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Hawksley Workman - They Decided Not to Like U
Hawksley Workman - They Decided Not to Like Us


Hawksley Workman - They Decided Not to Like Us Youtube Music Videos and Lyrics

Album: Songs from The God That Comes
Released: 2013

They Decided Not to Like Us Lyrics


They Decided Not to Like Us Song Chart
  • "They Decided Not to Like Us" is the epilogue of Hawksley Workman's one-man show, The God That Comes based off of the Greek tragedy by Euripides, The Bacchae. The song serves as almost a modern-day version of the story because of the similar themes. The Bacchae revolves around the King of Thebes, Pentheus, being upset that his people are engaging in disgraceful activities involving alcohol consumption and coitus.

    "They Decided Not to Like Us" speaks about feeling badly about oneself after a night of partying and possibly being judged for partaking in those same kinds of events as in the play.
  • The idea of "They Decided Not to Like Us" being a present day version of the story is evident in the first two verses with the lyrics mentioning alcohol and worrying about people seeing revealing photos:

    Nudie pictures on your mobile phone
    Forgotten in the back of a cab
    You were just going home
    You were too drunk to know

    And you'll wake up at seven
    With your guts in a knot
    Wondering if the world has seen
    All the close-ups you took
    That you texted to me
  • The song is different than any other because it was the only one not written for the play. Workman wrote it with Hot Hot Heat's lead singer, Steve Bays, before they had started their Canadian rock supergroup, Mounties.

    In our interview with Workman , he revealed what inspired the song. "I sort of had a night of excessiveness and then the next day I had all the self-loathing and guilt that comes with those kinds of nights," he said. Hawksley went on to explain how some people did not like the tune included at the end of the play, but that the point of it was to bring the whole show into the present.

  • Pink Floyd - Shee
    Pink Floyd - Sheep


    Pink Floyd - Sheep Youtube Music Videos and Lyrics

    Album: Animals
    Released: 1977

    Sheep Lyrics


    Hopelessly passing your time in the grassland away
    Only dimly aware of a certain unease in the air
    You better watch out,
    There may be dogs about
    I've looked over Jordan, and I have seen
    Things are not what they seem

    What do you get for pretending the danger's not real
    Meek and obedient you follow the leader
    Down well trodden corridors into the valley of steel
    What a surprise!

    A look of terminal shock in your eyes
    Now things are really what they seem
    No, this is no bad dream

    The Lord is my shepherd, I shall not want
    He makes me down to lie
    Through pastures green He leadeth me the silent waters by
    With bright knives He releaseth my soul

    He maketh me to hang on hooks in high places
    He converteth me to lamb cutlets,
    For lo, He hath great power, and great hunger
    When cometh the day we lowly ones,

    Through quiet reflection, and great dedication
    Master the art of karate,
    Lo, we shall rise up,
    And then we'll make the bugger's eyes water

    Bleating and babbling we fell on his neck with a scream
    Wave upon wave of demented avengers
    March cheerfully out of obscurity into the dream

    Have you heard the news?
    The dogs are dead
    You better stay home
    And do as you're told
    Get out of the road if you want to grow old

    Writer/s: WATERS, ROGER
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Sheep Song Chart
  • Along with pigs and dogs, sheep are one of 3 animals represented on the album. The sheep represents the mindless people who follow the herd.
  • Pink Floyd started performing this in 1974. It was known as "Raving And Drooling," but was changed to fit the animal theme of the album.
  • This was the only song from Animals included on Pink Floyd's 2001 retrospective album Echoes.
  • After Pink Floyd toured for this album, they took some time off, got back together, and recorded their legendary album The Wall.
  • There is a "subliminal" message on this song that is a parody of the "Lord's Prayer". It is heard beneath the music in a robotic, distorted voice, with sheep heard in the background. "The Lord is my shepherd, He converteth me to lamb cutlets....". (thanks, Shawn - Boston, MA)

  • Hawksley Workman - Smoke Bab
    Hawksley Workman - Smoke Baby


    Hawksley Workman - Smoke Baby Youtube Music Videos and Lyrics

    Album: Lover/Fighter
    Released: 2003

    Smoke Baby Lyrics


    In your underclothes
    You went out for a smoke
    I call you in
    Just before the storm begins
    Your last breath of smoke
    You let out in the room
    It makes a cloud
    Like the greyist
    Perfect plume

    Smoke Baby, smoke baby
    More alcohol baby
    Cocaine in Montreal
    And back out on a plane baby
    An early flight will leave
    And on it will be me
    I'll be half asleep
    And you'll get up at three

    Casual as a light
    Flickers before it's night
    Sadness comes
    And the daylight turns and runs
    As the sun is setting you'll be betting
    I'll be getting through
    I'll find a payphone baby
    Take some time to talk to you

    And I have never felt
    Quite this close to hell
    All this rock and roll baby
    Only time will tell
    But we're young now, having fun now
    On the town now, get around now
    It's fine for now
    But someday we'll settle down
    But not now

    Smoke baby

    Who'll give you time to cry?
    And time to find yourself?

    Writer/s: CORRIGAN, RYAN MATTHEW / MCKINNEY, MARTIN DANIEL N
    Publisher: Peermusic Publishing, Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

    Smoke Baby Song Chart
  • This is the eighth track on Hawksley Workman's critically acclaimed and commercially successful album, Lover/Fighter. Workman co-wrote this song with renowned producer, Doc McKinney, best recognized for his work with The Weeknd and Drake.

    Workman has written songs with McKinney numerous times throughout his career and "Smoke Baby" was the first one they wrote together. The song was drastically different from any that Workman had previously written. It opened his songwriting world up to a whole new process he had never explored before. "Smoke Baby" was written in a studio to a beat that McKinney created. In our interview with Workman , he explained what it was like working with him. "The beats that he would cook up always felt to me to be a little cooler," he said. "You just could always feel that Doc was onto something."

    It was the beginning of Workman realizing that there were other ways of writing than just sitting down at a piano like he was used to doing. This would later become a norm for Workman when he would take songwriting trips to London, England, Stockholm, Sweden, Los Angeles, and New York to work with pop producers trying to breed radio hits.
  • Lyrically "Smoke Baby" talks about Workman believing his own hype at the time. "I was kind of this cult star in France and I was living an excessive lifestyle," he told us. "The lyrics now serve me more as an embarrassment than they do as me proudly wearing my rock and roll badge of honor."

    The outlandish rock and roll lifestyle Workman mentions is evident in these lyrics:

    And I have never felt
    Quite this close to hell
    All this rock and roll, baby
    Only time will tell


    And specifically in the chorus, too:

    Smoke baby, smoke baby
    More alcohol, baby
    Cocaine in Montreal
    And black out on the plane, baby

  • Pink Floyd - Arnold Layn
    Pink Floyd - Arnold Layne


    Pink Floyd - Arnold Layne Youtube Music Videos and Lyrics

    Album: Relics
    Released: 1967

    Arnold Layne Lyrics


    Arnold Layne had a strange hobby
    Collecting clothes
    Moonshine washing line
    They suit him fine
    On the wall hung a tall mirror
    Distorted view, see through baby blue
    Oh, Arnold Layne
    It's not the same, takes two to know
    Two to know, two to know
    Why can't you see?
    Arnold Layne, Arnold Layne, Arnold Layne, Arnold Layne

    Now he's caught, a nasty sort of person
    They gave him time
    Doors bang, chain gang, he hates it
    Oh, Arnold Layne
    It's not the same, takes two to know
    Two to know, two to know
    Why can't you see?
    Arnold Layne, Arnold Layne, Arnold Layne, Arnold Layne

    Don't do it again

    Writer/s: BARRETT, SYD
    Publisher: Peermusic Publishing
    Lyrics licensed and provided by LyricFind

    Arnold Layne Song Chart
  • Original member Syd Barrett wrote this about a cross-dresser named "Arnold Layne" who used to steal bras and panties from clotheslines in Cambridge, England. Barrett lived near Roger Waters growing up. Their mothers both lost underwear to Arnold Layne.
  • Pink Floyd's first single; it was not used on an album. In promotional materials to accompany the single, the band's record company, EMI, wrote: "Pink Floyd does not know what people mean by psychedelic pop and are not trying to cause hallucinatory effects on their audience."
  • The group was set to make their Top Of The Pops debut with a performance of this song in April 1967, but were dropped when it fell three places on the UK chart that week. They first appeared on the show July 6, performing "See Emily Play."
  • Barrett was the group leader and an excellent songwriter, but he did a lot of drugs and lost his mind over the next year, becoming England's first high-profile acid casualty. He was kicked out of the band the next year, replaced by David Gilmour.
  • Radio London banned this song, since it was about a man who steals women's undergarments. The far more conservative BBC played it, indicating they either didn't have a problem with this particular subject matter or didn't understand it.
  • Before the band came out at their shows in the late '80s, this played while video of Pink Floyd in 1967 was shown on the giant screens.
  • This had a blues sound the band was known for. Pink Floyd's name originated from Syd Barrett. His two favorite blues artists, Pink Anderson and Floyd Council, appeared to him in what he referred to as a "vision," giving Syd the idea for the name. (thanks, Anthony - Wantagh, NY)
  • The promotional black-and-white music video displayed the band with Syd. During the video, the band dressed up a mannequin and took it to a beach. (thanks, Andy - Cleveland, OH)
  • The song made an unexpected appearance in the live sets of Pink Floyd guitarist David Gilmour during his 2006 tour promoting his solo album, On an Island. Later in the year, two live recordings of the song, from Gilmour's On an Island shows at the Royal Albert Hall were released as a live single, which peaked at #19 on the UK singles chart. One version had guest vocals by David Bowie, the other by Floyd's Richard Wright.

  • Hawksley Workman - Safe and Soun
    Hawksley Workman - Safe and Sound


    Hawksley Workman - Safe and Sound Youtube Music Videos and Lyrics

    Album: For Him And The Girls
    Released: 1999

    Safe and Sound Lyrics


    You slept through the last small town,
    I'll wake you up when the next one comes around.
    Your eyes are closed, like you truly believe
    You're Safe and Sound with me

    No looking back, no turning into salt.
    The city was crumbling but, baby, we're not to fault.
    When things got too rough, I promised you we'd leave.
    You're safe and sound with me.

    You're safe and sound with me,
    Just like you always will, just like you always will be.

    The wipers clear the windshield of the rain.
    My shirt sleeve dries your eyes the very same.
    We fit together like the ignition and the key.
    You're safe and sound with me.

    You're safe and sound with me,
    Just like you always will, just like you always will be.

    You're safe and sound with me,
    Just like you always will, just like you always will be.

    The glove box light shines bright enough to see.
    You read the map like you were reading poetry.
    And it just might take you forever to see,
    That you're safe and sound with me.

    Writer/s: CORRIGAN, RYAN MATTHEW
    Publisher: Peermusic Publishing
    Lyrics licensed and provided by LyricFind

    Safe and Sound Song Chart
  • "Safe and Sound" is the tenth track on Hawksley Workman's debut album, For Him and the Girls. Workman wrote about the song on his website: "One night, i quietly wrote, what i wanted to be, the quintessential driving song… it's turned into a rather popular song for weddings…"

    In 2014 when we asked Hawksley how he feels about this, he replied: "It's a big life event that you want to celebrate and it's kind of exciting for me that that song has that life."
  • Workman wrote the song in 1998 on a piano in the apartment he lived in with his then girlfriend. "I had imagined this song as traveling with her at the time and she was asleep," Hawksley told us. "So I guess the images were all there waiting to be plucked."

    He continued, "It's interesting that it does come across as a wedding song because in my late teens, I was very pious. So I had a lot of biblical imagery floating around back then. My first few records are loaded with it."
  • Workman's idea about "Safe and Sound" being about traveling is evident in the first verse:

    You slept through the last small town
    I'll wake you up when the next one comes around
    Your eyes are closed like you truly believe
    You're safe and sound with me

  • Pink Floyd - Us And The
    Pink Floyd - Us And Them


    Pink Floyd - Us And Them Youtube Music Videos and Lyrics

    Album: The Dark Side of the Moon
    Released: 1973

    Us And Them Lyrics


    Us (us, us, us, us) and them (them, them, them, them)
    And after all we're only ordinary men
    Me
    And you (you, you, you)
    God only knows
    It's not what we would choose (choose, choose) to do (to do, to do)
    Forward he cried from the rear
    And the front rank died
    And the general sat
    And the lines on the map
    Moved from side to side
    Black (black, black, black)
    And blue (blue, blue)
    And who knows which is which and who is who
    Up (up, up, up, up)
    And down (down, down, down, down)
    And in the end it's only round 'n round (round, round, round)
    Haven't you heard it's a battle of words
    The poster bearer cried
    Listen son, said the man with the gun
    There's room for you inside

    "I mean, they're not gonna kill ya,
    So if you give 'em a quick short, sharp, shock,
    They won't do it again. Dig it?
    I mean he get off lightly, 'cause I would've given him a thrashing
    I only hit him once! It was only a difference of opinion, but really
    I mean good manners don't cost nothing do they, eh?"

    Down (down, down, down, down)
    And out (out, out, out, out)
    It can't be helped that there's a lot of it about
    With (with, with, with), without
    And who'll deny it's what the fighting's all about?
    Out of the way
    It's a busy day
    I've got things on my mind
    For the want of the price
    Of tea and a slice
    The old man died

    Writer/s: ROGER WATERS, RICK WRIGHT
    Publisher: T.R.O. INC.
    Lyrics licensed and provided by LyricFind

    Us And Them Song Chart
  • This began as a piano piece Rick Wright came up with while working on the soundtrack to the 1970 movie Zabriskie Point. It didn't make the soundtrack, but they worked with it at the Dark Side of the Moon sessions and it eventually became this song. The director of Zabriskie Point, Michelangelo Antonioni, rejected the song for being "beautiful, but too sad... it makes me think of church."
  • Zabriskie Point was one of the first soundtracks Pink Floyd worked on. They put a lot of work into it, but the director ended up using only 3 of their songs. Floyd also worked on soundtracks for the movies More, The Valley, and Tonight Let's All Make Love In London.
  • The band refereed to this as "The Violence Sequence" because they worked on it for a very violent scene in the movie.
  • Dave Gilmour sings lead, but this song was written by Roger Waters and Pink Floyd keyboard player Rick Wright. Some of Wright's other songwriting credits include "Breathe," "Great Big Gid In The Sky," and "One Of These Days," but by the late '70s Waters ended up doing most of the writing himself, and he wrote all the songs on their 1983 album The Final Cut. Talking about Wright's compositions, Waters said in a 2003 interview with Uncut: "He would write odd bits. He secreted them away and put them on those solo albums he made and were never heard. He never shared them. It was unbelievably stupid. I never understood why he did that. I'm sure there were two or three decent chord sequences. If he'd given them to me, I would have been very, very happy to make something with them."
  • One of Pink Floyd's first uses of female backup singers. They brought in Liza Strike, Leslie Duncan and Doris Troy to sing harmonies. Troy had a hit on her own with "Just One Look."
  • Like other songs on the album, this contains the ramblings of random voices. Roger Waters made flashcards with questions on them and recorded different people around the studio answering them. He showed one to a weird roadie for another band named Roger The Hat, who got the question "When was the last time you thumped somebody." His answer made it onto this song, which is the part about giving someone a "short, sharp shock."
  • Along with "Money," this was one of 2 songs on the album to use a sax, which was played by Dick Parry.
  • The engineer for the album was Alan Parsons, who also worked on The Beatles' Abbey Road album. Some of the production techniques on this are similar to the suite of songs at the end of that album, especially "Sun King." Parsons went on to form his own band called The Alan Parsons Project. They had a hit in 1982 with "Eye In The Sky."
  • Pink Floyd's record company was originally hesitant to release this track because it was felt that the signature melody line was extremely depressing. (thanks, Joe - Piscataway, NJ)
  • In the Dark Side of the Rainbow theory (that Dark Side of the Moon acts as a soundtrack to The Wizard Of Oz), the line, "And who knows which is which and who is who," occurs after the Wicked Witch of the West appears and she is first seen with Dorothy and Glinda, the good witch on the opposite side of the screen. (thanks, Adrian - Brookings, SD)
  • When this was recorded, Rick Wright played the song's jazz-influenced grand piano to what he thought was the rest of the band playing in the next studio. In fact they weren't present and it was a recording made earlier. What started as a prank became, according to Alan Parsons in Mojo magazine, "one of the best things Rick ever did."

  • Mounties - Headphone
    Mounties - Headphones


    Mounties - Headphones Youtube Music Videos and Lyrics

    Album: Thrash Rock Legacy
    Released: 2014

    Headphones Lyrics


    Headphones Song Chart
  • The Canadian rock supergroup, Mounties, consists of Hawksley Workman , Steve Bays from Hot Hot Heat and Ryan Dahle from Limblifter. Workman had approached Bays and Dahle in 2009 about starting a band together while attending the JUNO Awards. The formation of Mounties took a few years for it to actually happen, though, and was not announced until 2013 with the unveiling of their first single, "Headphones." The trio released their debut album, Thrash Rock Legacy, soon after in March of 2014.
  • In our interview with Mounties drummer and singer, Hawksley Workman, he revealed how the unique writing process for this side project has renewed his love for music. The writing sessions for Mounties usually take place late at night after drinking some wine. They turned into jam sessions with the band improvising lyrics straight off of the floor. It becomes a healthy competition between the three of them about who will write the guiding lyric for the song. Workman explained: "I'm not f--king around with those guys when I'm in the studio. To me, if I'm not blowing their minds, then what am I doing?"
  • "Headphones" started with Ryan Dahle's outlandish guitar part. The drumbeat was something that has possibly never been heard on Canadian radio before so there was an innovative feel from the rhythm side. The lyrics were inspired by Steve Bays' love of antiquing. The band was at one of Bays' favorite antique shops when the dealer was trying to get him to buy a hi-fi unit. When Bays was in the studio after, he just threw his headphones on and sang the opening line of the tune:

    "I got my headphones on like a '70s hi-fi"

    Workman explained how the rest of the track formed in our interview, stating: "And then I came up with the second verse, the sideways Mohawk or whatever. It was just so obvious that there was a song there and as soon as Steve sang that, I think the song kind of wrote itself."

  • Pink Floyd - Tim
    Pink Floyd - Time


    Pink Floyd - Time Youtube Music Videos and Lyrics

    Album: The Dark Side of the Moon
    Released: 1973

    Time Lyrics


    Ticking away the moments that make up a dull day
    Fritter and waste the hours in an offhand way.
    Kicking around on a piece of ground in your home town
    Waiting for someone or something to show you the way.

    Tired of lying in the sunshine staying home to watch the rain.
    You are young and life is long and there is Time to kill today.
    And then one day you find ten years have got behind you.
    No one told you when to run, you missed the starting gun.

    So you run and you run to catch up with the sun but it's sinking
    Racing around to come up behind you again.
    The sun is the same in a relative way but you're older,
    Shorter of breath and one day closer to death.

    Every year is getting shorter never seem to find the time.
    Plans that either come to naught or half a page of scribbled lines
    Hanging on in quiet desperation is the English way
    The time is gone, the song is over,
    Thought I'd something more to say.

    Home
    Home again
    I like to be here
    When I can

    When I come home
    Cold and tired
    It's good to warm my bones
    Beside the fire

    Far away
    Across the field
    Tolling on the iron bell
    Calls the faithful to their knees
    To hear the softly spoken magic spell

    Writer/s: DAVID GILMOUR, NICHOLAS MASON, ROGER WATERS, RICK WRIGHT
    Publisher: T.R.O. INC.
    Lyrics licensed and provided by LyricFind

    Time Song Chart
  • This song is about how time can slip by, but many people do not realize it until it is too late. Roger Waters got the idea when he realized he was no longer preparing for anything in life, but was right in the middle of it. He had just turned 28.

    When the band came up with the concept for the album, the idea was to explore the pressures of life throughout the songs. This song takes on the topic of mortality.
  • The song starts with layers of clock noises that were put together by their engineer, Alan Parsons. Each clock was recorded separately at an antiques store, and the band blended them together. Parsons wanted to use the clocks to demonstrate a new quadraphonic sound system, but they ended up using it to open the song instead. (thanks, Joe - Piscataway, NJ)
  • This was the only song on Dark Side of the Moon on which all four members received a writing credit.
  • The Dark Side of the Moon album has sold over 34 million copies and was on the US charts for 741 consecutive weeks (14 years). It entered the charts in March 1973, and didn't leave until October 1988. Even after it fell off, it continued to sell thousands of copies every week.
  • On their 1973 tour, Pink Floyd played this just after a 4-foot model plane was released from the back of the venue, crashing into the stage and exploding. Floyd always used lots of visual effects at their shows, and had the money to make them very elaborate on this tour.
  • The band played this live long before it was released. They played the whole album in February 1972 at the Rainbow Theater in London, over a year before it came out.
  • This contains a reprise back to the rhythm of "Breathe," which appears two songs earlier on Dark Side of the Moon. "On The Run," an instrumental, is in between. (thanks, Matt - Russell Springs, KY)
  • At the time of recording only a few tom-tom drums were available for the intro. To get the right mix and sound, the band had to tune each drum after hitting it, record it, and then blend and mix into a finalized percussion track. This was a time intensive process.
  • In 1998, Dark Side of the Moon was certified 15x Platinum, meaning it had sold more than 15,000,000 copies. In 2003, the album was re-released on vinyl and has sold steadily in that format. (thanks, Bertrand - Paris, France)

  • Benjamin Booker - Have You Seen My So
    Benjamin Booker - Have You Seen My Son


    Benjamin Booker - Have You Seen My Son Youtube Music Videos and Lyrics

    Album: Benjamin Booker
    Released: 2014

    Have You Seen My Son Lyrics


    Have You Seen My Son Song Chart
  • This song is about the disappointment Booker's strictly conservative parents felt regarding their son pursuing a career as a musician. He recalled to Noisey : "I went to go visit my cousin in the hospital who ended up dying. He was just a kid. And we went on this car ride afterward.

    That kind of stuff makes you think about your relationship with other people, and we just got into this huge, five-hour-car-ride-long fight with [my mom]. I was doing the music thing, and they just completely don't understand, like 'why do you want to play guitar?'

    It was just the day that I realized that they were always going to be a little disappointed in me. They still, you know, they love me and I love them but they're always going to be a little unhappy."

  • Sting - Fortress Around Your Hear
    Sting - Fortress Around Your Heart


    Sting - Fortress Around Your Heart Youtube Music Videos and Lyrics

    Album: Dream Of The Blue Turtles
    Released: 1985

    Fortress Around Your Heart Lyrics


    Under the ruins of a walled city
    Crumbling towers in beams of yellow light.
    No flags of truce, no cries of pity;
    The siege guns had been pounding through the night.
    It took a day to build the city.
    We walked through its streets in the afternoon.
    As I returned across the fields I'd known,
    I recognized the walls that I once made.
    Had to stop in my tracks for fear of walking on the mines I'd laid.

    And if I've built this Fortress Around Your Heart,
    Encircled you in trenches and barbed wire,
    Then let me build a bridge, for I cannot fill the chasm,
    And let me set the battlements on fire.

    Then I went off the fight some battle that I'd invented inside my head.
    Away so long for years and years,
    You probably thought or even wished that I was dead.
    While the armies are all sleeping beneath the tattered flag we'd made.
    I had to stop in my tracks for fear of walking on the mines I'd laid.

    And if I've built this fortress around your heart,
    Encircled you in trenches and barbed wire,
    Then let me build a bridge, for I cannot fill the chasm,
    And let me set the battlements on fire.

    This prison has now become your home,
    A sentence you seem prepared to pay.
    It took a day to build the city.
    We walked through its streets in the afternoon.
    As I returned across the fields I'd known,
    I recognized the walls that I once made.
    Had to stop in my tracks for fear of walking on the mines I'd laid.

    And if I've built this fortress around your heart,
    Encircled you in trenches and barbed wire,
    Then let me build a bridge, for I cannot fill the chasm,
    And let me set the battlements on fire.

    Writer/s: Sumner, Gordon Matthew
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Fortress Around Your Heart Song Chart
  • Sting calls this a "song of reconciliation." It uses an abandoned fortress within a walled city as a metaphor for a relationship that has been through a figurative war, with Sting now ready to put the battles behind him and build a new alliance based on what they had - he sings of building a bridge and setting the battlements on fire. It won't be easy, since he has to cross the field where he once planted mines.

    Inspiration came from Sting's divorce from his first wife, Frances Tomelty (the couple were married from 1976-1984). The pain he felt when he couldn't make this marriage work led him to write some of his biggest hits, including "Every Breath You Take" and "King Of Pain."
  • The Dream Of The Blue Turtles album was recorded in Barbados at a studio owned by the musician Eddy Grant. It was Sting's first solo album, and quite a departure from his work with The Police. He hired some of America's best young jazz musicians to play on it and join him for the tour: Omar Hakim on drums, Kenny Kirkland on keyboards, Darryl Jones on bass and Branford Marsalis on saxophone.

    On this track, however, Sting played the bass himself; he worked up the arrangement in the studio and when he put down the bass part as a demo for Jones, he realized what he had done was perfect.

    "Fortress Around Your Heart" was closer to the Police sound than most of the other, more jazz-inflected tracks on the album, and was released as the second single, following "If You Love Somebody Set Them Free." American program directors were happy to add the song to their playlists, as Sting was on fire: his last album with The Police, Synchronicity, produced four Top 20 hits, and he could heard on the current Dire Straits #1 "Money For Nothing."
  • Sting hired the director Michael Apted to document the first stretch of the Dream Of The Blue Turtles tour, resulting in the concert film Bring On The Night. By documenting his first tour, Sting flipped the convention of filming a band's farewell concert - he liked the idea of recording the beginning of his solo career.

    Apted masterminded a practical joke during one of Sting's Paris concerts he was filming: he commissioned a two-foot fortress with an aluminum foil heart inside that was to descend to the stage when Sting performed this song. The bit was inspired by a scene in the 1984 film This Is Spinal Tap where the band gets a miniature version of Stonehenge because of a measurement error, and uses it as a stage prop. The band and crew had been watching the movie when they recorded the album in Barbados, and were keen on pulling off the gag.

    Fortunately, Sting never looked up to see the mini-fortress, and when it was lowered to the stage during the second chorus, it took him by surprise. Sting, however, showed no reaction, remaining earnest and focused on his performance. Without a suitable reaction shot from the star, the footage was deemed unsuitable for the film.
  • The music video was directed by Mick Haggerty, whose credits include the Go-Go's videos for "Vacation" and "Our Lips Are Sealed." The clip did well on VH1, which launched on January 1, 1985.
  • Sting was inspired by this song's "strange, modal" chords. He said on All This Time: "They sounded kind of medieval actually and so I got into a whole line of thinking about medieval sieges, castle walls, siege guns, armies sleeping under tattered flags and thought it was a nice metaphor for love gone wrong. Armies fighting each other, relationships having collapsed and gone from bad to worse, and what starts as love ends in war."
  • Sting says this song is connected to "Wrapped Around Your Finger," from The Police's Synchronicity album. He told Musician in 1985: "It is linked to 'Wrapped'. 'Wrapped' was a spiteful song about turning the tables on someone who had been in charge. 'Fortress,' on the other hand, is about appeasement, about trying to bridge the gaps between individuals."
  • This song doesn't have a bridge but, Sting says, "I suppose that's symbolic itself, saying there is no bridge between these relationships."

  • Chris Brown - Autumn Leave
    Chris Brown - Autumn Leaves


    Chris Brown - Autumn Leaves Youtube Music Videos and Lyrics

    Album: X
    Released: 2014

    Autumn Leaves Lyrics


    Under the ruins of a walled city
    Crumbling towers in beams of yellow light.
    No flags of truce, no cries of pity;
    The siege guns had been pounding through the night.
    It took a day to build the city.
    We walked through its streets in the afternoon.
    As I returned across the fields I'd known,
    I recognized the walls that I once made.
    Had to stop in my tracks for fear of walking on the mines I'd laid.

    And if I've built this fortress around your heart,
    Encircled you in trenches and barbed wire,
    Then let me build a bridge, for I cannot fill the chasm,
    And let me set the battlements on fire.

    Then I went off the fight some battle that I'd invented inside my head.
    Away so long for years and years,
    You probably thought or even wished that I was dead.
    While the armies are all sleeping beneath the tattered flag we'd made.
    I had to stop in my tracks for fear of walking on the mines I'd laid.

    And if I've built this fortress around your heart,
    Encircled you in trenches and barbed wire,
    Then let me build a bridge, for I cannot fill the chasm,
    And let me set the battlements on fire.

    This prison has now become your home,
    A sentence you seem prepared to pay.
    It took a day to build the city.
    We walked through its streets in the afternoon.
    As I returned across the fields I'd known,
    I recognized the walls that I once made.
    Had to stop in my tracks for fear of walking on the mines I'd laid.

    And if I've built this fortress around your heart,
    Encircled you in trenches and barbed wire,
    Then let me build a bridge, for I cannot fill the chasm,
    And let me set the battlements on fire.

    Writer/s: Sumner, Gordon Matthew
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Autumn Leaves Song Chart
  • This smooth, reflective cut finds Brown opening up about a difficult relationship behind producer BAM's echoing soundscapes. Brown explained the intended metaphor in the title to MTV News. "It's basically saying [that] you put in so much to get so little," he said. "Whether it be in relationships or just in life, you work hard for something all the time and get so little, but you still hold on, like the last leaf in autumn."
  • Kendrick Lamar jumps in halfway through to close the track with some rhymes of resilience. "I think people automatically assumed [that] with me and Kendrick Lamar, if we actually collaborated, it's gonna be a club joint, but for me, I always like to change and switch the envelope," he noted.

    Brown added this is something he's always tried to do when working with rappers. "Even when I did Juelz Santana on 'Run It!,' at that time, real hard-core [rap music] wasn't really fusing with R&B like that. I try to change it up as much as possible. It's what I love to do."
  • Directed by Colin Tilley (Enrique Iglesias, Justin Bieber, Justin Timberlake), the song's music video was shot in Hawaii. The Japanese-inspired clip features Chris Brown as a forlorn Samurai roaming tropical feudal scenery. We see him pursuing the affection of a beautiful geisha, who is played by Breezy's on-and-off girlfriend Karrueche Tran.
  • Kendrick Lamar doesn't appear in the video. Instead, we see Brown lip sync along to his verse.

  • Sting - Fields of Gol
    Sting - Fields of Gold


    Sting - Fields of Gold Youtube Music Videos and Lyrics

    Album: Ten Summoner's Tales
    Released: 1993

    Fields of Gold Lyrics


    Somebody screaming on Jim Jeffries' dreams
    Explode into a black fist
    He falls to the floor
    He stares up at the sky
    And he may wish he knew why
    But you can't go back there no more

    The future sounds so crazy
    We all heard that song before
    Tomorrow's a name that changed from yesterday to blame
    When a train just don't stop here anymore
    I got starry eyed
    On a coaster ride
    Andy said, "Man, I need a break from the world outside"

    And these days my life just careens
    Through a pinball machine
    I could do so much better
    But I can't get off the tilt
    And there's a photograph on a TV, black and white
    And Andy says something to you
    Jack Johnson straddling Reno, Nevada like
    She says I could get myself sometimes, too

    But out past the doorways
    Where we are sleeping
    Well, the white queen's creeping
    The time cat's beeping

    Now I'm not breaking
    The train's just shaking
    I never made it here before
    And there's a wide mouth spinning the girls around
    Till they can't take it any more
    I used to dream in the dark, in Palisades Park
    Up over the cliffs and down among the spark
    It's a long life
    Been a long night
    But it's not what I was waiting for
    Everybody's seen the horses diving down the shore
    It's a miracle they don't make them anymore

    So make up ladies
    Wake up baby
    You walked into the bar like some Saturday star
    Studs straight on spiked heels and needles and nerves
    And you're a downtown pride, fully amplified Clyde
    Gin-tied and Asian, but well preserved
    Remember Annie outside your bedroom window
    Saying, "Come on, let's drive across to the Palisades"
    Keep going till we hit Reno, Nevada
    I don't see it all that much these days

    Still there are pages in back of the action stacks
    Where the white queen's creeping
    The time cat's beeping

    The train's not breaking
    The track's just shaking
    I never made it here before
    And there's a sky rocket turning the world around
    Still I can't take it any more
    And you can carry that spark from Palisades Park
    Down over the cliffs and out into the dark
    It's a long life
    For a long night
    But it's not what I was looking for
    Everybody dreams of horses flying 'round the shore
    It's a bad dream we're not having anymore

    Man, have you seen Andy?
    Hey man, hey man
    Have you seen him around?
    Hey man, have you seen my Andy?
    Hey man, have you seen him have you seen her have you seen him have you seen her
    Have you seen Andy around?

    Dressed up in a pirate vest
    All leathers and feathers and pearls
    Andy said, "Look at me, man, I'm cooking
    These hands are gonna figure out this whole world"
    He said, "Come outside
    Climb out your bedroom window
    Shimmy down the fire escape
    And say goodbye
    Come outside"
    Andy says, "I'm dressed up just like Edie
    Changing all the time
    My leopard spots to polka dots
    Say goodbye
    Come outside
    Where maybe we can move to California
    Just meet me at the subway
    And say goodbye
    Come outside
    The cops all think we're crazy
    If you steal, just get married
    To a girl who'll never know you
    And then say goodbye"

    Hey man, have you seen Andy?
    I lost her in the cirque
    I was high as a kite
    On a lovely and white
    Man, you can lose anyone
    Hey hey man, have you seen Andy?
    I don't know where she's gone
    Real love outlives teenage lust
    We could get wet and it keeps us warm
    Love is like angel dust
    Lovely sometimes changes us

    Sometimes we're not
    Have you been aching with trust or just
    Have you been waking yourself with lust
    Have you been making us up or just
    Taking us home

    It's a long wait
    And a long life
    Cars frozen in flight
    All the traffic stops to stare
    At a crosswalk in Reno, Nevada
    Where nothing but air
    And a pair of gray paper wings
    Andy thinks, "I have got nothing to wear"
    We got nothing to wear
    We got nothing to wear
    We got nothing to wear
    We got nothing to wear

    Writer/s: Adam Duritz
    Publisher: EMI Music Publishing
    Lyrics licensed and provided by LyricFind

    Fields of Gold Song Chart
  • This epic tune clocks in at over eight minutes and was started by Adam Duritz in the early 2010s before being completed in a single sitting. He told us the story of the song in a 2013 interview: "I started writing it about two or three years ago. It was a piece of music that I was thinking about using for the play, which is why it was named 'Palisades Park' for no particular reason. Because it had to do with the play, a setting in the play. There were no words to it, but I had about five minutes of me playing and singing kind of nonsense words, going through all the different changes."

    "I pulled it out and I really loved it. I finally sat down and really worked at writing the whole thing. It took me a while - it took me a week and a half, and the guys were here. I really love it. It's my best piece of music I've written - it's beautiful."

    "It's really long. It's more like a 'Round Here' kind of song. It's a long song with different sections to it. It reminds me of the sort of stuff we do live, but on a record."
  • Somewhere Under Wonderland producer Brian Deck played the glockenspiel on the track. Deck is based at Engine Studios in Chicago and has worked with such bands as Modest Mouse, Iron & Wine, Fruit Bats and Gomez.
  • Duritz explained the song's meaning to Teamrock.com : "I was 27 the first time anyone from a record company even looked at a band I was in, and 28 when I got signed," he recalled. "The ten years before that that were really terrifying. But I was also having rich experience in my twenties, and Palisades Park celebrates that – being on the fringes, wanting to try on the wrong sex's clothing, and wanting to try PCP, which is a bad idea. But it's about that experimentation."

  • Lyrics

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