Songs Lyrics and YT- Youtube Music Videos

Incubus - New Skin

Incubus - New Skin Lyrics and Youtube Music Videos

Album: S.C.I.E.N.C.E
Released: 1997

New Skin Lyrics

At first I see an open wound
infected and disastrous
It breathes chaotic catastrophe
it cries to be renewed
Its tears are the color of anger,
they dry to form a scab
To the touch, its stiff and resilient,
underneath, the New Skin breathes
As outwardly cliche as it may seem,
yes, something under the surface says,
"C'est la vie"
It is a circle, there is a plan
dead skin will atrophy itself to start again
Look closely at the open wound
see past what covers the surface
Underneath chaotic catastrophe,
creation takes stage.
Its all been saved
with exception for the right parts
When will we be new skin?
Its all been seen with exception for what could be
When will we be new skin?
Fallacious cognitions
spewed from televisions
do mold our decisions.
So stop and take a look,
and you'll see what I see now
Writer/s: BOYD, BRANDON CHARLES/EINZIGER, MICHAEL AARON / KATUNICH, ALEX/KOPPEL, GAVIN/PASILLAS, JOSE ANTHONY II
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

New Skin

Lead singer Brandon Boyd: "I attribute a scab to the present state of society. The way the scab looks in its worst state is gross and chaotic and horrible, but when it breaks away, there's a brand new piece of skin that's stronger than before. It's like creation out of chaos." (thanks, Tim - Pittsburgh, PA)

Jimi Goodwin - Hope

Jimi Goodwin - Hope Lyrics and Youtube Music Videos

Album: Odludek
Released: 2014

Hope Lyrics

Hope

Jimi Goodwin co-wrote the lyrics for this campfire folk tune with his friend, Elbow frontman Guy Garvey. Goodwin explained to Under The Radar magazine: "He was demoing some ideas in Real World Studios in Bath, England, and because I was in that part of the world recording as well we finally made good on our long-standing promise to collaborate. I had the backing track, the chorus refrain, and the first verse of 'Hope,' and together we just brainstormed."

"I nipped to the shop to buy some writing supplies - coffee and cigarettes, essential - and when I got back, Guy had written the second verse," Goodwin continued. "Sweet! A slice of dreamlike folk. A gaggle of good friends are on backing vocals."

Dave Matthews Band - #41

Dave Matthews Band - #41 Lyrics and Youtube Music Videos

Album: Crash
Released: 1996

#41 Lyrics

#41

Dave wrote this when he was starting to become famous. Along with his fame came other people's greed. Many people were grabbing for as much money as they could get, and forgot about the real meaning of the music. The song shows how Dave was saddened by it. Key lines include, "All at once the ghosts come back" and "Remember when I used to play for all of the loneliness that nobody notices now". (thanks, Tommy - Southboro, MA)

This song got its title because it was the 41st song they wrote. (thanks, David - Charlottesville, VA)

Jimi Goodwin - Ghost Of The Empties

Jimi Goodwin - Ghost Of The Empties Lyrics and Youtube Music Videos

Album: Odludek
Released: 2014

Ghost Of The Empties Lyrics

Ghost Of The Empties

Goodwin explained the song's meaning to Under The Radar magazine: "Inspired by real and imagined walks through Manchester City Centre over the years and of the streets and the shared family history of the streets my mum and dad and family grew up in. Memories."

Traffic - Low Spark Of High Heeled Boys

Traffic - Low Spark Of High Heeled Boys Lyrics and Youtube Music Videos

Album: Low Spark Of High Heeled Boys
Released: 1971

Low Spark Of High Heeled Boys Lyrics

If you see something that looks like a star
And it's shooting up out of the ground
And your head is spinning from a loud guitar
And you just can't escape from the sound
Don't worry too much, it'll happen to you
We were children once, playing with toys
And the thing that you're hearing is only the sound of
The low spark of high-heeled boys
The percentage you're paying is too high priced
While you're living beyond all your means
And the man in the suit has just bought a new car
From the profit he's made on your dreams
But today you just read that the man was shot dead
By a gun that didn't make any noise
But it wasn't the bullet that laid him to rest was
The low spark of high-heeled boys
If you had just a minute to breathe and they granted you one final wish
Would you ask for something like another chance?
Or something similar as this? Don't worry too much
It'll happen to you as sure as your sorrows are joys
And the thing that disturbs you is only the sound of
The low spark of high-heeled boys
If I gave you everything that I owned and asked for nothing in return
Would you do the same for me as I would for you?
Or take me for a ride, and strip me of everything including my pride
But spirit is something that no one destroys
And the sound that I'm hearing is only the sound
The low spark of high-heeled boys

Writer/s: WINWOOD, STEVE / CAPALDI, JIM
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Low Spark Of High Heeled Boys

Jim Capaldi started writing this in Morocco, where he was getting ready to make a movie called Nevertheless with actor Michael J. Pollard. The film project fell through, but did lead to one of Traffic's best-known songs. Said Capaldi: "Pollard and I would sit around writing lyrics all day, talking about Bob Dylan and the Band, thinking up ridiculous plots for the movie. Before I left Morocco, Pollard wrote in my book 'The Low Spark of High Heeled Boys.' For me, it summed him up. He had this tremendous rebel attitude. He walked around in his cowboy boots, his leather jacket. At the time he was a heavy little dude. It seemed to sum up all the people of that generation who were just rebels. The 'Low Spark,' for me, was the spirit, high-spirited. You know, standing on a street corner. The low rider. The 'Low Spark' meaning that strong undercurrent at the street level." (thanks, Adam - Lake Forest, IL)

Never released as a single, this did very well on AOR stations in America, which didn't mind playing all 12 minutes and 10 seconds of the song (it provided a nice cigarette break for the DJs). The album sold over a million copies in the US, but didn't fare nearly as well in their native UK.

Jim Capaldi and Steve Winwood are the credited writers on this song. Dave Mason had left the band at that point, but Traffic added some new members for the Low Spark Of High Heeled Boys album, including former Derek & the Dominos drummer Jim Gordon, which allowed Capaldi to focus more on vocals. Original member Chris Wood played the prominent saxophone parts on this track.

When Traffic toured in 1972, this was a highlight of their live shows. For that tour, they brought along two of America's finest session musicians: bassist David Hood and drummer Roger Hawkins from Muscle Shoals Sound Studios (Traffic would record their next album with these guys).

The colorful percussionist was Rebop Kwaku Baah, a Ghana native who played on the studio version as well. According to Steve Winwood, Baah was later fired for being "too outrageous." Said Winwood: "He insisted on going onstage and singing – and he can't sing!"

Josh Thompson - Left This Town

Josh Thompson - Left This Town Lyrics and Youtube Music Videos

Album: Turn It Up
Released: 2014

Left This Town Lyrics

Left This Town

Josh Thompson told Billboard magazine this song reminded him of his hometown of Cedarburg, Wisconsin. "That was the theme growing up," he said. "Nobody ever leaves. We molded it into a love / heartbreak song where the guy plays this role where he doesn't understand why it's over. He was under the impression that nobody ever leaves this town. I love the hook of it, and I love the lyrics."

Smashing Pumpkins - Tonight, Tonight

Smashing Pumpkins - Tonight, Tonight Lyrics and Youtube Music Videos

Album: Mellon Collie And The Infinite Sadness
Released: 1995

Tonight, Tonight Lyrics

Time is never time at all
You can never ever leave without leaving a piece of youth
And our lives are forever changed
We will never be the same
The more you change the less you feel
Believe, believe in me, believe

That life can change, that you're not stuck in vain
We're not the same, we're different tonight
Tonight, so bright
Tonight

And you know you're never sure
But you're sure you could be right
If you held yourself up to the light

And the embers never fade in your city by the lake
The place where you were born
Believe, believe in me, believe
In the resolute urgency of now

And if you believe there's not a chance tonight
Tonight, so bright tonight
We'll crucify the insincere tonight
We'll make things right, we'll feel it all tonight
We'll find a way to offer up the night tonight
The indescribable moments of your life tonight
The impossible is possible tonight
Believe in me as I believe in you, tonight

Writer/s: BILLY CORGAN
Publisher: FINTAGE PUBLISHING
Lyrics licensed and provided by LyricFind

Tonight, Tonight

The video showed the band floating on clouds in the night sky. It is based on the 1902 film Trip to the Moon by George Meiles. His name is the name of the ship at the end of the music video - the S.S. Meiles.

This won 6 MTV Music Video Awards: Video of the Year, Breakthrough Video, Best Direction Best Special Effects, Best Art Direction, and Best Cinematography. It was also nominated for Viewer's Choice Award and Best Editing.

Pumpkins bass player D'arcy liked the sets from the video a lot, so she put them in a barn on her farm. (thanks, Cam - St. Catharines, Canada, for all above)

This was recorded with a 30-piece string-section.

This was written in the key of C instead of G, but Corgan couldn't sing it in C. (thanks, Cam - St. Catharines, Canada, for above 2)

The line, "And the embers never fade in your city by the lake, The place where you were born" in a reference to Corgan's home city of Chicago. The song has an acoustic reprise on the single where Billy sings the line. (thanks, BONES - New Plymouth, New Zealand)

OneRepublic - Love Runs Out

OneRepublic - Love Runs Out Lyrics and Youtube Music Videos

Album: Single Release Only
Released: 2014

Love Runs Out Lyrics

I'll be your light, your match, your burning sun,
I'll be the bright, and black, that's making you run.
And I feel alright, and we'll feel alright,
'Cause we'll work it out, yeah we'll work it out.
I'll be doin' this, if you ever doubt,
'Til the Love Runs Out, 'til the love runs out.

I'll be your ghost, your game, your stadium.
I'll be your fifty thousand clapping like one
And I feel alright, and I feel alright,
'Cause I worked it out, yeah I worked it out.
I'll be doin' this, if you ever doubt,
'Til the love runs out, 'til the love runs out.

I got my mind made up and I can't let go.
I'm killing every second 'til it sees my soul.
I'll be running, I'll be running,
'Til the love runs out, 'til the love runs out.
And we'll start a fire, and we'll shut it down,
'Til the love runs out, 'til the love runs out.

There's a maniac out in front of me.
Got an angel on my shoulder, and Mephistopheles.
My momma raised me good, momma raised me right.
Momma said "do what you want, say prayers at night",
And I'm saying them, cause I'm so devout.
'Til the love runs out, 'til the love runs out, yeah.

I got my mind made up and I can't let go.
I'm killing every second 'til it sees my soul.
I'll be running, I'll be running,
'Til the love runs out, 'til the love runs out.
And we'll start a fire, and we'll shut it down,
'Til the love runs out, 'til the love runs out.

Ooh, we all want the same thing.
Ooh, we all run for something.
Oh for God, for fate,
For love, for hate,
For gold, and rust,
For diamonds, and dust.

I'll be our light, your match, your burning sun,
I'll be the bright and black that's making you run.
I got my mind made up and I can't let go.
I'm killing every second 'til it sees my soul.
I'll be running, I'll be running,
'Til the love runs out, 'til the love runs out.
And we'll start a fire, and we'll shut it down,
'Til the love runs out, 'til the love runs out.

I'll be your light, your match, your burning sun,
I'll be the bright and black that's making you run.
And I feel alright, and we'll feel alright,
'Cause we'll work it out, yeah we'll work it out.
And we'll start a fire, and we'll shut it down,
'Til the love runs out, 'til the love runs out.
'Til the love runs out.

Writer/s: FILKINS, ZACH / BROWN, DREW / KUTZLE, BRENT / TEDDER, RYAN / FISHER, EDDIE
Publisher: Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Love Runs Out

The follow up to OneRepublic's "Counting Stars" single was a brand new track that didn't feature on their Native album. Speaking to Capital FM, frontman Ryan Tedder said: "The very short back story on the song was when we were working on Native I originally thought this was going to be the first single and it's called 'Love Runs Out' and I wanted it to be the first single, a few of us in the band did, but I could not finish the chorus. And you can't have a song without a chorus."

"It took me about a year," he added. "We finished it in Paris."

The video was directed by Sophie Muller. The British director has also worked on music videos for Sade, Björk and Katy B.

Madonna - Bedtime Story

Madonna - Bedtime Story Lyrics and Youtube Music Videos

Album: Bedtime Stories
Released: 1995

Bedtime Story Lyrics

Today is the last day that I'm using words
They've gone out, lost their meaning
Don't function anymore

Let's, let's, let's get unconscious honey
Let's get unconscious honey

Today is the last day that I'm using words
They've gone out, lost their meaning
Don't function anymore

Traveling, leaving logic and reason
Traveling, to the arms of unconsciousness
Traveling, leaving logic and reason
Traveling, to the arms of unconsciousness

Let's get unconscious honey
Let's get unconscious
Let's get unconscious honey
Let's get unconscious

Words are useless, especially sentences
They don't stand for anything
How could they explain how I feel

Traveling, traveling, I'm traveling
Traveling, traveling, leaving logic and reason
Traveling, traveling, I'm gonna relax
Traveling, traveling, in the arms of unconsciousness

Let's get unconscious honey
Let's get unconscious
Let's get unconscious honey
Let's get unconscious

And inside we're all still wet
Longing and yearning
How can I explain how I feel?

Let's get unconscious honey
Let's get unconscious
Let's get unconscious honey
Let's get unconscious

Traveling, traveling
Traveling, traveling
Traveling, traveling
Traveling, traveling, in the arms of unconsciousness

And all that you've ever learned
Try to forget
I'll never explain again

Writer/s: GUDMUNDSDOTTIR, BJORK/HOOPER, NELLEE/DEVRIES, MARIUS
Publisher: Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group, HAL LEONARD CORPORATION
Lyrics licensed and provided by LyricFind

Bedtime Story

This video was Madonna's most expensive she had ever made. It cost $5 million, and was the most expensive video ever until Michael and Janet Jackson's "Scream" in 1996. Madonna said the video ruined her hair at the time. (thanks, Kent - Latrobe, PA)

MTV did a special to promote the video called Madonna's Pajama Party. In the special, they premiered the video and Madonna read a bedtime story at a New York club.

This was written by Björk, Nelle Hooper, and Marcus DeVries. (thanks, Jessica - Saint Louis, MO)

Forever reinventing herself, Madonna wanted to show a softer side of herself with the Bedtime Stories album in contrast to the more aggressive, sexual side celebrated in 1992's Erotica. Musically, the title song is also a departure from the singer's usual Pop/R&B blend, and brings the Material Girl into the Electronic/Techno genre.

Madonna pushed for this song to be the centerpiece of her album and it received favorable reviews, but it never made it into her touring setlist.

The lavish music video was inspired by the works of female surrealist painters, Madonna explained to Aperture magazine, "like Leonora Carrington and Remedios Varo. There’s that one shot where my hands are up in the air and stars are spinning around me. And me flying through the hallway with my hair trailing behind me, the birds flying out of my open robe – all of those images were an homage to female surrealist painters; there’s a little bit of Frida Kahlo in there, too."

Bedtime Stories was nominated for a Grammy Award for Best Pop Album, but lost to Joni Mitchell's Turbulent Indigo.

Sam Smith - Stay With Me

Sam Smith - Stay With Me Lyrics and Youtube Music Videos

Album: In the Lonely Hour
Released: 2014

Stay With Me Lyrics

Guess it's true, I'm not good at a one-night stand
But I still need love 'cause I'm just a man
These nights never seem to go to plan
I don't want you to leave, will you hold my hand?

Oh, won't you Stay With Me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me

Why am I so emotional?
No it's not a good look, gain some self control
And deep down I know this never works
But you can lay with me so it doesn't hurt

Oh, won't you stay with me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me

Oh, won't you stay with me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me

Oh, won't you stay with me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me

Writer/s: SMITH, SAM / LYNNE, JEFF / PHILLIPS, WILLIAM / NAPIER, JAMES / PETTY, TOM
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Stay With Me

The third single from In the Lonely Hour, this was played for the first time during the March 25, 2014 episode of Zane Lowe's BBC Radio 1 show at 7:30 p.m. The song was released to iTunes on May 18th alongside remixes from Darkchild, FX and Wilfred Giroux.

In the Lonely Hour finds Smith tackling his unsuccessful love life. This track finds him singing about a person he fell for one night, but who doesn't return the same sentiment. He told Rolling Stone: "I deal with all the different aspects of loneliness."

Smith later admitted that the person he is singing about throughout this song and much of the In the Lonely Hour album is a man. He waited to come out as gay because he didn't want it to influence how listeners perceived his music. To his relief, there was very little reaction to his admission - it simply didn't matter to most people.

Smith wrote this with James Napier and William Phillips. "The song just flowed out of us so naturally," Smith told NME, adding that it only took about 30 - 40 minutes to write.

Napier, also known as Jimmy Napes, co-wrote the Clean Bandit song "Rather Be" and the Naughty Boy tune "La La La," which features Smith.

Phillips is better known as "Tourist," a popular DJ/producer from Brighton. His EP Patterns was released in 2014.

Smith wrote and recorded the original demo of this song with it's co-writer Jimmy Napes. At first, the song had just a verse and the chorus, and was under two minutes long. An executive at Smith's label Capitol Records named Nick Raphael arranged for Smith and Napes to work with veteran producer Steve Fitzmaurice, whose name shows up in the credits for albums by Seal, Rod Stewart and Tina Turner.

On June 20, 2013, Fitzmaurice joined the pair at Napes' studio, where they beefed up the song with an organ riff and made some changes to the structure. The next morning, Fitzmaurice made a quick demo mix of the song and left for a gig in India.

In November, Fitzmaurice was called back to the recording sessions, which were now taking place at RAK Studios in London. They recorded a new version of "Stay With Me" using a live band, but found themselves "chasing the demo," meaning they couldn't get it any better than what they had back in June. Fitzmaurice ended up mixing parts of the RAK recording (including the bass, which was played by Jodi Milliner) with pieces of the demo version. Fitzmaurice estimates that about 90% of the song came from the demo, however.

Smith is backed in the video by the London-based Enchorus gospel choir, but this was just for show - the choir didn't sing o the track.

Smith's own layered vocals provide the illusion of a choir in the song. "I layered my voice probably about 20 times. I stood in different parts around the entire room and I would layer my voice more and more and more, harmonizing, all that kind of stuff," he explained to NME.

Everything clicked when he heard the results, which were processed using a variety of panning and echo effects by co-producer Steve Fitzmaurice. "I remember crying because the whole song suddenly made sense," said Smith. "It was like that one touch just turned the song into... it just sounded anthemic."

Smith told 4Music the song "is my attempt at an anthem for the lonely. I wanted to write a song about those moments in the morning after a one night stand."

Smith took over an entire three and a half minute advertising break in a world broadcasting first, and transmitted a live music performance of this song to a sold-out crowd at London's Roundhouse. The live commercial break aired on Channel 4 at approximately 22.45 during Alan Carr: Chatty Man.

A remix by Darkchild featuring a vocal contribution by Mary J. Blige was released on June 2, 2014. "Working with Mary J. Blige is one of the biggest highlights of my career so far," said Smith. "I remember holding her album in my hands in the car when I was a young boy. To meet your idols is a magical thing, but to work with them is truly a dream come true."

"I'm so honored to have had the chance to work with Sam Smith," said Blige. "Sam's true soulful voice… is the first of this kind I have heard since Luther Vandross, Freddie Jackson and all the great soulful male voices from the '80s. I'm completely blown away by his talent, soul and the sincerity."

This wasn't the first time that Smith and Blige have worked together. The pair were special guest performers during Disclosure's show at New York's Terminal 5 in January 2014. (Blige previously supplied guest vocals on Disclosure's "F For You.")

In the Lonely Hour sold 166,000 copies in its initial week in the US. This was more than any other debut album by a UK male artist in its first seven days since Soundscan started tracking sales in 1991.

Smith performed the song along with "Lay Me Down" during his debut appearance on the March 29, 2014 episode of Saturday Night Live. It was a breakthrough performance for Smith, but it almost didn't happen. "I tried to beg my managers and my team to not do SNL because I thought it was way too early," he told Entertainment Weekly.

The song runs just 2:52, which informed the approach for the entire album, whose 10 tracks total just 32:47.

By keeping the songs short, Smith and his producers were able to keep them simple and make his vocals the focal point.

Speaking with On Air with Ryan Seacrest's Tanya Rad, Smith discussed the rawness of the song. "I'm an emotional guy and I think unlike a lot of men in the industry and in music, I'm willing to show that emotional side," he said. "I don't have an bravado to put in front, and I'm just showing my raw self."

The drums on this song are the same ones recorded at the original demo session. Co-producer Jimmy Napes played them and put them on a loop. It was a bare-bones recording done with just one overhead microphone, but it ended up suiting the song perfectly, thanks to its imperfection.

"The loop wasn't quite right, it wasn't tied to a grid, and so the timing was slightly off," the other producer Steve Fitzmaurice told Sound on Sound. "The other instruments reacted to this, and altogether this created something magical that we couldn't get in any other way. Many people tried to put different drums on the track, and I even tried to correct the loop and fit it to a grid, and overdubbed drums to that. But when I listened to it a few days later, I immediately realized that it was no good and I took it all off again."

There is no guitar on this song - the instrumentation is just piano, bass, a drum loop, tambourine, organ and strings (which were overdubbed later).

This won Best Song at the 2014 MOBO Awards. Smith was also triumphant in the Best R&B/Soul Act, Best Male, Best Album categories at the ceremony, which celebrates Music of Black Origin.

This was USA Today's Song of the Year for 2014. They said: "'Stay With Me's gospel-tinged piano and Smith's sweet, heart-tugging falsetto struck a chord of universal yearning, like the living embodiment of Macklemore & Ryan Lewis' Same Love. A chorus of voices joined him on the refrain, driving home his plea, as though their presence might make him feel less alone."

Following speculation that the piano melody resembles Tom Petty's 1989 single "I Won't Back Down," Petty and co-writer Jeff Lynne were added to the publishing on the tune in January 2015. According to reports, Smith's attorneys agreed to pay Petty and Lynne a 12.5 percent royalty credit on the song.

Both Smith and Petty stated that the agreement was amicable, and no lawsuit was ever threatened. "All my years of songwriting have shown me these things can happen," said Petty. "Most times you catch it before it gets out the studio door but in this case it got by. Sam's people were very understanding."

This won for Song of the Year and Record of the Year at the 2015 Grammy Awards. Smith performed the song at the ceremony, where he also won for Best New Artist and Best Pop Vocal Album. Mary J. Blige joined him on stage for the second verse and duetted with him for the rest of the performance.

When Smith collected his trophy for Record of the Year, he said, "I want to thank the man who this record is about, who I fell in love with last year. Thank you so much for breaking my heart, because you got me four Grammys."

William Phillips explained to Billboard magazine how he ended up co-penning this song. "I had been writing music as Tourist for about three years," he said. "Someone wanted to manage me, and it turned out the people who wanted to manage me also managed Sam. They were like, 'Before we manage you, why don't we do some sessions? We've got this guy Sam Smith and this guy Jimmy [Napes].'"

"So we sat in a session," Phillips continued. "I'd written with Jimmy a couple of times before I met Sam. Jimmy helped me write my third Tourist EP, and we really bonded over that. I got put in the studio with Sam and Jimmy - we didn't have any expectations. We just wanted to meet each other. Did ['Stay With Me'] in about half an hour."

Phillips was tinkling the ivories when the trio penned the song. "I've always played the piano," he told MTV News. "I taught myself how to play the piano and the piano is kind of what I do. That's what I did in that session; I had these three chords that I thought were nice. We didn't really sit down to write a specific sentiment. We just felt what was right."

In The Lonely Hour broke the record for the longest unbroken run of a debut album in the UK Top 10. The LP it gazumped was Emeli Sandé's first set, Our Version Of Events, which logged 66 consecutive weeks in the top tier.

This was named Song of the Year at the 2015 BMI Awards. The honor is given to the most-performed song of the previous year by UK or European writers in the BMI catalogue on US radio and television.

Tenacious D - Wonderboy

Tenacious D - Wonderboy Lyrics and Youtube Music Videos

Album: Tenacious D
Released: 2001

Wonderboy Lyrics

High above the mucky-muck, castle made of clouds,
There sits Wonderboy, sitting oh so proudly.
Not much to say when you're high above the mucky-muck.
Yeah, yeah.
Wonderboy, what is the secret of your power?
Wonderboy, won't you take me far away from the mucky-muck man?

[spoken]
Now it's time for me to tell you about Young Nastyman,
archrival and nemesis of Wonderboy, with powers comparable to Wonderboy.
What powers you ask? I dunno how 'bout the power of flight?
That do anything for ya? That's levitation, holmes.
How 'bout the power to kill a yak from 200 yards away...
with mind bullets! That's telekinesis, Kyle.
How 'bout the power to move you?

History of Wonderboy and Young Nastyman,
Riggah-goo-goo, riggah-goo-goo.
A secret to be told, a gold chest to be bold,
And blasting forth with three-part harmony, yeow!
Wonderboy, what is the secret of your power?
Wonderboy, won't you take me far away from the mucky-muck man?

[spoken]
Well, Wonderboy and Young Nastyman joined forces;
they formed a band the likes of which have never been seen,
and they called themselves Tenacious D. That's right,
[sung]
Me! And KG!
[KG (spoken):] That's me.
[sung]
We're now Tenacious D!
Come fly with me, fly!

Wonderboy, what is the secret of your power?
Wonderboy, won't you take me far away from the mucky-muck man,
Oh!
[spoken]
Take my hand!
Young Nastyman, and we'll fly!
Bring out your broadsword.
There's the hydra.
Slice his throat!
And grab his scroat.
You take the high road,
I'll take the low.
There, the crevasse,
Fill it with your mighty juice.

Writer/s: Black, Thomas Jacob / Gass, Kyle Richard
Publisher: Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Wonderboy

This song is about how Jack Black and Kyle Gass met and formed Tenacious D. Jack is Wonderboy and Kyle is young Nasty-man. They were both struggling musicians and decided to "Join forces and form a band unlike what has ever been seen."

Dave Grohl from The Foo Fighters and Nirvana played drums on the album.

This song, and the band in general, poke fun at the over-the-top theatrics in certain genrés of Rock music. The video, which was directed by Spike Jonze, makes this clear as it shows Black and Gass portraying their characters in a very dramatic fashion. (thanks, Donovan Berry - El Dorado, AR)

Dani Clay - Off My Face

Dani Clay - Off My Face Lyrics and Youtube Music Videos

Album: not on an album
Released: 2013

Off My Face Lyrics

Off My Face

According to the lady herself, this is a song about a relative, though it would not be politic to divulge too much information.

"Back in his younger days he was quite reckless, the pressure of family life and being at home with the wife wasn't as appealing as the pub with his mates," Clay explained.

Fortunately, even most teenage delinquents eventually grow up, and that is what happened here. You wouldn't recognize him now. (thanks, Alexander Baron - London, England)