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Emerson, Lake & Palmer - Tarkus
Emerson, Lake & Palmer - Tarkus


Emerson, Lake & Palmer - Tarkus Lyrics and Youtube Music Videos

Album: Tarkus
Released: 1971

Tarkus Lyrics


The wall
On which the prophets wrote
Is cracking
At the seams

Upon the
Instrument's object
The sunlight
Brightly gleams

Where every man
Is torn apart
With nightmares
And with dreams

Will no one lay
The laurel wreath
When silence
Drowns the screams

Confusion
Will be my epitaph
As I crawl
This cracked and broken path
If we make it
We can all
Sit back
And laugh

But I fear tomorrow
I'll be crying
Yes I fear tomorrow
I'll be crying
Yes I fear tomorrow
I'll be crying

Between the iron gates of fate
The seeds of time were sown
And watered by
The deeds of those
Who know
And who are known

Knowledge is
A deadly friend
If no one
Sets the rules

The fate of all
Mankind I see
Is in
The hands of fools

The wall
On which the prophets wrote
Is cracking
At the seams

Upon the
Instrument's object
The sunlight
Brightly gleams

Where every man
Is torn apart
With nightmares
And with dreams

Will no one lay
The laurel wreath
When silence
Drowns the screams

Confusion
Will be my epitaph
As I crawl
This cracked and broken path
If we make it
We can all
Sit back
And laugh

But I fear tomorrow
I'll be crying
Yes I fear tomorrow
I'll be crying
Yes I fear tomorrow
I'll be crying

Crying
Crying

Yes I fear tomorrow
I'll be crying
Yes I fear tomorrow
I'll be crying

Crying

Writer/s: GREG LAKE, IAN MCDONALD, MICHAEL REX GILES, PETER JOHN SINFIELD, ROBERT FRIPP
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Tarkus
  • This progressive epic runs 20:42 and takes up the entire first side of the album. The parts are:

    Eruption
    Stone of Years
    Iconoclast
    Mass
    Manticore
    Battlefield
    Aquatarkus
  • This song describes the story of a war machine called Tarkus (a mixture between an armadillo and a tank). This creature emerges from an egg that is beside a volcanic crater that is making an eruption. Then a cybernetic creature that looks like a futuristic station, this creature is destroyed by Tarkus' turrets. After that comes a creature called Iconoclast, that is a mixture between pterodactyl and a war airplane. This creature battles, but can't compare to Tarkus and loses the battle.

    Another creature appears named Mass (a mixture of lizard, lobster and a rocket launcher), and after a battle Mass loses the battle and Tarkus continues his bloody adventure. After three victories Tarkus faces a mythological creature called Manticore (this creature has a human face, lion's body and scorpion's tail). Tarkus faces Manticore and is stung in his eye. Manticore forces Tarkus to go back, and Manticore defeats Tarkus, whose body falls down to a river. But though Tarkus seems to be dead you can't be sure because his turrets are not damaged.
  • Greg Lake, who wrote the lyrics for this track, explains: "The initial inspiration for this record came from the music that Keith (Emerson) had written. Following on from this I wrote various songs and worked together with Keith and Carl (Palmer) as a producer to create the record you now hear. Tarkus has been the backbone performance piece for ELP and has certainly stood the test of time. It is one of the best examples of the musical genius of Keith Emerson as a composer and of the band ELP working and performing together at the very top of their game."
  • The album cover, created by the artist William Neal, shows a depiction of Tarkus. While most ELP albums were completed long before the cover art was done, in this case, it helped adhere the songs. Lake explains: "The album cover art lent a sort of visual concept to an album which didn't really have a bonding concept at all. Before the album sleeve was conceived the whole thing was just a string of various musical and lyrical concepts weaved together into one continuous arrangement."
  • Keith Emerson poured through Greek mythology looking for a name for this song, but came up empty. Inspiration struck when the word "Tarkus" popped into his head when the band was driving back from a gig. It conjured up visions of a tank, so the idea developed to make the new mythological creature an armadillo (because of its armor) with tank treads. Emerson says that the word is completely original, and the only thing he's heard close to it is "tukhus" - a Yiddish word for the rear end.
  • Always a very theatrical band, Emerson, Lake & Palmer at one point shared the stage with a model of the Tarkus creature, which would blast a foamy substance at key moments. This provided a Spinal Tap moment when during a show that Carl Palmer recalls being in Brighton, the creature was aimed in the wrong direction, and the foam went into Emerson's grand piano. "We had to stop the show and on came the roadies with the dustpans and the Hoover to clear it out," Palmer said.
  • In our interview with Carl Palmer , he said: "The greatest piece collectively as a band, which really was a blueprint for a lot of up-and-coming prog rock groups to follow, would have been 'Tarkus
  • .'
    The music in 'Tarkus' was very, very simple. It was a 10/8 rhythm, which I played to Keith, and I said, 'We could count this in 5/4, this is where the accents are.' He wrote, then, a topline that went wherever the accents were, and we had the melody. This was a fantastic piece of music, unbelievable.

    All that was wrong with 'Tarkus' was it probably wasn't as mature as a concept lyrically as what it should have been. It was just a group of songs nailed together, but the actual music itself was outstanding. It just didn't have the political overtones that something like Pink Floyd had with The Wall. It wasn't that in-depth. But the music was superior, was absolutely fantastic. We just never really carried it through far enough intellectually.

    So great album, great, great music, just didn't cap it off completely. But very proud of it."

    3 Doors Down - Kryptonite
    3 Doors Down - Kryptonite


    3 Doors Down - Kryptonite Lyrics and Youtube Music Videos

    Album: The Better Life
    Released: 2000

    Kryptonite Lyrics


    I took a walk around the world to
    Ease my troubled mind
    I left my body lying somewhere
    In the sands of time
    I watched the world float to the dark
    Side of the moon
    I feel there is nothing I can do, yeah

    I watched the world float to the
    Dark side of the moon
    After all I knew it had to be something
    To do with you
    I really don't mind what happens now and then
    As long as you'll be my friend at the end

    If I go crazy then will you still
    Call me Superman
    If I'm alive and well, will you be
    There holding my hand
    I'll keep you by my side with
    My superhuman might
    Kryptonite

    You called me strong, you called me weak
    But still your secrets I will keep
    You took for granted all the times I
    Never let you down
    You stumbled in and bumped your head, if
    Not for me then you'd be dead
    I picked you up and put you back
    On solid ground

    If I go crazy then will you still
    Call me Superman
    If I'm alive and well, will you be
    There holding my hand
    I'll keep you by my side with
    My superhuman might
    Kryptonite

    Oh whoa whoa

    If I go crazy then will you still
    Call me Superman
    If I'm alive and well, will you be
    There holding my hand
    I'll keep you by my side with
    My superhuman might
    Kryptonite

    If I go crazy then will you still
    Call me Superman
    If I'm alive and well, will you be
    There holding my hand
    I'll keep you by my side with
    My superhuman might
    Kryptonite

    Writer/s: BRADLEY KIRK ARNOLD, MATTHEW DARRICK ROBERTS, ROBERT TODD HARRELL
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Kryptonite
  • Picture this: 3 Doors Down lead singer/songwriter Brad Arnold at 15 years old, sitting in math class bored out of his skull, begins tapping on his desk. The tapping turns into drumming, and pretty soon he's unknowingly written the first monster hit for his future band.
    He laughs at the memory: "Thank God for the little dude that sat in front of me, that dude deserves credit on the album! I was so bad in math. So bad. But my teacher knew I was not good, not paying attention, but he just kind of let me go. I believe I wrote the lyrics to some other songs in that same class. I wrote probably about half of that Better Life album sitting in that math class."

    This song is also, according to Arnold, only the 3rd or 4th song he'd ever written, period. "The skippy little drumbeat in the song was just me beating on my desk. It's almost exactly the beat we played to, just kind of drumming, just skipping along with it."
  • Brad says this song is a question. As it turns out, it was a rather prophetic one. "Its question is kind of a strange one. It's not just asking, 'If I fall down, will you be there for me?' Because it's easy to be there for someone when they're down. But it's not always easy to be there for somebody when they're doing good. And that's the question it's asking. It's like, 'If I go crazy, will you still call me Superman?' It's asking, 'If I'm down, will you still be there for me?' But at the same time, 'If I'm alive and well, will you be there holding my hand?' That's kind of asking, 'If I'm doing good, will you be there for me? Will you not be jealous of me?' And maybe throughout the years of singing that song, I might have come up with more meanings for it than it actually might have originally had," he laughs.
    The fact that he wrote this song when he was only 15 doesn't seem remarkable to Brad, because, he says, "every 15-year-old has those questions in their head. They might not know quite how to say it, or they might not feel like it's acceptable to say something. And the biggest thing that I've had as an honor to be able to do is to be able to say something, and after I say it, it's okay. After an artist says it, if a rock star says it, okay, it's fine. That really boils down to why rock and roll inspires pop culture so much, or just music in general, not just rock and roll. Because artists push the envelope, and they go out on a limb to say something else. But it also comes with responsibility; you gotta watch what you say, because kids listen. And I try to watch what I say, too."
  • Commonly thought to contain a shout out to the movie Superman ("Kryptonite" is the substance that rendered Superman powerless - it could only be found on his home planet of Krypton), and to Pink Floyd's Dark Side of the Moon, Brad says this song has neither. He explains how it all came together: "That line is just like a happenstance line. That song is so little about Superman. It's just really about that question. That's just something that everybody can identify with." He says that it was either Part I or II of the Superman movies that had Superman fighting an enemy in space, where they floated around to the dark side of the moon. He says, however, that he wrote this song before the movie came out. "And I was like, 'What?!' he laughs. "And it was after I wrote that song. That was weird." (Check out our full interview with Brad Arnold)
  • In an interview with askmen.com , bassist Todd Harrell explained that the band's name came from a sign in a building. It was saying about how some office was "doors down," and they added the number three to make it a catchy name.

  • Queensrÿche - Silent Lucidity
    Queensrÿche - Silent Lucidity


    Queensrÿche - Silent Lucidity Lyrics and Youtube Music Videos

    Album: Empire
    Released: 1990

    Silent Lucidity Lyrics


    Hush now don't cry
    Wipe away the teardrop from your eye
    You're lying safe in bed
    It was all a bad dream
    Spinning in your head
    Your mind tricked you to feel the pain
    Of someone close to you leaving the game of life
    So here it is, another chance
    Wide awake you face the day
    Your dream is over
    Or has it just begun?

    There's a place I like to hide
    A doorway that I run to in the night
    Relax child, you were there
    But only didn't realize it and you were scared
    It's a place where you will learn
    To face your fears, retrace the years
    And ride the whims of your mind
    Commanding in another world
    Suddenly, you hear and see
    This magic new dimension

    I will be watching over you
    I am gonna help you see it through
    I will protect you in the night
    I am smiling next to you, in Silent Lucidity

    Visualize your dream
    Record it in the present tense
    Put it into a permanent form
    If you persist in your efforts
    You can achieve dream control
    Dream control
    How's that then, better?
    Dream control
    Dream control (hug me)
    Dream control
    Hug me

    If you open your mind for me
    You won't rely on open eyes to see
    The walls you built within
    Come tumbling down, and a new world will begin
    Living twice at once you learn
    You're safe from pain in the dream domain
    A soul set free to fly
    A round trip journey in your head
    Master of illusion, can you realize
    Your dream's alive, you can be the guide but

    I will be watching over you
    I am gonna help you see it through
    I will protect you in the night
    I am smiling next to you

    Writer/s: CHRISTOPHER DEGARMO
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Silent Lucidity
  • Written by Queensrÿche guitarist Chris DeGarmo (who left the band in 1998), this is a song that deals with a person having a lucid dream. A lucid dream happens when you are aware that you are dreaming, and can control parts of it. DeGarmo got the idea from a book called Creative Dreaming , which explains how to tap into your subconscious mind and make like Leonardo DiCaprio in Inception. DeGarmo told Metal Edge in 1990: "Dreams tend to recur. Very often you have the same images, and it's being used in therapy, to confront the image in your dream. In a lifetime the average person spends about 4 ½ years in a vivid hallucination of the subconscious. You're doing things like flying, walking through walls - it's so intense. People can experience incredible physical sensations during dreaming."
  • In our interview with Queensrÿche's lead singer Geoff Tate, he said: "I love that song. I think it's a beautiful, beautiful piece. And although I didn't write it, I had a lot to do with shaping the destiny of that track through my melodic contributions and the way I sang it, and also in the mixing of the song and that kind of thing.

    It had a strange beginning. It started out as simply just acoustic guitar and voice. And it wasn't until we were almost finished with the record, just in the last week of working on the record, that we added all the other instrumentation to it.

    In fact, our producer (Peter Collins) didn't really want to put it on the record because he didn't think it was that well-developed as an idea. He was actually putting his foot down at one point saying, "No, I think you should come up with another song. You only have so many songs for the record, I don't think you should put that on the record." I think it's a good idea that he said that because it inspired Chris DeGarmo and I to really buckle down and finish the song and actually make it into what it is."
  • A piece of classical music is incorporated into this song: Brahm's "Lullaby" can be heard starting at 5:26, played by a cello.
  • Queensrÿche has had a long and illustrious career, but this is their only song to crack the Hot 100 in America. They fared better on the UK charts, where they placed six songs in the Top-40.

  • Biohazard - Tales From The Hard Side
    Biohazard - Tales From The Hard Side


    Biohazard - Tales From The Hard Side Lyrics and Youtube Music Videos

    Album: State Of The World Address
    Released: 1994

    Tales From The Hard Side Lyrics


    Your cards were dealt when
    You drove through the night
    As a man in dark clothes came into your sight
    The barrel tapped the glass
    You reached the window lock
    Get the fuck out the car
    And leave it in the crosswalk
    He climbed into your seat
    And dropped a vial of crack
    Pissin' down your leg, you're a victim of carjack
    Feel the cold steel as I pull the hammer back
    Bang! You're fuckin' dead 'cause it's like that

    Society, pushed him down and out
    Soul provider what's it all about
    Religion, faith can we do without
    Social pressure we're too strung out

    Another bad hand the cards have been dealt
    Kid of fourteen, high aspirations held
    To get ahead and run shit with his powerful will
    Told by his role model, you're old enough to kill
    See my ride, my bitches and my loot
    If ya want to survive be prepared to shoot
    Stay hard like me, you're bound to do well
    A waste of precious life, twenty five and an L

    I'll put a bullet in your head for the colour of your skin
    This is my neighborhood who the fuck let you in
    I'll stick with mine stay with your own kind
    The virus of hate infects the ignorant mind

    Writer/s: DANIEL SCHULER, EVAN SEINFELD, ROBERT SCOTT HAMBEL, WILLIAM DANIEL, IV GRAZIADEI
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Tales From The Hard Side
  • Biohazard has never been shy about addressing difficult social issues. The video for this song portrays a young gang member carrying out a crime as initiation. Taking a closer look, the lyrics run deeper as highlighted by the line, "the virus of hate infects the ignorant mind."

    Evan Seinfeld, who was the lead singer at the time, told us about his writing approach: "I look for inspiration in everyday life things. I like to write using metaphors. I feel I can reach more people like that when I write about relatable topics, more metaphor driven. All my lyrics my whole life are based on some kind of reality."
  • State Of The World Address marked the first time the band worked with producer Ed Stasium, who had helmed the albums Road to Ruin and Too Tough to Die for the Ramones.
  • All six guitar strings are tuned down a semitone, creating a thick and deep sound. Most of the guitar chords in the song are played using only the top three strings. This is common in Heavy Metal because it provides the option of using just one finger to fret all three strings, allowing for faster movement along the neck with more complicated riffing.
  • The sinister edge to the song can leave the listener wondering if that dark shadow known as the augmented 4th chord, sometimes called "the devil's interval," will make an appearance. When played in the right context it is a disturbing aural vibe similar to the sounds of emergency sirens, and sirens do slide into the song at the 2:36 mark.

  • The Lovin' Spoonful - Summer In The City
    The Lovin' Spoonful - Summer In The City


    The Lovin' Spoonful - Summer In The City Lyrics and Youtube Music Videos

    Album: Hums Of The Lovin' Spoonful
    Released: 1966

    Summer In The City Lyrics


    Hot town, Summer In The City
    Back of my neck getting dirty and gritty
    Been down, isn't it a pity
    Doesn't seem to be a shadow in the city

    All around, people looking half dead
    Walking on the sidewalk, hotter than a match head

    But at night it's a different world
    Go out and find a girl
    Come-on come-on and dance all night
    Despite the heat it'll be alright

    And babe, don't you know it's a pity
    That the days can't be like the nights
    In the summer, in the city
    In the summer, in the city

    Cool town, evening in the city
    Dressing so fine and looking so pretty
    Cool cat, looking for a kitty
    Gonna look in every corner of the city
    Till I'm wheezing like a bus stop
    Running up the stairs, gonna meet you on the rooftop

    But at night it's a different world
    Go out and find a girl
    Come-on come-on and dance all night
    Despite the heat it'll be alright

    And babe, don't you know it's a pity
    That the days can't be like the nights
    In the summer, in the city
    In the summer, in the city

    Hot town, summer in the city
    Back of my neck getting dirty and gritty
    Been down, isn't it a pity
    Doesn't seem to be a shadow in the city

    All around, people looking half dead
    Walking on the sidewalk, hotter than a match head

    But at night it's a different world
    Go out and find a girl
    Come-on come-on and dance all night
    Despite the heat it'll be alright

    And babe, don't you know it's a pity
    That the days can't be like the nights
    In the summer, in the city
    In the summer, in the city

    Writer/s: STEVE BOONE, MARK SEBASTIAN, JOHN SEBASTIAN
    Publisher: BMG RIGHTS MANAGEMENT US, LLC, CARLIN AMERICA INC, Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Summer In The City
  • This song contrasts what it's like to live in a large city during the day and during the night. According to the song, it's difficult to walk around a crowded and hot city during the day, but it's great at night because you have plenty of opportunities to chase women.
  • The sound of car horns and traffic was the first time these sounds appeared on a hit song. A year later, Kenny Gamble and Leon Huff used the idea when they produced the Soul Survivors track "Expressway (To Your Heart)."
  • Was used at the beginning of the movie Die Hard: With A Vengeance. The song plays throughout the opening credits, showing different scenes of New York City until a building blows up.
  • From 2006-2007, the piano portion was used in various Gatorade ads depicting the history of the sports drink, which was created in 1965.
  • The song was a collaboration between John Sebastian, The Lovin Spoonful's bassist Steve Boone, and the frontman's brother (and non-group member) Mark Sebastian. John Sebastian recalled to Uncut magazine June 2014: "That song that came from an idea my brother Mike had. He had this great chorus, and the release was so big. I had to create some kind of tension at the front end to make it even bigger. That's where that jagged piano part comes from."

    "Steve contributed the middle eight, which I thought sounded like Gershwin, so we hired a radio sound effects engineer to come in with records of horns and traffic, a real New York City thing."
  • This is used during the looting sequence on The Simpsons episode "Poppa's Got a Brand New Badge."
  • The song served as the theme song for German art-director Wim Wenders' first film, 1970's Summer in the City. It plays during an incongruous scene in which the protagonist Hans is seen walking on a brutally cold day, surrounded by snow.

  • AlunaGeorge - Your Drums, Your Love
    AlunaGeorge - Your Drums, Your Love


    AlunaGeorge - Your Drums, Your Love Lyrics and Youtube Music Videos

    Album: Body Music
    Released: 2013

    Your Drums, Your Love Lyrics


    Your drums, we're drumming, your drums
    Your drums, we're drumming, your drums

    You can't say that I'm going no where
    Cause you don't know where I'm coming from
    And you can't say that I'm going no where
    When I have been trying to reach you for so long

    Your drums, we're drumming, your drums

    Friends say I've got something wrong,
    Cause I've been trying to reach you for so long
    For so long, I've tried
    To reach you baby, don't you know that

    I've been treading water for your love
    Whether I sink or swim, it's you I'm thinking of
    I've been treading water for your love
    As my light grows dim maybe you're not strong enough boy

    Your drums, we're drumming, your drums
    Your drums, we're drumming, your drums

    I can't say where I'm going no where
    This feeling goes on and on
    I can't say that I'm going somewhere
    When I've been failing to reach you for so long

    For so long, I've tried
    To reach you baby, don't you know that

    I've been treading water for your love
    Whether I sink or swim, it's you I'm thinking of
    I've been treading water for your love
    As my light grows dim maybe you're not strong enough boy

    Maybe all along (all along)
    I've been holding on (holding on)
    To the promise that you need some time
    Making everything into a story
    Making sure I never get to feel happy
    Taking everything you do my own way
    Thinking that you're begging me please

    I've been treading water for your love
    Whether I sink or swim, it's you I'm thinking of
    I've been treading water for your love
    As my light goes dim maybe you're not strong enough boy

    Your drums, we're drumming, your drums
    Your drums, we're drumming, your drums

    Writer/s: ADAM GEORGE DYMENT, ALUNA DEWJI-FRANCIS, GEORGE REID
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Your Drums, Your Love
  • Singer Aluna Francis admitted to The Sun that she was embarrassed to bring the idea for this song to beatmaker George Reid. "I was like, 'Ewww, George, I made a really cheesy pop ballad,'" she said. "Then he took it and experimented with the notes and melody to express the song in an unusual way. I'm always really surprised with what he comes up with."

  • Nirvana - Milk It
    Nirvana - Milk It


    Nirvana - Milk It Lyrics and Youtube Music Videos

    Album: In Utero
    Released: 1993

    Milk It Lyrics


    I am my own parasite
    I don't need a host to live
    We feed off of each other
    We can share our endorphins
    Doll steak, test meat

    I won my own pet virus
    I get to pet and name her
    Her milk is my shit
    My shit is her milk

    Doll steak, test meat
    Look on the bright side is suicide
    Lost eyesight I'm on your side
    Angel left wing, right wing, broken wing
    Lack of iron and/or sleeping
    Protector of the kennel
    Ecto-plasma
    Ecto-Skeletal
    Obituary birthday
    Your scent is still here in my place of recovery

    Writer/s: KURT COBAIN
    Publisher: Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Milk It
  • Like "Heart-Shaped Box" and "Drain You," this song explores many medical themes. It also appears to be about love in some form.

  • Backstreet Boys - Show 'Em (What You're Made Of)
    Backstreet Boys - Show 'Em (What You're Made Of)


    Backstreet Boys - Show 'Em (What You're Made Of) Lyrics and Youtube Music Videos

    Album: In a World Like This
    Released: 2013

    Show 'Em (What You're Made Of) Lyrics


    I’ve seen it all a thousand times
    Falling down I'm still alive, am I? Am I?
    So hard to breathe when the water’s high
    No need to swim I'll learn to fly, so high, so high
    You find the truth in a child’s eyes
    When the only limit is the sky
    Living proof I see myself in you

    When walls starts to close in
    Your heart is frozen over
    Just show ‘em what you’re made of
    When sun light is fading
    The world will be waiting for you
    Just show ‘em what you’re made of

    Gloves are off, ready to fight
    Like a lion I will survive.
    Will I? Will I?
    You gotta stand for something
    Even if you stand alone, don’t be afraid
    It’s gonna be alright

    You find the truth in a child’s eyes
    When the only limit is the sky (woo, woo, woo)
    Living proof I see myself in you, (oh)

    When walls starts to close in
    Your heart is frozen over
    Just show ‘em what you’re made of
    When sun light is fading
    The world will be waiting for you
    Just show ‘em what you’re made of
    (Just show ‘em what you’re made of)

    Ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh,
    (Just show ‘em what you’re made of) ooh ooh ooh ooh ooh
    Ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh
    (Just show ‘em what you’re made of)

    You find the truth in a child’s eyes
    When the only limit is the sky
    Living proof I see myself in you

    When walls starts to close in
    Your heart is frozen over
    Just show ‘em what you’re made of
    (You can show 'em what you're made of!)
    When sun light is fading
    The world will be waiting for you
    (For you, for you!)
    Just show ‘em what you’re made of
    (You can show ‘em what you’re made of)

    Ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh,
    (Just show ‘em what you’re made of) ooh ooh ooh ooh ooh
    Ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh, ooh ooh ooh ooh ooh
    Just show ‘em what you’re made of

    Writer/s: MIKA GUILLORY, AJ MCLEAN, MORGAN TAYLOR REID, KEVIN RICHARDSON
    Publisher: Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., OLE MM, Universal Music Publishing Group, THE ROYALTY NETWORK INC., OLE MEDIA MANAGEMENT LP, BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Show 'Em (What You're Made Of)
  • AJ McLean and Kevin Richardson wrote this song with songwriters Mika Guillory and Morgan Taylor Reid. McLean told Rolling Stone that the Backstreet pair penned the song for their children: "Kevin was like, 'Why don't we write something that's about our kids or is a positive reinforcement-type song because there is so much negativity out there and bullying and all this crap that's been going on? The world needs positivity,'" he said. "Not only was it my daughter and his son, but it was all of our kids that were influenced and even other people's kids and just fathers, mothers, people that are the kind of people that encourage you to go out and to show 'em what you're made of, give it your all and the song turned out beyond what I ever expected it to be. It became this huge emotional record."

  • Nirvana - Negative Creep
    Nirvana - Negative Creep


    Nirvana - Negative Creep Lyrics and Youtube Music Videos

    Album: Bleach
    Released: 1989

    Negative Creep Lyrics


    This is out of our reach
    This is out of our reach
    This is out of our reach and it's grown
    This is getting to be
    This is getting to be
    This is getting to be drone
    I'm a Negative Creep
    I'm a negative creep
    I'm a negative creep and I'm stoned!
    I'm a negative creep
    I'm a negative creep
    I'm a negative creep and I'm, and I'm

    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more

    This is out of our range
    This is out of our range
    This is out of our range and it's crude
    This is getting to be
    This is getting to be
    This is getting to be like drone
    I'm a negative creep
    I'm a negative creep
    I'm a negative creep and I'm stoned!
    I'm a negative creep
    I'm a negative creep
    I'm a negative creep and I'm and I'm

    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more

    Fuck! Yeah!
    Drone!
    Stoned!

    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more
    Daddy's little girl ain't a girl no more

    Writer/s: KURT COBAIN
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Negative Creep
  • This is about an individual who always looks down on things. Said Kurt Cobain: "I just always saw myself as a negative person."
  • Velvet Revolver covered this on the B-side to their first single, "Slither." They also frequently play the song live.
  • Queens of the Stone Age frontman Josh Homme told Rolling Stone magazine: "The first time I heard Bleach, I remember turning to my friends and saying, 'We gotta start writing better songs.' Listening to 'Negative Creep' and 'School' and 'Love Buzz,' I thought there were three different singers in the band. It was a total perspective-changer – it definitely ripped a sheet of paper off of my mental notepad. A couple of years later, I got an advance copy of Nevermind. I was raised on Black Flag and the Cramps; I had always thought, 'This is the best s--t ever, and no one's going to listen to it.' Nevermind proved that I was completely wrong about that. I was so stoked."

  • Court Yard Hounds - The Road You Take
    Court Yard Hounds - The Road You Take


    Court Yard Hounds - The Road You Take Lyrics and Youtube Music Videos

    Album: Amelita
    Released: 2013

    The Road You Take Lyrics


    The Road You Take
  • Having penned the music for this song, Court Yard Hound Emily Robison was struggling with the lyrics. "I loved the music so much and I felt in my heart that the words had to be important," she explained to Radio.com . "I kept trying to write it and I kept procrastinating and I wouldn't commit to any lyrics for the song."

    Robison played the demo to a few songwriters, and they all urged her to write the song herself, so she decided to create it around her philosophy on life. "You make your choices in life in a lot of ways, whether it's your relationship or whatever it is," she explained. "Your road is basically a series of your decisions along the way. I believe in fate to a certain degree too but I think you create your fate based on those little everyday decisions. That's what that song is about to me."

  • Oasis - Songbird
    Oasis - Songbird


    Oasis - Songbird Lyrics and Youtube Music Videos

    Album: Heathen Chemistry
    Released: 2002

    Songbird Lyrics


    Talking to the Songbird yesterday
    Flew me to a past not far away
    She's a little pirate in my mind
    Singing songs of love to pass the time

    Gonna write a song so she can see
    Give her all the love she gives to me
    Talk of better days that have yet to come
    Never felt this love from anyone

    She's not anyone
    She's not anyone
    She's not anyone

    A man can never dream these kind of things
    Especially when she came and spread her wings
    Whispered in my ear the things I'd like
    Then she flew away into the night

    Gonna write a song so she can see
    Give her all the love she gives to me
    Talk of better days that have yet to come
    Never felt this love from anyone

    She's not anyone
    She's not anyone
    She's not anyone

    Writer/s: LIAM GALLAGHER
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Songbird
  • Liam Gallagher wrote this acoustic love song for his long term girlfriend, former All Saint, Nicole Appleton.
  • This was the first Oasis single Gallagher wrote. It comprises only two simple chord - Em and G.
  • The DVD single includes the electric demo of the song, as well as live footage from Oasis' London Finsbury Park shows.

  • Five Finger Death Punch - Burn MF
    Five Finger Death Punch - Burn MF


    Five Finger Death Punch - Burn MF Lyrics and Youtube Music Videos

    Album: The Wrong Side of Heaven and the Righteous Side of Hell
    Released: 2013

    Burn MF Lyrics


    My heart is frozen
    My soul's been broken
    The whole world's on my motherfucking shoulders
    And I can't seem to control it

    I can't contain it
    And I just don't give a shit
    You need to feel the way that I feel
    Or you'll never fucking know it

    Burn mother fucker, burn mother fucker, burn
    You tried but you can't reach me
    Burn mother fucker, burn mother fucker, burn
    There's nothing you can teach me
    In hell mother fucker, burn mother fucker, burn
    I swear you're out to get me
    Burn mother fucker, burn mother fucker, burn
    I'd live but you won't let me
    Burn!

    You're life's been wasted
    You'll die forsaken
    You act like the world's on your shoulders
    But it's not there so you fake it

    Do you embrace it?
    How do you take it?
    I'll never feel the way that you feel
    I'd rather fucking break it

    Burn mother fucker, burn mother fucker, burn
    You try but you can't reach me
    Burn mother fucker, burn mother fucker, burn
    There's nothing you can teach me

    In hell mother fucker, burn mother fucker, burn
    I swear you're out to get me
    Burn mother fucker, burn mother fucker, burn
    I'd live but you won't let me

    Burn mother fucker, burn mother fucker, burn
    Burn mother fucker, burn mother fucker, burn
    Burn mother fucker, burn mother fucker, burn
    Burn mother fucker

    Burn

    Burn

    Burn!

    Burn mother fucker, burn mother fucker, burn
    Burn mother fucker, burn mother fucker, burn
    Burn mother fucker, burn mother fucker, burn
    Burn mother fucker,
    Burn mother fucker, burn mother fucker, burn
    You try but you can't reach me
    Burn mother fucker, burn mother fucker, burn
    There's nothing you can teach me
    In hell mother fucker, burn mother fucker, burn
    I swear you're out to get me
    Burn mother fucker, burn mother fucker, burn
    I'd live but you won't let me
    Burn! Burn!

    Writer/s: IVAN MOODY, JEREMY SPENCER, KEVIN CHURKO, THOMAS JASON GRINSTEAD, ZOLTAN BATHORY
    Publisher: Sony/ATV Music Publishing LLC, CADIUM MUSIC PUBLISHING
    Lyrics licensed and provided by LyricFind

    Burn MF
  • This fast-paced, hard-driving track finds FFDP frontman Ivan Moody unleashing his fury. The vocalist recalled: "When I started writing the lyrics I was so fed up. We were about halfway through the album and we had whole bunches of stuff still to do and the stress level just got me and this was just one of those lashings where you rip open your chest and let the monster come out."
  • A video was posted to YouTube showing nine-year-old Olivia Douglas being encouraged to swear whilst Ivan Moody performs the song on stage. A number of sources were quoted as being disgusted by the clip, which shows Moody hugging the little girl while trying to make her chant "Burn motherf---er burn." Olivia appears to be uncomfortable and does not join in, looking towards her father for reassurance.

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