectors item.

The Stones released this the same month The Beatles came out with "Revolution," which was their first blatantly political song.

A number of sources claim that this song was inspired by the radicalism of a young student leader Tariq Ali, who was active in revolutionary socialist politics in Britain in the late '60s. In an interview with the April 19, 2007 edition of the Galway Advertiser, Ali, who is now a writer and filmmaker, confirmed this. "Yes, its true. Jagger was/is an artist. He writes and sings what he wants."

In the UK, this wasn't released as a single until July, 1971.

Rod Stewart covered this on his 1973 album Sing It Again Rod. Rage Against The Machine covered this on their 2000 album Renegades. (thanks, rudi - melbourne, Australia)

Mick Jagger said in 1995: "I'm not sure if it really has any resonance for the present day. I don't really like it that much. I thought it was a very good thing at the time. There was all this violence going on. I mean, they almost toppled the government in France; De Gaulle went into this complete funk, as he had in the past, and he went and sort of locked himself in his house in the country. And so the government was almost inactive. And the French riot police were amazing. Yeah, it was a direct inspiration, because by contrast, London was very quiet." (thanks, Bertrand - Paris, France)

Joshua Radin - Everything'll Be Alright (Will's Lullaby)

Joshua Radin - Everything'll Be Alright (Will's Lullaby) Lyrics and Youtube Music Videos

Album: We Were Here
Released: 2006

Everything'll Be Alright (Will's Lullaby) Lyrics

Everything'll Be Alright (Will's Lullaby) Song Chart

This was one of the first songs Radin ever wrote. He penned it for the child of his comic actor friend Jay Chandrasekhar. Radin recalled on a Reddit AMA: "When him and his wife Susan had their first baby, Will, they would play my demos to Will (this was when I didn't have a record yet) to make him fall asleep. So I wrote this song as a lullaby to Will. And it was during a time when Hurricane Katrina just hit New Orleans, so I was watching the news and devastated by the news, and I kind of coupled a lullaby with something I was feeling, desperate and trying to find some way to help people going through that time, because I felt powerless. Like a lot of them."

Jay Chandrasekhar (born April 9, 1968) is an American actor, comedian, writer, and director best known for his work with the sketch comedy group Broken Lizard and for directing and starring in the Broken Lizard films Super Troopers, Club Dread, and Beerfest.

The Rolling Stones - Jumpin' Jack Flash

The Rolling Stones - Jumpin' Jack Flash Lyrics and Youtube Music Videos

Album: Through The Past Darkly (Big Hits, Vol. 1)
Released: 1968

Jumpin' Jack Flash Lyrics

I was born in a cross-fire hurricane
And I howled at the morning driving rain
But it's all right now, in fact, it's a gas!
But it's all right. I'm Jumpin' Jack Flash
It's a gas, gas, gas!

I was raised by a toothless, bearded hag,
I was schooled with a strap right across my back
But it's all right now, in fact, it's a gas!
But it's all right, I'm Jumpin' Jack Flash
It's a gas, gas, gas!

I was drowned, I was washed up and left for dead
I fell down to my feet and I saw they bled , yeah yeah
I frowned at the crumbs of a crust of bread
Yeah, yeah, yeah
I was crowned with a spike right through my head
But it's all right now, in fact, it's a gas!
But it's all right, I'm Jumpin' Jack Flash
It's a gas, gas, gas!

Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas

Writer/s: JAGGER, MICK / RICHARDS, KEITH
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Jumpin' Jack Flash Song Chart

Who is "Jack Flash"? His name is Jack Dyer, and he was Keith Richards' gardener. Richards explained to Rolling Stone in 2010: "The lyrics came from a gray dawn at Redlands. Mick and I had been up all night, it was raining outside, and there was the sound of these boots near the window, belonging to my gardener, Jack Dyer. It woke Mick up. He said, 'What's that?' I said, 'Oh, that's Jack. That's jumping Jack.' I started to work around the phrase on the guitar, which was in open tuning, singing the phrase 'Jumping Jack.' Mick said, 'Flash,' and suddenly we had this phrase with a great rhythm and ring to it."

Bill Wyman wrote some of this song, but it was still credited only to Mick Jagger and Keith Richards, which Wyman was never happy about. He explained: "We got to the studio early once and... in fact I think it was a rehearsal studio, I don't think it was a recording studio. And there was just myself, Brian and Charlie - the Stones NEVER arrive at the same time, you know - and Mick and Keith hadn't come. And I was just messing about and I just sat down at the piano and started doing this riff, da-daw, da-da-daw, da-da-daw, and then Brian played a bit of guitar and Charlie was doing a rhythm. We were just messing with it for 20 minutes, just filling in time, and Mick and Keith came in and we stopped and they said, 'Hey, that sounded really good, carry on, what is it? And then the next day we recorded it. Mick wrote great lyrics to it and it turned out to be a really good single."

Mick Jagger: "It's about having a hard time and getting out. Just a metaphor for getting out of all the acid things." (thanks, Bertrand - Paris, France, for above 2)

As Richards explained in Rolling Stone, he's very proud of his guitar part in this song. "When you get a riff like 'Flash,' you get a great feeling of elation, a wicked glee," he said. "I can hear the whole band take off behind me every time I play 'Flash' - there's this extra sort of turbo overdrive. You jump on the riff and it plays you. Levitation is probably the closest analogy to what I feel."

A promotional film, which was an early music video, was shot with The Stones performing this wearing body paint and outrageous costumes. The paint and costumes would become a trend in the '70s with bands like Kiss.

For The Stones, this was a return to the Blues style of their early years. Their previous album, Her Satanic Majesties Request, had more of a psychedelic sound.

In the US, this was a hit for Aretha Franklin in 1986. Her version was produced by Keith Richards, who also played guitar. It hit #21.

The title was used for the name of a Whoopi Goldberg movie in 1986. Aretha Franklin's version was used.

This was intended for Beggar's Banquet, but they left it off the album and released it as a single because The Stones were very pleased with the results.

This was rumored to be about drugs. A "Jumpin' Jack Flash" is supposedly a way to inject heroin into the tear ducts.

Keith Richards: "I used a Gibson Hummingbird acoustic tuned to open D, six string. Open D or open E, which is the same thing - same intervals - but it would be slackened down some for D. Then there was a capo on it, to get that really tight sound. And there was another guitar over the top of that, but tuned to Nashville tuning. I learned that from somebody in George Jones' band in San Antonio in 1964. The high-strung guitar was an acoustic, too. Both acoustics were put through a Phillips cassette recorder. Just jam the mic right in the guitar and play it back through an extension speaker." (thanks, Bertrand - Paris, France)

Don McLean referenced this in "American Pie" with the words "Jack be nimble, Jack be quick, Jack Flash sat on a candlestick, 'Cause fire is the Devil's only friend." The 'Devil' was rumored to be Mick Jagger. (thanks, Helen - York, England)

Like the other songs he used in the movie Mean Streets, Martin Scorsese played this song from his original album, giving it more of a raw sound. (thanks, Ace - Las Vegas, NV)

In 2004, Chevy used this in a commercial for their Corvette, but the ads were quickly pulled over objections from viewers. The ad showed a young kid driving the car in a very dangerous manner. It was meant to portray the kid dreaming about the car, but a lot of people didn't see it that way.

This song was used as the finale in the rhythm-action game Elite Beat Agents for the Nintendo DS. It is the second half of a two-part scenario, the first half being "Without a Fight." In the scenario, evil aliens known as the Rhombulans invade Earth and ban music, and the game's characters band together to summon the Elite Beat Agents. In "Without a Fight," the Elite Beat Agents help to free the prisoners in the Rhombulans' concentration camp (while simultaneously making music to injure the Rhombulan guards), then dash into the path of a gigantic laser beam to save the newly-freed prisoners. This results in the EBA being turned to stone, but the game's characters chant out "EBA" repeatedly while clapping in unison. As "Jumpin' Jack Flash" begins, the stone EBA statues crack, allowing the EBA to break free. They then proceed to sing and dance, leading Earth's populace into a high-school-prom-like celebration. At the end of the song ("Jumpin Jack Flash is a gas"), the agents and the people harness the power of music to fire a huge laser at the Rhombulan lead UFO, utterly destroying it and saving the planet. (thanks, Matthew - Milford, MA)

This is the most performed song by the Rolling Stones. The band have played this during every tour since its release in 1968.

In his autobiography, Life (2010), Keith Richards wrote about the mysterious power of this song: "I love 'Satisfaction' dearly and everything, but those chords are pretty much a de rigueur course as far as songwriting goes. But 'Flash' is particularly interesting. It's allllll right now. It's almost Arabic or very old, archaic, classical, the chord setups you could only hear in Gregorian chants or something like that. And it's that weird mixture of your actual rock and roll and at the same time this weird echo of very, very ancient music that you don't even know. It's much older than I am, and that's unbelievable! It's like a recall of something, and I don't know where it came from." (thanks, Bertrand - Paris, France)

Joshua Radin - Star Mile

Joshua Radin - Star Mile Lyrics and Youtube Music Videos

Album: We Were Here
Released: 2006

Star Mile Lyrics

Star Mile Song Chart

This is one of the first songs that Joshua Radin wrote after moving to Los Angeles; he penned it for the Zach Braff romantic comedy movie The Last Kiss. The track plays at the end of the film.

Radin explained during a Reddit AMA that the song is, "about the 'Star Mile' meaning the Hollywood Walk of Fame, all the stars in the pavement."

"And it's a song I was trying to tell a friend," he added, "don't get caught up in all the LA bulls--t."

The Rolling Stones - 2,000 Light Years From Home

The Rolling Stones - 2,000 Light Years From Home Lyrics and Youtube Music Videos

Album: Their Satanic Majesties Request
Released: 1967

2,000 Light Years From Home Lyrics

2,000 Light Years From Home Song Chart

Space exploration was big at the time, and was probably an influence on this song. Pink Floyd was making music with a similar sound.

The psychedelic sound reflected the times. It was the summer of love (1967).

Mick Jagger got the idea for this while in jail on drug charges.

The Stones played this on their Steel Wheels tour in 1989. A show in Atlantic City was broadcast with this song shot in 3D, which viewers could see using those goofy glasses.

Various echo effects and drum sounds were added in overdubbing.

Brian Jones played the Mellotron, an early synthesizer. He died in 1969 when he drowned in his swimming pool.

'90s Psychedelic group The Brian Jonestown Massacre recorded a tribute to the Stones' Psychedelic period (and this song) called Their Satanic Majesties' Second Request. (thanks, Bertrand - Paris, France)

Kid Rock - First Kiss

Kid Rock - First Kiss Lyrics and Youtube Music Videos

Album: First Kiss
Released: 2015

First Kiss Lyrics

I remember waiting for the school bus
Jenny Clayton was my first crush
And neither one of us had a clue

An old Cheyenne it was my first truck
Rusted, rough and kinda beat up
But when she jumped in it felt brand new

And now these days when I drive through a small town
I turn my stereo up and roll my windows down
’cause it reminds me of my First Kiss
And those days that I always miss
Tom Petty on the radio
Going steady with nowhere to go
No money just time to spend
An old Chevy and a couple friends
Oh how I wish that I could go back in time
Just to love you again

I remember drinking from the same cup
We’d break up just to make up
I remember falling in love with you
Smokin’ cigarettes on the tailgate
Man it seems like it was yesterday
When Main Street felt like Park Avenue

And when I’m driving through any ol’ small town
I turn my stereo up and roll my windows down
’cause it reminds me of my first kiss
And those times that I always miss
Tom Petty on the radio
Going steady with nowhere to go
No money just time to spend
An old Chevy and a couple friends
Oh how I wish that I could go back in time

When forever felt like it would never come
And we never thought we’d turn 21
So young we thought this could never end
Oh how I wish we could go back again
Oh yeah yeah
Ooh ooh ooh

And now that time has taken over
And we can’t fight this getting older
But somehow baby we made it through (we made it through)
And every time I’m a lookin’ at you

It reminds me of my first kiss
And those days that I always miss
Tom Petty on the radio
Going steady with nowhere to go
No money just time to spend
An old Chevy and a couple friends
Oh how I wish that I could go back in time

Just to love you again
Just to love you again

Just to love you again
Just to love you again

Oh how I wish that I could go back in time

Writer/s: ROBERT RITCHIE, MARLON YOUNG, MARLON RAY YOUNG
Publisher: Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

First Kiss Song Chart

This nostalgic song about young love finds Kid Rock reminiscing about a first kiss. However, the Jenny Clayton that he namechecks on the song isn't a real person. He explained to Classic Rock magazine: "Jenny Clayton was a girl that rhymed really well with the song! That was my hip-hop s--t."

"I tried to use some of the things I learned about rhyme-schemes in hip-hop in the stuff I'm doing now," Rock added. "Like Rick Rubin said, the more words you can rhyme, the better it's going to be at catching people's attention real fast. So you can sneak in something like that, rather than have them dig up some girl who really was my first kiss and f--king hound her. Good luck on finding Jenny Clayton!"

Guns N' Roses - It's So Easy

Guns N' Roses - It's So Easy Lyrics and Youtube Music Videos

Album: Appetite For Destruction
Released: 1987

It's So Easy Lyrics

I see your sister in her Sunday dress
She's out to please
She pouts her best
She's out to take
No need to try
She's ready to make

It's So Easy, easy
When everybody's tryin' to please me baby
It's so easy, easy
When everybody's tryin' to please me

Cars are crashin' every night
I drink n' drive everything's in sight
I make the fire
But I miss the firefight
I hit the bull's eye every night

It's so easy, easy
When everybody's tryin' to please me baby
Yeah it's so easy, easy
When everybody's tryin' to please me
So easy
But nothin' seems to please me
It all fits so right
When I fade into the night
See me hit you
You fall down

I see standin' there
You think you're so cool
Why don't you just
Fuck off

Ya get nothin' for nothin'
If that's what ya do
Turn around bitch I got a use for you
Besides you ain't got nothin' better to do
And I'm bored

It's so easy, easy
When everybody's tryin' to please me baby
It's so easy, easy
When everybody's tryin' to please me
So easy
But nothin' seems to please me
It all fits so right
When I fade into the night
So come with me
Don't ask me where 'cause I don't know
I'll try ta please you
I ain't got no money but it goes to show
It's so easy
So fucking easy
It's so easy
So damn easy
It's so easy
So fucking easy
It's so easy

Writer/s: Arkeen, West / Mc Kagen, Duff / Stradlin, Izzy / Adler, Steven / Rose, Axl / Slash
Publisher: EMI Music Publishing, THE ARKEEN COMPANY
Lyrics licensed and provided by LyricFind

It's So Easy Song Chart

This was the first single from Appetite For Destruction. It flopped, but was followed by "Welcome To The Jungle" and then "Sweet Child O' Mine," which hit #1 in the US.

Guns N' Roses bass player Duff McKagan wrote this with West Arkeen, who was also a cowriter on "Patience," "The Garden" and "Yesterdays." Arkeen died of a drug overdose in 1997.

While performing this at the Monsters Of Rock tour in England in 1988, two people were trampled to death as the crowd of over 90,000 formed a giant mosh pit.

In 2001, former members Slash and Duff McKagan got together and performed this at a club in Los Angeles. McKagan was playing the club with his band Loaded.

Along with "Mr. Brownstone," this is one of 2 Guns N' Roses songs that Velvet Revolver regularly plays in concert. Three former GN'R members, including McKagan, play in Velvet Revolver.

Panda Bear - Mr Noah

Panda Bear - Mr Noah Lyrics and Youtube Music Videos

Album: Panda Bear Meets the Grim Reaper
Released: 2014

Mr Noah Lyrics

This dog got bit on a leg
He got a really big chip on a leg
Don't want to get out of bed
Unless he feels like it's justified

This dog got bit on a leg
He got a really big chip on a leg
Don't want to get out of bed
Unless he feels like it's justified

Here comes the loaf again
Drip a lot, drop a lot
Become an oaf again
Trip a lot, trip a lot
So wide to the other side
Shuts an eye
But he stays like a stump inside
Hey, hey, hey

Here comes the loaf again
Drip a lot, drop a lot
Become an oaf again
Trip a lot, trip a lot
So wide to the other side
Shuts an eye
But he stays like a stump inside
Hey, hey, hey

This dog got bit on a leg
He got a really big chip on a leg
Don't want to get out of bed
Unless he feels like it's justified

This dog got bit on a leg
He got a really big chip on a leg
Don't want to get out of bed
Unless he feels like it's justified

Upon the gusts he glide
Brittle mind, gentle mind
Toward a bigger sign
Every time, every time
So much for the safest vibe
Tossed aside
But he burns like a blaze inside
Hey, hey, hey

Upon the gusts he glide
Brittle mind, gentle mind
Toward a bigger sign
Every time, every time
So much for the safest vibe
Tossed aside
But he burns like a blaze inside
Hey, hey, hey

This dog got bit on a leg
He got a really big chip on a leg
Don't want to get out of bed
Unless he feels like it's justified

This dog got bit on a leg
He got a really big chip on a leg
Don't want to get out of bed
Unless he feels like it's justified

Writer/s: NOAH LENNOX
Publisher: CHRSALYIS MUSIC GROUP INC
Lyrics licensed and provided by LyricFind

Mr Noah Song Chart

Noah "Panda Bear" Lennox told the background to this song to Fader magazine. "I was talking to this holistic healer lady in Portugal who lives down the river," he explained. "She said, 'Your character is represented by three spirit animals' - a wolf, a bear, and an eagle. I thought that was odd, so I thought it would be a fun exercise to write a song that was a cartoon-y image of the way I thought about myself."

"There's various sections of the songs that talk about elements of my character - a wolf section, a bear section, and an eagle section at the end," Panda Bear continued. "I've always had a thing with wolves, even though I was totally wrong about them. We think of wolves as these solitary creatures, but they're actually dedicated family beings. They travel in packs, and when they're on their own, they die. They don't survive."

This was released as the first single from Panda Bear Meets the Grim Reaper on October 23, 2014. Lennox didn't intend the title to invoke death. He explained to Spin: "The way the theme works in the songs is more like the Grim Reaper is a representation of change. Often when there's dramatic change, it feels like something kind of dies - particularly in identity, when there's parts of us or parts of our character that kind of die."

Creedence Clearwater Revival - Proud Mary

Creedence Clearwater Revival - Proud Mary Lyrics and Youtube Music Videos

Album: Bayou Country
Released: 1969

Proud Mary Lyrics

Left a good job in the city
Workin' for the man ev'ry night and day
And I never lost one minute of sleepin'
Worryin' 'bout the way things might have been

Big wheel keep on turnin'
Proud Mary keep on burnin'
Rollin', rollin', rollin' on the river

Cleaned a lot of plates in Memphis
Pumped a lot of pane down in New Orleans
But I never saw the good side of the city
'Til I hitched a ride on a river boat queen

Big wheel keep on turnin'
Proud Mary keep on burnin'
Rollin', rollin', rollin' on the river
Rollin', rollin', rollin' on the river

If you come down to the river
Bet you gonna find some people who live
You don't have to worry 'cause you have [if you got] no money
People on the river are happy to give

Big wheel keep on turnin'
Proud Mary keep on burnin'
Rollin', rollin', rollin' on the river
Rollin', rollin', rollin' on the river

Rollin', rollin', rollin' on the river
Rollin', rollin', rollin' on the river
Rollin', rollin', rollin' on the river

Writer/s: JOHN C. FOGERTY
Publisher: CONCORD MUSIC GROUP, INC
Lyrics licensed and provided by LyricFind

Proud Mary Song Chart

In the beginning, "Proud Mary" had nothing to do with a riverboat. Instead, John Fogerty envisioned it as the story of a woman who works as a maid for rich people. "She gets off the bus every morning and goes to work and holds their lives together," he explains. "Then she has to go home."

It was Stu Cook who first introduced the riverboat aspect of the song. The idea came to him as the group watched the television show Maverick and Stu made the statement, "Hey riverboat, blow your bell." John agreed that the boat seemed to have something to do with the song that'd been brewing in his mind for quite some time, waiting to take conscious shape. When he wrote the music, he made the first few chords evoke a riverboat paddlewheel going around. Thus, "Proud Mary" went from being a clean-up lady to a boat.

Fogerty wrote the lyrics based on three song title ideas: "Proud Mary," "Riverboat," and "Rolling On A River." He carried around a notebook with titles that he thought would make good songs, and "Proud Mary" was at the top of the list.

The song came together on the day that John Fogerty got his discharge papers from the US Army. Fogerty had been drafted in 1966 and was part of a Reserve unit, serving at Fort Bragg, Fort Knox, and Fort Lee. His discharge papers came in 1967. Fogerty recalls in Bad Moon Rising: The Unofficial History of Creedence Clearwater Revival by Hank Bordowitz:

"The Army and Creedence overlapped, so I was 'that hippie with a record on the radio.' I'd been trying to get out of the Army, and on the steps of my apartment house sat a diploma-sized letter from the government. It sat there for a couple of days, right next to my door. One day, I saw the envelope and bent down to look at it, noticing it said 'John Fogerty.' I went into the house, opened the thing up, and saw that it was my honorable discharge from the Army. I was finally out! This was 1968 and people were still dying. I was so happy, I ran out into my little patch of lawn and turned cartwheels. Then I went into my house, picked up my guitar and started strumming. 'Left a good job in the city' and then several good lines came out of me immediately. I had the chord changes, the minor chord where it says, 'Big wheel keep on turnin'/Proud Mary keep on burnin'' (or 'boinin',' using my funky pronunciation I got from Howling' Wolf). By the time I hit 'Rolling, rolling, rolling on the river,' I knew I had written my best song. It vibrated inside me. When we rehearsed it, I felt like Cole Porter."

So it was that an all-American classic was born from the pressure-cooker atmosphere of the late 1960s. Fogerty suspected right away that his "Tin Pan Alley" song was a radio-friendly hit, and he was right. The song hit #2 in the US, reached #8 in the UK, and #1 in Austria.

This was the first of five singles by Creedence that went to #2 on the US chart. They had the most #2 songs without ever having a #1.

Despite popular belief, John Fogerty was not writing from experience when he wrote this. Thanks to his military commitment, he hadn't ventured further east than Montana.

"Proud Mary" attracted 35 covers in the year 1969 alone. Over 100 have been made since.

This was a #4 hit in the US for Ike and Tina Turner in 1971, and a highlight of their live shows. Tina Turner recalled in an interview with Rolling Stone magazine in 1971 how they came to record this on their Workin' Together album: "When we cut the album, we were lacking a few tunes, so we said 'Well, let's just put in a few things that we're doing on stage. And that's how 'Proud Mary' came about. I had loved it when it first came out. We auditioned a girl and she had sung 'Proud Mary.' This is like 8 months later, and Ike said, 'You know, I forgot all about that tune.' And I said let's do it, but let's change it. So in the car Ike plays the guitar, we just sort of jam. And we just sort of broke into the black version of it. It was never planned to say, 'Well, let's go to the record shop, and I'd like to record this tune by Aretha Franklin'... it's just that we get it for stage, because we give the people a little bit of us and a little bit of what they hear on the radio every day."

The line, "Pumped a lot of pain down in New Orleans" is actually "Pumped a lot of 'Pane," as in propane. He was pumping gas.

Leonard Nimoy, who played "Mr. Spock" on Star Trek, recorded an infamous cover of this song. Near the end, he sings the chorus Elmer Fudd style - "Big wheel keep on toynin', Pwoud Mawy keep on boinin'..." It is included on a CD called Golden Throats.

John Fogerty (about how the guitar riff came about): "I don't know where the germ started. I can kind of remember writing the chords at the beginning of the song. Believe it or not, I was playing around with the famous riff from Beethoven's Fifth Symphony. I used to tell people that the song sounds like what it's about. I thought, by the way, that the opening riff sounded just like the wheel at the back of a boat. 'Proud Mary' is not a side-wheeler, it's a stern-wheeler." (thanks, Brett - Edmonton, Canada, for above 2)

Even though Creedence Clearwater Revival was from El Cerrito, California, many people thought they were from New Orleans or some other part of the South because of their swamp rock sound. They helped feed the rumor by naming their second album Bayou Country.

Ike and Tina Turner's version charted for the first time in the UK on the chart dated October 2, 2010 after it was performed on X-Factor by auditioneees Diva Fever. For a reason not known to us it was credited to Tina Turner only.

Ike and Tina performed their version on the Season 2 premiere of Soul Train in 1972, becoming the first big act to appear on the program. The show became very popular its first season because of the dancers, but they were able to book many famous guests in subsequent seasons.

The first time that Fogerty heard Ike and Tina's version he was in the car. He recalled to: "When it ended, if they had a camera and came back to me it'd be like, when Shrek and the donkey go to Far, Far Away and they push the button for that little arcade machine and it tells the whole story of their town! And the Donkey's like [Eddie Murphy impression] 'Let's do that again!' That's how I felt when that ended. I loved it, and I was so honored. I was like, 'Wow, Ike and Tina!' I had actually been following their career for quite some time. Way back in the day, when Janis and Grace Slick started to get known by the kids who were my age, I'd be like, 'Man, Tina Turner, c'mon!' She finally got her due, but for a while there, she wasn't noticed. It was a really good version, and it was different. I mean, that's the key. Instead of the same thing, it was really exciting."

Panda Bear - Sequential Circuits

Panda Bear - Sequential Circuits Lyrics and Youtube Music Videos

Album: Panda Bear Meets the Grim Reaper
Released: 2015

Sequential Circuits Lyrics

Get just what you need
Just what
Want more than you need
Want more
Dread follows that lead
Follow the lead

Near as far from from a balm as the cut
(Come on)

More than you can see
See more
Seeds become a tree
Because you can't
Be a growth
And the same as before
(Come on)

Writer/s: NOAH LENNOX
Publisher: CHRSALYIS MUSIC GROUP INC
Lyrics licensed and provided by LyricFind

Sequential Circuits Song Chart

This is titled after a California-based synthesizer company that was founded in the early 1970s and made many breakthroughs in the following 15 years, before being taken over by Yamaha in 1987. Noah Bear told Fader magazine: "I feel weird about company names being song titles—maybe if I had used Sequential Circuits equipment it would make more sense."

"The song is about mental systems and ways of thinking - particularly, how we think of ourselves," he added. "I like that there's a really long tail at the end of the song - it's a cool way to start an album. It's like when an orchestra is warming up: there's tones in the beginning, there's silence, and then the music starts. There's this anticipation of, 'Is it gonna start now?'"