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Beyoncé - Yoncé/Partition
Beyoncé - Yoncé/Partition


Beyoncé - Yoncé/Partition Lyrics and Youtube Music Videos

Album: Beyoncé
Released: 2013

Yoncé/Partition Lyrics


Yoncé/Partition
  • Beyoncé introduces us to a new incarnation, Yoncé, in this two-part club jam. Her new alter ego is someone who likes her grill and being the hottest girl in the club. Beyoncé recalled the creation of Yoncé during an album screening party oat the School of Visual Arts Theatre in New York. "We were in the studio, and Justin Timberlake started beating on buckets," she said. "So, when you hear the beat, it's literally a bucket. And [The-Dream] just started, 'Yonce on his mouth like liquor,' and I'm like, 'What does that mean?'"

    "But I love it, I think Beyoncé is Beyoncé, Mrs. Carter is Beyoncé, Sasha Fierce is Beyoncé," she continued. "And I'm finally at a place where I don't have to separate the two. It's all pieces of me, and just different elements of a personality of a woman, because we are complicated."
  • The track opens with the call-and-response that Beyoncé pumps the crowd with before going to "Get Me Bodied" every night on tour.
  • The video for the "Yoncé" section was shot in Brooklyn by director Ricky Saiz and features Beyoncé with the supermodels Chanel Iman, Joan Smalls and Jourdan Dunn. Saiz told MTV News that the R&B star and him created a clip that focused on the themes of "voyeurism and kind of erotic sexuality rather than overt sexuality."

    Saiz added that it was, in part, inspired by George Michael's iconic "Freedom" visual, which featured a bevy of supermodels like Naomi Campbell, Linda Evangelista and Cindy Crawford. "I just tried to bring like a raw, kind of lo-fi, very New York kind of grimy, dark aesthetic to it," he said.

    Saix explained why Beyoncé doesn't sing in the video. "She almost plays like a madam character and the girls are doing the performing for her in a sense," he said. "I think they are so important individually and have their own characters and they each really brought that to the set... [It's] almost like this just happened and we were there with our cameras."

    The video finishes with Beyoncé walking down the runway, while photographers snap photos of her. Saiz told MTV News: "We knew the ending of the song was a transition into another song and the last line of the song is 'Welcome to Paris' and there's bulbs flashing and kind of a paparazzi sense. So we wanted to kind of have something that captured that high-flash paparazzi kind of feel and with a runway walk, it made sense in context with the models and left it quiet vague. And I thought it looked beautiful and an easy transition into the next video [which is 'Partition']."
  • The second half of the song, "Partition," refers to the privacy window in limousines - asking the driver to "roll up the partition" means he can't see what's going on back there, and Beyoncé can carry out her prurient intentions, as it quickly becomes clear she is singing about making love in the limousine.
  • Beyoncé sings in French on the bridge, where she criticizes those who believe feminists are not interested in sex. It translates as:

    "Do you like sex?
    Sex
    I mean physical activity, coitus
    You like it?
    Are you not interested in sex?
    Men think that feminists hate sex
    But it's an exciting and natural activity that women love."
  • The Partition video features Beyoncé dancing semi-naked. She discussed stripping in one of her series of of short featurettes on YouTube: "I was 195lbs when I gave birth. I lost 65lbs. I worked crazily to get my body back. I wanted to show my body," the singer explained. "I wanted to show that you can have a child and you can work hard and you can get your body back."

    "I know that there's so many women that feel the same thing after they give birth.," Beyoncé continued. "You can have your child and you can still have fun and still be sexy and still have dreams and still live for yourself."
  • The Partition clip was inspired by a trip to the famous Crazy Horse strip club in Paris. "I'm not embarrassed about it, and I don't feel like I have to protect that side of me because I do believe that sexuality is a power we all have," said Beyoncé. "The day I got engaged was my husband's birthday and I took him to Crazy Horse and I remember thinking, 'Damn, these girls are fly.' And I just thought it was the ultimate sexy show: 'I wish I was up there, I wish I could perform that for my man...' so that's what I did for my video."
  • Beyoncé references how Bill Clinton splooged on White House intern Monica Lewinsky's skirt during their infamous sexual encounters.

    He popped all my buttons, and he ripped my blouse
    He Monica Lewinsky-ed all on my gown


    Speaking to the May 8, 2014 edition of Vanity Fair, Lewinsky issued a rebuttal to the scandalous couplet, saying, "Thanks, Beyoncé, but if we're verbing, I think you meant 'Bill Clinton'd all on my gown,' not 'Monica Lewinsky'd.'"
  • The conservative TV show host Bill O'Reilly got worked up over the "Partition" video, playing part of it on his show and asking his guest, music mogul Russell Simmons, to explain why she make such an explicit video. O'Reilly went on about how harmful the video and this type of entertainment is to young girls, and calling it "exploitive garbage." Simmons didn't take the bait, as he wanted to talk about his meditation initiatives, but many left-wing commentators later pointed out that the sex portrayed in the video was between a married couple.

  • Harry Chapin - 30,000 Pounds of Bananas
    Harry Chapin - 30,000 Pounds of Bananas


    Harry Chapin - 30,000 Pounds of Bananas Lyrics and Youtube Music Videos

    Album: Verities And Balderdash
    Released: 1974

    30,000 Pounds of Bananas Lyrics


    It was just after dark when the truck started down
    The hill that leads into Scranton Pennsylvania.
    Carrying thirty thousand pounds of bananas.
    Carrying thirty thousand pounds (hit it Big John) of bananas.

    He was a young driver,
    Just out on his second job.
    And he was carrying the next day's pasty fruits
    For everyone in that coal-scarred city
    Where children play without despair
    In backyard slag-piles and folks manage to eat each day
    Just about thirty thousand pounds of bananas.
    Yes, just about thirty thousand pounds (scream it again, John) .

    He passed a sign that he should have seen,
    Saying "shift to low gear, a fifty dollar fine my friend."
    He was thinking perhaps about the warm-breathed woman
    Who was waiting at the journey's end.
    He started down the two mile drop,
    The curving road that wound from the top of the hill.
    He was pushing on through the shortening miles that ran down to the depot.
    Just a few more miles to go,
    Then he'd go home and have her ease his long, cramped day away.
    And the smell of thirty thousand pounds of bananas.
    Yes the smell of thirty thousand pounds of bananas.

    He was picking speed as the city spread its twinkling lights below him.
    But he paid no heed as the shivering thoughts of the nights
    Delights went through him.
    His foot nudged the brakes to slow him down.
    But the pedal floored easy without a sound.
    He said "Christ!"
    It was funny how he had named the only man who could save him now.
    He was trapped inside a dead-end hellslide,
    Riding on his fear-hunched back
    Was every one of those yellow green
    I'm telling you thirty thousand pounds of bananas.
    Yes, there were thirty thousand pounds of bananas.

    He barely made the sweeping curve that led into the steepest grade.
    And he missed the thankful passing bus at ninety miles an hour.
    And he said "God, make it a dream!"
    As he rode his last ride down.
    And he said "God, make it a dream!"
    As he rode his last ride down.
    And he sideswiped nineteen neat parked cars,
    Clipped off thirteen telephone poles,
    Hit two houses, bruised eight trees,
    And Blue-Crossed seven people.
    It was then he lost his head,
    Not to mention an arm or two before he stopped.
    And he slid for four hundred yards
    Along the hill that leads into Scranton, Pennsylvania.
    All those thirty thousand pounds of bananas.

    You know the man who told me about it on the bus,
    As it went up the hill out of Scranton, Pennsylvania,
    He shrugged his shoulders, he shook his head,
    And he said (and this is exactly what he said)
    "Boy that sure must've been something.
    Just imagine thirty thousand pounds of bananas.
    Yes, there were thirty thousand pounds of mashed bananas.
    Of bananas. Just bananas. Thirty thousand pounds.
    Of Bananas. not no driver now. Just bananas!"

    From Greatest Stories Live: Ending number one

    Yes, we have no bananas,
    We have no bananas today
    (Spoken: And if that wasn't enough)
    Yes, we have no bananas,
    Bananas in Scranton, P A

    From Greatest Stories Live: Ending #2:

    A woman walks into her room where her child lies sleeping,
    And when she sees his eyes are closed,
    She sits there, silently weeping,
    And though she lives in Scranton, Pennsylvania
    She never ever eats ... Bananas
    Not one of thirty thousand pounds .... of bananas

    Writer/s: CHAPIN, HARRY F.
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    30,000 Pounds of Bananas
  • This was based on a true story about an accident in Scranton, Pennsylvania where a driver lost control of a truck full of bananas he was delivering. He was killed in the crash, and bananas were strewn all over the place. Sandy Chapin, who was married to Harry from 1968 until he was killed in a car accident in 1981, doesn't like this song at all. She explains how it came about: "That song morphed. It had a life of its own. Originally it was a poem that Harry wrote, it was just words on a page. And early on he was doing different kinds of musical performances with his father, and also his brothers who were in college at the time. So there was a limited time for them to perform. But he did it as a spoken song. And then I guess after the Village Gate days, and the beginning of the contract with Electra, he was going through notebooks and looking for material. He decided to put music to it. And I think the song developed a life of its own from audience reaction. It was a serious poem to begin with on the society's preoccupation with numbers. You have your drivers license and your social security and your credit card, and on and on and on and on. You're just made up of numbers. But it also was a story – a true story that was told to him while he was on a Greyhound bus ride. It's real. The widow still lives in Scranton, Pennsylvania. The original poem started from a preoccupation with numbers, and then it got to be a kind of performance piece that was kind of tragicomedy. Very difficult, I thought." (Read more in our interview with Sandy Chapin .)
  • On his Greatest Stories live album, Chapin says: "This song starts off with an absolutely brilliant Chet Atkins guitar lick that took me about 4 hours to steal."
  • In 1402 Portuguese explorers discovered bananas in Western Africa and took them to the Canary Islands. The word "banana" is the native word for the fruit in Guinea. The Europeans first came across bananas when in the early 15th century Portuguese explorers discovered bananas in Western Africa and took them to the Canary Islands. The word "banana" is the native word for the fruit in Guinea. Many North Americans got their first taste of bananas at the 1877 US Centennial Exposition in Philadelphia. Each banana was wrapped in foil and sold for 10 cents. (both the above from the book Food for Thought: Extraordinary Little Chronicles of the World by Ed Pearce)

  • Beyoncé - No Angel
    Beyoncé - No Angel


    Beyoncé - No Angel Lyrics and Youtube Music Videos

    Album: Beyoncé
    Released: 2013

    No Angel Lyrics


    Baby put your arms around me
    Tell me I'm a problem
    Know I'm not the girl you thought you knew and that you wanted
    Underneath the pretty face is something complicated
    I come with a side of trouble
    But I know that's why you're staying

    Because, you're, no, angel, either, baby

    No I'm not an anngel either but at least I'm trying
    I know I drive you crazy, but would you rather that I be a machine
    Who doesn't notice when you're late or when you're lying
    I love you even more than you I thought you worried for

    'Cause, you're, no, angel, either, baby

    Tell me do you want to ride
    Tell me do you want to ride
    Ride around, ride around
    Ride around
    Will you ride around with that H-town
    If there's candles near your bed, no need for a spell
    Stop acting so scared, just do what I tell
    First go through my legs, go back on your head
    And whatever you want, yeah baby I'll bet it comes true

    Baby put your arms around me
    Tell me I'm a problem
    Know I'm not the girl you thought you knew and that you wanted
    Underneath the pretty face is something complicated
    I come with a side of trouble
    But I know that's why you're staying
    Because, you're, no, angel, either, baby

    Writer/s: KNOWLES, BEYONCE / POLACHEK, CAROLINE ELIZABETH / FAUNTLEROY, JAMES
    Publisher: Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    No Angel
  • This track finds Beyoncé telling her man - over a sexed-up, midtempo Trap beat - that she loves him even though he is not an angel; at the same time she admits to not being perfect either. The song has a similar theme to Bey's collaborations with her husband, Jay-Z: "'03 Bonnie And Clyde" and "Part II (On The Run)."
  • The song was co-written and co-produced by Chairlift's Caroline Polacheck, who is a friend of Beyonce's sister Solange. New York Electronic Pop band Chairlift are best known for their song "Bruises," which was a minor hit after featuring in an Apple iPod Nano-Chromatic commercial.
  • The song's music video is set in the 'hood of Beyoncé's hometown of Houston, which links to the lyric in the bridge about her man driving around H-town. Various Texas hip hop stars like Bun B and Paul Wall make cameo appearances.
  • Beyoncé is seen during several shots of the video in front of a tumbledown house wearing a fur coat and cowboy hat, and holding a pit bull on a leash. That scene was filmed in the Melbourne suburb of Brunswick, during the Australia section of her Mrs. Carter Show World Tour.

    Apparently the owner of the house, Jeanette Meadows, didn't have a clue who Beyoncé was and let filming crews have access to her home for a mere $300. "When the man knocked on my door to ask if they could use my house to do the photos I thought he said they were with his fiancé, not Beyoncé," she told the Herald Sun. "I didn't even know who she was."

  • Pulp - Common People
    Pulp - Common People


    Pulp - Common People Lyrics and Youtube Music Videos

    Album: Different Class
    Released: 1995

    Common People Lyrics


    She came from Greece she had a thirst for knowledge,
    She studied sculpture at Saint Martin's College,
    That's where I,
    Caught her eye.
    She told me that her Dad was loaded,
    I said "In that case I'll have a rum and coca-cola."
    She said "Fine."
    And in thirty seconds time she said,

    I want to live like Common People,
    I want to do whatever common people do,
    I want to sleep with common people,
    I want to sleep with common people,
    Like you.

    Well what else could I do
    I said "I'll see what I can do."
    I took her to a supermarket,
    I don't know why,
    But I had to start it somewhere,
    So it started there.
    I said pretend you've got no money,
    She just laughed and said,
    "Oh you're so funny."
    I said "Yeah?
    Well I can't see anyone else smiling in here.

    Are you sure you want to live like common people,
    You want to see whatever common people see,
    You want to sleep with common people,
    You want to sleep with common people,
    Like me.

    But she didn't understand,
    She just smiled and held my hand.
    Rent a flat above a shop,
    Cut your hair and get a job.
    Smoke some fags and play some pool,
    Pretend you never went to school.
    But still you'll never get it right,
    'Cause when you're laid in bed at night,
    Watching roaches climb the wall,
    If you called your Dad he could stop it all.

    You'll never live like common people,
    You'll never do whatever common people do,
    You'll never fail like common people,
    You'll never watch your life slide out of view,
    And dance and drink and screw,
    Because there's nothing else to do.

    Sing along with the common people,
    Sing along and it might just get you through.
    Laugh along with the common people,
    Laugh along even though they're laughing at you,
    And the stupid things that you do.
    Because you think that poor is cool.

    Like a dog lying in a corner,
    They will bite you and never warn you,
    Look out,they'll tear your insides out.
    'Cause everybody hates a tourist,
    Especially one who thinks it's all such a laugh,
    Yeah and the chip stain's grease,
    Will come out in the bath.

    You will never understand
    How it feels to live your life
    With no meaning or control
    And with nowhere left to go.
    You are amazed that they exist
    And they burn so bright,
    Whilst you can only wonder why.
    Rent a flat above a shop
    Cut your hair and get a job
    Smoke some fags and play some pool
    Pretend you never went to school,
    But still you'll never get it right
    'Cause when you're laid in bed at night
    And watching roaches climb the wall,
    If you called your dad he could stop it all
    Yeah

    You'll never live like common people
    You'll never do what common people do
    You'll never fail like common people
    You'll never watch your life slide out of view
    And then dance and drink and screw
    Because there's nothing else to do

    I want to live with common people like you.....

    Writer/s: BANKS, NICK / COCKER, JARVIS BRANSON / DOYLE, CANDIDA / MACKEY, STEPHEN PATRICK / SENIOR, RUSSELL
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Common People
  • This song is based on a girl lead singer Jarvis Cocker met at St. Martin's on the sculpture course. Jarvis revealed that nothing actually ever happened between them and that in fact, he just overheard her say that she would like to live in the East end of London. Some believe that the song reflects Jarvis' thoughts, as he does not come from a working class background.
  • As this was a catchy pop song, Jarvis Cocker wanted to come up with a dance routine to go with it, which can be seen in the video.
  • This was the commercial breakthrough for Pulp, who were formed by the then 15-year-old Jarvis Cocker in 1978. In Q magazine, Cocker said: "It was clear 'Common People' was a significant song. Eight other songs on the album were written while it was in the charts. Knowing that you had a mass audience for once in your life gave me the confidence to bring certain things out of myself."
  • The video to the song featured Sadie Frost and was produced by Jarvis himself. He has a degree in film-making from St. Martins College of Art.
  • Jarvis Cocker told the story of the song to Uncut magazine August 2010: "It all started with me getting rid of a lot of albums at the Record And Tape Exchange in Notting Hill. With the store credit I went into the second-hand instrument bit and bought this Casio keyboard. When you buy an instrument, you run home and want to write a song straight away. So I went back to my flat and wrote the chord sequence for 'Common People,' which isn't such a great achievement because it's only got three chords. I thought it might come in handy for our next rehearsal."

    He added: "Steve (Mackey, bass) started laughing and said, 'It sounds like (Emerson, Lake and Palmer's version of) 'Fanfare For The Common Man.' I always thought the word 'common' was an interesting thing. It would be used in 'Fanfare For The Common Man.' as this idea of the noble savage, whereas it was a real insult in Sheffield to call someone 'common.' That set off memories of this girl that I met at college. She wanted to go and live in Hackney and be with the common people. She was from a well-to-do background, and there was me explaining that that would never work. I hated all that cobblers you got in films and magazines in which posh people would 'slum it' for a while. Once I got that narrative in my head it was very easy to write, lyrically."
  • Cocker told Uncut about the Greek girl who inspired the song: "On that BBC Three documentary (2006's The story Of… Pulp's Common People), the researchers went through all the people who were contemporaries of mine at St Martins and they tried to track her down. They showed me a picture and it definitely wasn't her. I dunno. Maybe she wasn't Greek. Maybe I misheard her."
  • Pulp debuted this at the Reading Festival in 1994. Jarvis Cocker recalled in Isle of Noises : "I was up trying to finish the words the night before. If a song doesn't work you know after about 20 seconds but you've got to finish it, five minutes or whatever, then feel really embarrassed."
  • This was voted the top Britpop anthem by listeners of BBC Radio 6 Music in a 2014 poll to mark the 20th birthday of Britpop. The Verve's "Bittersweet Symphony" came second and Oasis' "Don't Look Back In Anger" third.
  • The song only made it to #2 in the UK charts. It was denied the top spot by Robson Green and Jerome Flynn's version of "Unchained Melody."

    Jarvis Cocker told a funny story of the day it was revealed at #2: "The Sunday they announced the charts it was presented live in Birmingham, and all the chart acts had to mime to their songs. We didn't know what position we were, so we waited in this back room for them to call us. So time went on, it got to 6 p.m. and everyone was getting shaky. I went to the toilet to put my contact lenses in, but I hadn't rinsed them properly, so my eye went bright red. Anyway, we had to go on, and I was still in quite extreme physical pain, and my eye was streaming, so people obviously thought I was crying because we were #2! And, of course, by that time my makeup was running and looked like non-set cement... It'd been raining, so there were big puddles in front of the stage, and just as 'Common People' reached its, erm, climactic chorus, I jumped off the monitor quite spectacularly, as you do, landed in a puddle, slipped and fell flat on me arse! So I'm left thinking, 'F--k me, this is meant to be your ultimate triumph, and you're flat on your back in a puddle, your eye killing you, face falling off, on a wet Sunday afternoon in Birmingham!' Not quite what I'd been dreaming of for 20 years."
  • Initially the song didn't go down too well with Cocker's bandmates when he presented it to them - drummer Nick Banks admitted during an appearance on BBC 5 live Breakfast that when he first heard Jarvis Cocker's initial demo, he thought it like "a tuneless dirge." He only began to appreciate this song when the band started recording in a studio.

    Bassist Steve Mackey noted that it reminded him of the 1977 Emerson, Lake and Palmer song "Fanfare for the Common Man." However, keyboardist Candida Doyle saw the potential in the song from the start: "I just thought it was great straight away. It must have been the simplicity of it, and you could just tell it was a really powerful song then."
  • In an April 1996 interview with Q magazine, Jarvis Cocker went further into the genesis of the theme behind "Common People": "I really felt – especially after being out of step for so long – if you had a song that was in the right place at the right time then you'd be an idiot to let that moment pass. It seemed to be in the air, that kind of patronizing social voyeurism, slumming it, the idea that there's a glamour about low-rent, low-life. I felt that off Parklife, for example, or Natural Born Killers – there is that noble savage notion. But if you walk round a council estate, there's plenty of savagery and not much nobility going on. In Sheffield, if you say someone's common, then you're saying they're vulgar, coarse, rough-arsed. The kind of person who has corned-beef legs from being too close to the gas fire. So that's what attracted me to calling it 'Common People,' the double meaning, 'Oh, you're common as muck."
  • The song was actually released before the album it was on was completed - more of a rarity in today's music world. There was a good reason for that, as Cocker explained to Q magazine in 1996: "It was written in about June of '94 and the first time we played it it became clear to me it was a significant song. But then we had trouble writing the rest of the album. If you think, 'Oh God, my livelihood depends on this chord sequence!,' it can come out a bit stilted. In the end we forced Island to release 'Common People' as a single before the rest of the album was
  • DJ Cassidy - Calling All Hearts
    DJ Cassidy - Calling All Hearts


    DJ Cassidy - Calling All Hearts Lyrics and Youtube Music Videos

    Album: Paradise Royale
    Released: 2013

    Calling All Hearts Lyrics


    To the dance floor, tonight
    Let love start (let love start)

    Calling all party people in the place to be
    We gonna celebrate tonight
    And rock out with the family
    Here we go

    Calling All Hearts (to the dance floor)
    Tonight, let love start
    On the dance floor, tonight
    Let's go!

    I got a feeling everybody need a reason to shout
    Leave all your problems and your drama at the door and get down, oh oh oh, oh oh oh oh oh
    This is where we all unite
    If we get it right, we gonna light up the sky
    At this place, in this time
    We gotta let go, 'cause it's great

    Calling all hearts (to the dance floor), to the dance floor
    Tonight, let love start
    On the dance floor, tonight

    Tonight, go a little harder with your partner
    Heat it up in this place
    It's okay to make up
    If you take up, put a smile on your face (oh oh oh, oh oh oh oh oh oh)
    This is very all you and I
    We gonna groove
    We gonna move into the night
    Oh have this amazing time, yeah
    You gotta let go 'cause it's alright (it's alright)

    Calling all hearts (to the dance floor)
    Tonight (Tonight) let love start (Let love start, let love start)
    On the dance floor, tonight

    If they're beating tonight
    Then I'm calling all hearts, you can call in all hearts, yeah
    Yeah, a celebration of love
    Then I'm calling all hearts, you can call in all hearts, yeah

    One, two, three, go
    Shake it, shake it down tonight
    That's right
    Shake it down, shake it down, that's right
    Shake it, shake it down tonight
    That's right
    Shake it down, shake it down, that's right

    Oh, yeay dance a little bit more (just dance a little bit more)
    Come all night (come together, hey)
    Move a little bit more
    Come all night, oh yeah

    Calling all hearts
    To the dance floor, tonight
    You gotta let it stop
    (You gotta let it stop, you gotta let it stop!)
    Back to the dance floor tonight
    I'm calling all hearts
    I'm calling everybody, I'm calling everyone
    I'm calling everybody, get you up on the floor
    Tonight is the night, tonight is the night, tonight is the night
    I'm calling all hearts, I'm calling all hearts
    I'm calling all hearts, I'm calling all hearts
    I'm calling all hearts, calling everybody (On the dance floor, on the dance floor tonight)

    We're gonna rock tonight
    Calling all hearts
    Yeah calling all hearts, calling all hearts
    Yeah, calling all hearts

    Writer/s: CORNISH, JESSICA / THICKE, ROBIN / KELLY, CLAUDE / COHEN, GREGORY / PODELL, CASSIDY
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Calling All Hearts
  • DJ Cassidy recruited Robin Thicke and Jessie J to perform the vocals on this exuberant song. The track also features contributions from Chic's Nile Rodgers, Rufus drummer John "JR" Robinson, Michael Jackson's horn and string arranger Jerry Hey, and multiple members of Earth, Wind & Fire.
  • The song pays tribute to the golden era of Club music, and like the rest of DJ Cassidy's debut album, it honors the disco era of late '70s and early '80s by purposely avoiding modern studio techniques like sampling and recycling established material. "Four years ago, I set out on a mission to bring the greatest and most universal dance music of all time back to the airwaves, back to nightlife, back to the dance floor," Cassidy told Rolling Stone.
  • This was co-written by hitmaker Claude Kelly, who also co-penned Jessie J's hit single, "Price Tag."
  • DJ Cassidy premiered the song while opening for Jay Z and Justin Timberlake on their Legends of the Summer stadium tour. The track also was played when the DJ/producer served as the house-band for the 2013 MTV Video Music Awards.

  • Grandaddy - Miner At The Dial-A-View
    Grandaddy - Miner At The Dial-A-View


    Grandaddy - Miner At The Dial-A-View Lyrics and Youtube Music Videos

    Album: The Sophtware Slump
    Released: 2000

    Miner At The Dial-A-View Lyrics


    I found your house and I saw your car
    But I've no idea where you are
    From the dial-a-view

    Tire scraps on the federal roads
    Look like crash landed crows
    From the dial-a-view

    Hello welcome to dial-a-view
    To locate the area in which you wish to observe
    You must program in the longitude and the latitude
    For a closer more detailed picture
    Use either the zoom or micro-zoom controls
    Good luck

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    Fifteen years is almost done
    And I don't recognize anyone
    From the dial-a-view

    My home my friends and you
    I watch them fade but what can I do?
    From the dial-a-view

    Hello welcome to dial-a-view
    To locate the area in which you wish to observe
    You must program in the longitude and the latitude
    For a closer more detailed picture
    Use either the zoom or micro-zoom controls
    Good luck

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    Writer/s: J LYTLE
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Miner At The Dial-A-View
  • This is part of a concept album about encroaching technological fascism. The song is about "digital loneliness" ("I dream at night of coming home some day, somewhere so far away"), as the hero has been away from home for 15 years ("fifteen years is almost gone, and I don't recognize anyone"), and the only contact he has with home is through the "Dial-A-View."

  • Krystal Keith - Whiskey & Lace
    Krystal Keith - Whiskey & Lace


    Krystal Keith - Whiskey & Lace Lyrics and Youtube Music Videos

    Album: Whiskey & Lace
    Released: 2013

    Whiskey & Lace Lyrics


    Casey needs another spray-on tan
    Momma's here to keep Cheyenne
    It's almost nine o'clock and time to go
    She's livin' in a single-wide
    Doin' what she has to to survive
    And Tuesday nights are always kinda slow

    But she hops into that old TransAm
    Cranks up some Marshall Tucker Band
    Puttin' make-up on singin' 'long to "Can't You See"
    Yeah she walks into that backstage door
    Changes out of what she wore
    Pours herself a double shot of Jackie D

    Ain't exactly where she wants to be
    Next month's rent don't grow on trees
    And she tries to put a smile upon her face
    As the DJ calls her up to the stage
    She goes by another name
    And hides behind the whiskey and lace

    She spins around to "Purple Rain"
    Every night's the same damn thing
    She drifts off into another place
    She don't wanna see who's here tonight
    Thank God the spotlight blinds her eyes
    And it won't take long 'til the music starts to fade

    Now she's pickin' up dollar bills
    Leaves the runway in her heels
    Starts countin' out the cash she gets to keep
    She towels off, checks her hair
    Falls into her dressin' chair
    Pours herself another shot of Jackie D

    Ain't exactly where she wants to be
    Next month's rent don't grow on trees
    And she tries to put a smile upon her face
    As the DJ calls her up to the stage
    She goes by another name
    And hides behind the whiskey and lace

    This shift's about to end
    And now it's almost 2AM
    And she's wishin' she was home there with Cheyenne

    Ain't exactly where she wants to be
    Next month's rent don't grow on trees
    And she tries to put a smile upon her face
    As the DJ calls her up to the stage
    She goes by another name
    And hides behind the whiskey and lace
    Ooo, ooo, ooo
    Whiskey and lace

    Writer/s: LYNN HUTTON, RODNEY CLAWSON, KRYSTAL L COVEL
    Publisher: BUMPERDOO TUNES
    Lyrics licensed and provided by LyricFind

    Whiskey & Lace
  • This song finds Krystal singing about a single mom who strips in order to put food on the table. The singer penned the song with Rodney Clawson and Lynn Hutton. Krystal recalled to Taste of Country : "That was a really fun day of writing. Rodney Clawson thought that I was 17 and and I said, "I wanna write a song called 'Whiskey and Lace,' I'd love for it to be my album title."

    "We were talking about story lines and they were like, 'You can do the one-night stand thing... You could do the longtime lovers that have lost their spark that are trying to get it back,'" Krystal continued. "And Rodney, being ornery, was like, 'Well what if we just make it about a stripper?' I was like 'Yeah!'"

    "We got about a verse in and he goes, 'You know your dad is gonna kill me for this!,'" she added. "I was like Rodney, I'm 25 and I'm married. The stripper is going to be the least of my dad's worries."

  • Modest Mouse - Truckers Atlas
    Modest Mouse - Truckers Atlas


    Modest Mouse - Truckers Atlas Lyrics and Youtube Music Videos

    Album: Lonesome Crowded West
    Released: 1997

    Truckers Atlas Lyrics


    I'm going to Colorado
    To unload my head
    I'm going to New York City
    And that's in New York, friends

    I'm going to Arizona
    Sex on the rocks all warm and red
    And we bled
    And the writing in the stall said

    "we write our maps in the stalls"
    I'm going up to Alaska
    I'm going to get off scot-fucking-free
    And we all did

    This Truckers Atlas roads the ways
    The freeways and highways don't know
    The buzz from the bird on my dash
    Road locomotive phone

    I don't feel and I feel great
    I sold my atlas by the freight stairs
    I do lines and I crossed roads
    I crossed the lines of all the great state roads

    I'm going up
    Going over to Montana
    You got yourself a trucker's atlas
    You knew you were all hot

    Maybe you'll go and blow a gasket
    You start at the northwest corner
    Go down through California
    Beeline you might drive three days

    Three nights to the tip of Florida
    Do you speak the lingo?
    Oh Oh No. No no
    How far does your road go?

    Oh no, you don't know
    I'm going to Colorado
    To unload my head
    I'm going to New York City

    And that's in New York, friends
    I'm going up to Alaska
    I'm going to get off scot-fucking-free
    And we all did

    And the writing in the salt says
    We ride out to the stars
    I'm going to Arizona
    Sex on the rocks all warm and red

    This truckers atlas roads the ways
    The freeways and highways don't know
    The buzz from the bird on my dash
    Road locomotive phone

    Writer/s: BROCK, ISAAC / JUDY, ERIC / GREEN, JEREMIAH
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Truckers Atlas
  • This is about a guy who snorts lines of crystal meth on a road atlas: "I do lines and I crossed roads, I crossed the lines of all the great state roads." He says he's "going" to whichever state the atlas is opened to: "I'm going to Colorado, to unload my head... I'm going to Arizona, sex on the rocks all warm and red and we bled."

  • The Pogues - Sally MacLennane
    The Pogues - Sally MacLennane


    The Pogues - Sally MacLennane Lyrics and Youtube Music Videos

    Album: Rum Sodomy & the Lash
    Released: 1985

    Sally MacLennane Lyrics


    Well, Jimmy played harmonica in the pub where I was born
    He played it from the night time to the peaceful early morn
    He soothed the souls of psychos and the men who had the horn
    And they all looked very happy in the morning

    But Jimmy didn't like his place in this world of ours
    Where the elephant man broke strong men's necks when he'd had too many pours
    So sad to see the grieving and the people that I'm leaving
    And he took the road for god knows in the morning

    We walked him to the station in the rain
    We kissed him as we put him on the train
    And we sang him a song of times long gone
    Though we knew that we'd be seeing him again

    (Far away) I'm sad to say I must be on me way
    So buy me beer and whiskey 'cause I'm going far away (far away)
    I'd like to think of me returning when I can
    To the greatest little boozer and to Sally MacLennane

    The years went by, the times had changed I grew to be a man
    I learned to love the virtues of sweet Sally Maclennane
    I took the jeers and drank the beers and crawled back home at dawn
    And ended up a barman in the morning

    I played the pump and took the hump and watered whiskey down
    I talked of whores and horses to the men who drank the brown
    I heard them say that Jimmy's making money far away
    And some people left for heaven without warning

    We walked him to the station in the rain
    We kissed him as we put him on the train
    And we sang him a song of times long gone
    Though we knew that we'd be seeing him again

    (Far away) I'm sad to say I must be on me way
    So buy me beer and whiskey 'cause I'm going far away (far away)
    I'd like to think of me returning when I can
    To the greatest little boozer and to Sally Maclennane

    When Jimmy came back home he was surprised that they were gone
    He asked me all the details of the train that they went on
    Some people they are scared to croak but Jimmy drank until he choked
    Took the road for heaven in the morning

    We walked him to the station in the rain
    And we kissed him as we put him on the train
    And we sang him a song of times long gone
    Though we knew that we'd be seeing him again

    (Far away) I'm sad to say I must be on me way
    So buy me beer and whiskey 'cause I'm going far away (far away)
    I'd like to think of me returning when I can
    To the greatest little boozer and to Sally Maclennane

    Writer/s: SHANE MACGOWAN
    Publisher: DOWNTOWN MUSIC PUBLISHING LLC
    Lyrics licensed and provided by LyricFind

    Sally MacLennane
  • This song was inspired by the legendary early 1980s drinking sessions that Pogues frontman Shane MacGowan would take part in with his friends around the bars at Euston railway station before boarding the boat train to Holyhead for the ferry to Dun Laoghaire. "I was always a little envious of Shane, it was almost this ritualistic thing where he'd get stocious and his friends would put him on the train to Ireland," accordion player James Fearnley recalled to The Irish Post December 16, 2013. "A lot from that song had also come from being a barman himself at the Great Ormond Street hospital bar. He knew about watering whiskey down from that I'm sure."
  • The Sally MacLennane that MacGowan sings of returning to in his "greatest little boozer" is not a woman, but a brand of stout.

  • Tommy Facenda - High School U.S.A.
    Tommy Facenda - High School U.S.A.


    Tommy Facenda - High School U.S.A. Lyrics and Youtube Music Videos

    Album: High School U.S.A.
    Released: 1959

    High School U.S.A. Lyrics


    High School U.S.A.
  • This was written by a Norfolk, Virginia record store owner named Frank Guida.
  • The original song mentioned high schools in Virginia. To give the song local appeal, Atlantic Records released at least 28 other versions that were customized to various cities, so a radio station in California could play a version with California schools mentioned in the lyrics, and a station in Florida could play a version with Florida schools. Huey Lewis & the News did something similar with their song "The Heart Of Rock And Roll." Also, "Drive-In Romance," written and recorded by Jimmie R. Vestal, has 65 versions, each mentioning the name of a different Drive-In Theater.

  • Spin Doctors - Two Princes
    Spin Doctors - Two Princes


    Spin Doctors - Two Princes Lyrics and Youtube Music Videos

    Album: Pocket Full of Kryptonite
    Released: 1991

    Two Princes Lyrics


    Yeah
    One, two, princes kneel before you
    That's what I said, now
    Princes, Princes who adore you
    Just go ahead, now
    One has diamonds in his pockets
    That's some bread, now
    This one, said he wants to buy you rockets
    Ain't in his head, now

    Aah,

    This one, got a princely racket
    That's what I said, now
    Got some big seal upon his jacket
    Ain't in his head, now
    You marry him, your father will condone you
    How 'bout that, now
    You marry me, your father will disown you
    He'll eat his hat, now

    Marry him or marry me,
    I'm the one that loves you baby can't you see?
    I ain't got no future or a family tree,
    But I know what a prince and lover ought to be,
    I know what a prince and lover ought to be

    Said, if you want to call me baby
    Just go ahead, now
    And if you like to tell me maybe
    Just go ahead, now
    And if you wanna buy me flowers
    Just go ahead, now
    And if you like to talk for hours
    Just go ahead, now

    Said

    One, two, princes kneel before you
    That's what I said, now
    Princes, Princes who adore you
    Just go ahead, now
    One has diamonds in his pockets
    That's some bread, now
    This one, he wants to buy you rockets
    Ain't in his head, now

    Marry him or marry me,
    I'm the one that loves you baby can't you see?
    I ain't got no future or a family tree,
    But I know what a prince and lover ought to be
    I know what a prince and lover ought to be

    Said, if you want to call me baby
    Just go ahead, now
    And if you like to tell me maybe
    Just go ahead, now
    And If you wanna buy me flowers
    Just go ahead, now
    And if you like to talk for hours
    Just go ahead, now

    And if you want to call me baby
    Just go ahead, now
    And if you like to tell me maybe
    Just go ahead, now
    And If you like buy me flowers
    Just go ahead, now
    And if you like to talk for hours
    Just go ahead, now

    And if you want to call me baby
    Just go ahead, now
    If you like to tell me maybe
    Just go ahead, now
    If you wanna buy me flowers
    Just, go ahead, now
    And if you like to talk for hours
    Just go ahead, now

    Whoa whoa baby
    Just go ahead now
    Whoa, just, just go ahead now
    Just go ahead now
    Whoa you're majesty
    Come forget the king and marry me
    Just go ahead now
    C'mon
    C'mon
    Just go ahead now
    Yeahh
    If you want to buy me flowers
    Just go ahead now

    Writer/s: GROSS, CHRISTOPHER / SCHENKMAN, ERIC / WHITE, MARK / COMESS, AARON
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Two Princes
  • The Spin Doctors are a New York group led by Chris Barron, who rocked a very disheveled look at the time. They were tagged an "Alternative" band, which was good for marketing purposes, since it made them sound edgy. Really, they were a Rock band with Pop appeal, and in 1993 there was a huge demand for their sound, especially among Top-40 radio stations who were pushing back against the tide of Hip-Hop.

    Their first single, "Little Miss Can't Be Wrong," was a modest hit, climbing to #17 in the US. "Two Princes" did far better, becoming their biggest hit and best-known song. Both songs were composed by the entire band: Baron, Aaron Comess, Eric Schenkman and Mark White.
  • In this song, Chris Barron takes the voice of a poor prince (must be a pretty lame kingdom) trying to convince a girl that she should marry him instead of his wealthy counterpart. The underdog theme shows up a lot in Barron's lyrics; something he attributes to his itinerant childhood - he spent time in Australia and Europe before settling in New Jersey.
  • The song was originally played a lot faster but when the band came to record it, they slowed it down. Drummer Aaron Comess recalled to Mikedolbear.com : "There are certain songs when you find the right tempo, all of a sudden the lyrics come out, it feels right and I think with 'Two Princes' we really lucked out. It's one of those things, we got in the studio, found a good tempo, we recorded it, everything just really came together. It's very simple, there's not a lot of stuff on it, somehow the sound and feel we got, we just lucked out and found the perfect thing."
  • This featured prominently in the Sarah Silverman Program episode "Maid to Border," as the only song her friend and neighbor has on his iPod. It also was played in Futurama as an example of 'college rock' as opposed to 'alternative rock.'
  • Spin Doctors performed a parody version of this song on Sesame Street in which two princes (Elmo and Telly) ask for a play date.
  • This soundtracked a Peugeot 307 advert called "Demands Attention," which was shown in Australia, Argentina, Brazil and the United Kingdom.

  • Yeah Yeah Yeahs - Date with the Night
    Yeah Yeah Yeahs - Date with the Night


    Yeah Yeah Yeahs - Date with the Night Lyrics and Youtube Music Videos

    Album: Fever To Tell
    Released: 2003

    Date with the Night Lyrics


    I got a Date with the Night
    Burnin' down my finger
    Gonna catch the kids dry
    Gonna walk on water
    Buyin' out the fight
    We're sweatin' in the winter
    Gonna catch ya squeeze tight

    Chow chow chow chow chow chow chow chow chow chow...

    Don't tell me to fix her
    Don't tell me to fix her
    Just take a bite
    No hangin' no picture
    Flyin' out my sight
    Droppin' brides at the altar
    Gonna find ya squeeze tight

    Chow chow chow chow chow chow chow chow chow chow...

    I'll set you I'll set it off
    I'll set you I'll set it off
    I'll set you I'll set it off off

    I'll set you I'll set it off
    I'll set you I'll set it off
    I'll set you I'll set it off
    I'll set you I'll set it off off off

    Buyin' out the fight
    Gonna walk on water
    Gonna catch the kids dry
    Gonna bend my finger
    Flyin' out my sight
    We're sweatin' in the winter
    Gonna grab squeeze tight
    Gonna grab squeeze tight

    Writer/s: CHASE, ZINNER, ORZOLEK
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Date with the Night
  • This ferocious track was released as the first single from Yeah Yeah Yeah's debut album, Fever To Tell. It became the band's first Top 20 hit in the UK, where it peaked at #16.
  • Singer Karen O recorded her trademark feline yelps and banshee wails twice on this and the other Fever to Tell tracks. She told NME: "We did all the tracks twice once with me totally wasted and then again with me sober. Then used whatever worked best."
  • The video was directed by Patrick Daughters, who is best known for his Grammy-nominated visual for Feist's "1234." Much of it was recorded at Bristol University Union's Anson Rooms on March 1, 2003 but there also scenes shot at other venues during the same UK tour, including The Zodiac in Oxford.

  • Lyrics

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