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Stevie Nicks - Edge Of Seventeen
Stevie Nicks - Edge Of Seventeen


Stevie Nicks - Edge Of Seventeen Lyrics and Youtube Music Videos

Album: Bella Donna
Released: 1981

Edge Of Seventeen Lyrics


Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh ooh ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh

And the days go by
Like a strand in the wind
In the web that is my own
I begin again
Said to my friend, baby
Nothin' else mattered

He was no more than a baby then
Well he seemed broken hearted
Something within him
But the moment that I first laid
Eyes on him all alone
On the Edge Of Seventeen

Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh
Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh

I went today maybe I will go again
Tomorrow
And the music there it was hauntingly
Familiar
When I see you doing
What I try to do for me
With the words from a poet
And the voice from a choir
And a melody nothing else mattered

Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh
Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh

The clouds never expect it
When it rains
But the sea changes colors
But the sea
Does not change
And so with the slow graceful flow
Of age
I went forth with an age old
Desire to please
On the edge of seventeen

Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh
Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh

Well then suddenly
There was no one left standing
In the hall yeah yeah
In a flood of tears
That no one really ever heard fall at all
I went searchin' for an answer,
Up the stairs and down the hall
Not to find an answer
Just to hear the call
Of a nightbird singing
Come away come away

Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh
Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh

Well I hear you in the morning
And I hear you
At nightfall
Sometime to be near you
Is to be unable to hear you
My love
I'm a few years older than you

Just like the white winged dove
Sings a song
Sounds like she's singing
Oh baby oh said oh

Writer/s: NICKS, STEVIE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Edge Of Seventeen
  • Nicks wrote this song about the death of her uncle and the death of John Lennon. The line about the "Words from a poet and a voice from a choir" refers to Lennon.

    Speaking about the song in commentary for her Live In Concert video recorded on her Bella Donna tour, she explained: "I was in Australia when John Lennon was shot. Everybody was devastated. I didn't know John Lennon, but I knew Jimmy Iovine, who worked with John quite a bit in the '70s, and heard all the loving stories that Jimmy told about him. When I came back to Phoenix I started to write this song.

    Right when I got to Phoenix, my uncle Bill got cancer, got very sick very fast, and died in a couple of weeks. My cousin John Nicks and I were in the room when he died. There was just John and I there. That was part of the song when I went running down the hallways looking for somebody - I thought where's my mom? Where's his wife and the rest of the family? At that point I went back to the piano and finished the song."
  • Speaking further in her video commentary, Nicks spoke about the "white-winged dove" and what this song means to her: "It became a song about violent death, which was very scary to me because at that point no one in my family had died. To me, the white-winged dove was for John Lennon the dove of peace, and for my uncle it was the white-winged dove who lives in the saguaro cactus - that's how I found out about the white-winged dove, and it does make a sound like whooo, whooo, whooo. I read that somewhere in Phoenix and thought I would use that in this song. The dove became exciting and sad and tragic and incredibly dramatic. Every time I sing this song I have that ability to go back to that two-month period where it all came down. I've never changed it, and I can't imagine ending my show with any other song. It's such a strong, private moment that I share in this song."
  • Stevie came up with the title when she was recording "Stop Draggin' My Heart Around" with Tom Petty. When she asked Tom Petty's wife Jane when they met, Jane said, "At the age of seventeen," but she had a very strong southern accent and Stevie thought she said "the edge of seventeen," which makes a great song title. Telling the story in a 1981 interview with Los Angeles disc jockey Robert W. Morgan, Nicks said she told Jane: "It's got to be 'edge.' 'The Edge of Seventeen' is perfect. I'm going to write a song."
  • Bella Donna was Stevie's first solo album. This was the third single; the first two were duets: "Stop Draggin' My Heart Around" with Tom Petty and "Leather And Lace" with Don Henley. The album proved that Nicks had enormous appeal outside of Fleetwood Mac, and this song in particular gave her tremendous confidence, as it's a very personal track that resonated with listeners and went over very well live.

    When Nicks toured for Bella Donna, it was just a 12-date trek, as she had to return to Fleetwood Mac to start work on the Mirage album. The tour imbued her with the strength she needed to carry on in the group, where there was lots of lingering tension, notably between her and Lindsey Buckingham.
  • When Nicks played this as the last song at the last stop on her Bella Donna tour at the Wilshire Ebell Theatre in Los Angeles, California, she walked across that stage and collected various gifts audience members brought for her as she finished the song. This became a tradition, with Nicks ending up with a mountain of flowers and stuffed animals at the end of her solo shows which she always donates to local children's hospitals. Performing with Fleetwood Mac, she can't do this as there are five stars in the band.
  • Nicks always ends her concerts with this song, sticking with the same arrangement. "It's such a strong, private moment that I share with people in this song."
  • Nicks' performance from her Live In Concert video, which aired on HBO, serves as the music video for this song. It was directed by Marty Callner, who also did the clips for "I Can't Wait" and "Rooms On Fire."
  • This song is featured in the video game Grand Theft Auto IV, developed by Rockstar Games and distributed by Take-Two Interactive for multiple video game consoles. The game features fictional in-game radio stations that can be heard when the player gets in a car; this song is featured on the "Liberty Rock Radio 97.8" station along with other rock songs such as "1979" by the Smashing Pumpkins and "The Seeker" by The Who. (thanks, Rob - Saratoga Springs, NY)
  • Destiny's Child sampled the famous guitar riff on this track for their song "Bootylicious." Some of Stevie's fans were horrified, but she loved it, and even appeared in the video. Stevie met the group when she was on the The Rosie O'Donnell Show promoting her Trouble In Shangri-La album, and Destiny's Child was in the same building rehearsing for Saturday Night Live.
  • This featured prominently throughout American Horror Story: Coven (2013) as the Stevie Nicks-obsessed, hippie witch Misty Day, played by Lily Rabe, used it as her anthem. Nicks would guest star towards the end of the season.

  • Ty Dolla $ign - Paranoid
    Ty Dolla $ign - Paranoid


    Ty Dolla $ign - Paranoid Lyrics and Youtube Music Videos

    Album: Beach House EP
    Released: 2013

    Paranoid Lyrics


    I see two of my bitches in the club
    And I know they know about each other
    I think these bitches tryna set me up
    Maybe I’m just Paranoid

    I got a bad light skin from the valley
    She be in the club with no panties
    Little bitch, she used to be my favorite
    But now we don’t speak the same language
    I love my bitch, I could bang it
    From my dark skin, least know how to take it
    I got em both the same damn red bottoms
    And bought 'em both the same damn fragrance
    Both bitches drive Range Rovers
    None of my bitches can stay over
    Both of my bitches look good as fuck
    Your bitch look like booga wolf

    I see two of my bitches in the club
    And I know they know about each other
    I think these bitches tryna set me up
    Maybe I’m just paranoid

    Yeah, I’m paranoid, I’m trippin'
    I’ve been smoking, I’ve been sippin'
    I’m fuckin' around with two bitches
    But I never made them hoes my miss's

    Women talk, women talk
    She run her mouth so much she can’t hear her own thoughts
    Told my old ho, she my new bitch
    Told my new bitch, she my old ho
    Well she used to be your ho
    Dead, hold up, flat-line
    I fuck a bitch to sleep, nap time
    I put my name on it and that’s mine
    Pussy so wet she thought it got baptized
    Ask me where I’m at, that’s a set-up
    You ain’t talkin' bout nothing, bitch shut up
    If you got a side chick, nigga what up
    Both my girls in the club bout to nut up
    Stalking on my network
    Got her looking so hard that her neck hurt
    And I ain’t tripping, I got room for 'em both
    This is HAM Squad, I just doubled up my net worth

    I see two of my bitches in the club
    And I know they know about each other
    I think these bitches tryna set me up
    Maybe I’m just paranoid

    Yeah, I’m paranoid, I’m trippin'
    I’ve been smoking, I’ve been sippin'
    I’m fuckin' around with two bitches
    But I never made them hoes my miss's

    Yeah, I’m paranoid, I’m trippin'
    I’ve been smoking, I’ve been sippin'
    I’m fuckin' around with two bitches
    But I never made them hoes my miss's

    I see two of my bitches in the club
    And I know they know about each other
    I think these bitches tryna set me up
    Maybe I’m just paranoid

    Writer/s: GRIFFIN JR, TYRONE WILLIAM / MONTGOMERY III, CLARENCE / MCFARLANE, DIJON / SIMMONS, BOBBY RAY
    Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, SONGS MUSIC PUBLISHING
    Lyrics licensed and provided by LyricFind

    Paranoid
  • Tyrone Griffin is a Los Angeles singer, rapper and producer who is better known by his stage name Ty Dolla $ign. His initial claim to fame was through the success of YG's hit, "Toot it and Boot it," which he sung on, wrote and produced. This is a track from Ty Dolla $ign's debut retail project, Beach House EP.
  • The beat was supplied by DJ Mustard. The Californian producer is best known for his work on such hits as Tyga's "Rack City," 2 Chainz's "I'm Different" and Kid Ink's "Show Me."
  • The song was originally recorded by Ty Dolla $ign with longtime rapper buddy Joe Moses, and included on DJ Mustard's Ketchup mixtape. It was then included again on Ty Dolla $ign's July 2013 mixtape, Beach House 2. When the song was officially released and pushed as the Beach House EP's lead single later in the year, Moses' verse was replaced by Ty Dolla $ign's Atlantic Records label-mate B.o.B.
  • The official remix features new guest appearances by Trey Songz, French Montana and DJ Mustard. It was also included on the Beach House EP.
  • Ty Dolla $ign performed the song for the first time on national television during the December 17, 2013 episode of DJ Skee's Skee Live. He was accompanied by Joe Moses rather than B.O.B.
  • Ty told Artist Direct a theme runs through the Beach House EP. "It's definitely a whole story, and it does match up too," he said. "It's crazy how that works because I'm doing different songs randomly every day. The fact that you can put them together and they sound like a story is incredible. It's just amazing how God works, bro. I'm not even really trying. It just happens."
  • Asked by Artist Direct why he titled his mixtapes Beach House, Ty replied: "First off, my first mixtape was called Hou$e on the Hill, and that's because I lived in this house on the hill in Baldwin Hills. My roommate and I were moving, and we were looking for places in Malibu and along the beach. I called it 'Beach House' because that's where I was about to move. I ended up staying in Hollywood because it was closer to everything I was doing right now and the beach fu--ing takes so long to get to. It wouldn't have worked out for right now. Beach House is the goal. That's why I called my tapes Beach House."
  • The song finds Ty singing about being at a club when two different girls he's seeing both show up. He is aware that they know about each other and he questions whether the reason they are both there at the same time is to set him up." "Maybe I'm just paranoid," Ty muses.

    "That one really happened," Ty told Spin magazine. "Like, the night before, I was at this club called Supper Club, and I came with this one chick. A couple other chicks started coming up to my table, and I saw them with these other chicks. So I was just wondering if they're trying to like" - (pause) - "you know what I mean? That s--t just came out the next morning on the beat."

  • The Cranberries - Linger
    The Cranberries - Linger


    The Cranberries - Linger Lyrics and Youtube Music Videos

    Album: Everybody Else Is Doing It, Why Can't We?
    Released: 1993

    Linger Lyrics


    If you, if you could return
    Don't let it burn
    Don't let it fade
    I'm sure I'm not being rude
    But it's just your attitude
    It's tearing me apart
    It's ruining every day
    For me
    I swore I would be true
    And fellow, so did you
    So why were you holding her hand?
    Is that the way we stand?
    Were you lying all the time?
    Was it just a game to you?
    But I'm in so deep
    You know I'm such a fool for you
    You've got me wrapped around your finger
    Do you have to let it Linger?
    Do you have to, do you have to, do have to let it linger?

    Oh, I thought the world of you
    I thought nothing could go wrong
    But I was wrong, I was wrong
    If you, if you could get by
    Trying not to lie
    Things wouldn't be so confused
    And I wouldn't feel so used
    But you always really knew
    I just want to be with you
    And I'm in so deep
    You know I'm such a fool for you
    You've got me wrapped around your finger
    Do have to let it linger?
    Do you have to, do you have to, do have to let it linger?

    And I'm in so deep
    You know I'm such a fool for you
    You've got me wrapped around your finger
    Do have to let it linger?
    Do you have to, do you have to, do have to let it linger?

    You know I'm such a fool for you
    You've got me wrapped around your finger
    Do have to let it linger?
    Do you have to, do you have to, do have to let it linger?

    Writer/s: HOGAN, NOEL ANTHONY / O'RIORDAN, DOLORES MARY
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Linger
  • Cranberries guitarist Noel Hogan wrote the music for this song before Dolores O'Riordan joined the band. Originally, it had lyrics written by the group's first singer Niall Quinn. When O'Riordan auditioned for the band, she had some ideas for the song, and after she was hired, she wrote her own set up lyrics, turning it into a song of regret and based on a soldier she once fell in love with. The emotional, girlie sound was a huge departure for the band, but wildly successful: the song got lots of airplay from radio stations looking for an alternative to rap or grunge, and MTV put the video in heavy rotation. The Cranberries became one of the best-selling bands of the mid-'90s.
  • The Cranberries are an Irish band, but this song didn't get much attention in their home country. Their first single was "Dreams," released in the UK as the lead single from the album in 1992. It didn't chart, and "Linger" was released as the follow-up, cracking the UK charts at #74 for a week in February 1993. In June, the band began touring in America as the opening act for The The and the song began a slow climb as group gained recognition. It wasn't until February 12, 1994 that "Linger" reached its peak position of #8 on the US charts. A week later, the reissued single topped out at #14 in the UK.
  • Dolores O'Riordan performed this song in the 2006 Adam Sandler movie Click. In the film, Sandler's character has a remote control that can take him back in time. When his wife reminisces about their first kiss, she asks if he remembers the song that was playing. Sandler uses the remote, goes back to the memory, and discovers that "Linger" was playing.

    The movie appearance was a big deal for O'Riordan, who had a bit of a breakdown in the late '90s and a lot of time in the ensuing years raising three children and recovering emotionally from the travails of stardom - she was just 18 when she joined the band and ill-equipped for the sudden celebrity. She was considering a return to music when Sandler approached her about being in the movie. She released her first solo album in 2007.
  • The video for this song is a tribute to Jean-Luc Goddard's film Alphaville. In one of the rooms of the hotel, a silent film is being shown which features 1950s stripper Blaze Starr. (thanks, Ekristheh - Halath)

  • Madball - Revolt
    Madball - Revolt


    Madball - Revolt Lyrics and Youtube Music Videos

    Album: Infiltrate the System
    Released: 2007

    Revolt Lyrics


    Revolt
  • This antiauthority anthem came out of a bit of improvisation. Madball's guitarist Mitts told us: "We were in the room together and we were kind of stumped - we were just looking for inspiration. My singer (Freddy Cricien) looked over at our drummer (Ben Dussault), and was like, 'Yo, kick a beat. Play a beat right now. Just play any beat that comes to your head.' He started playing a rhythm, and then we started punching out a riff over it.

    But it started from the drums out, and that was definitely a unique approach. We never did that before. The song came out cool."

  • Roy Orbison - Crying
    Roy Orbison - Crying


    Roy Orbison - Crying Lyrics and Youtube Music Videos

    Album: Crying
    Released: 1961

    Crying Lyrics


    I was all right for a while, I could smile for a while
    But I saw you last night, you held my hand so tight
    As you stopped to say "Hello"
    Aw you wished me well, you couldn't tell

    That I'd been Crying over you, crying over you
    Then you said "so long". left me standing all alone
    Alone and crying, crying, crying crying
    It's hard to understand but the touch of your hand
    Can start me crying

    I thought that I was over you but it's true, so true
    I love you even more than I did before but darling what can I do
    For you don't love me and I'll always be

    Crying over you, crying over you
    Yes, now you're gone and from this moment on
    I'll be crying, crying, crying, crying
    Yeah crying, crying, over you

    Writer/s: MELSON, JOE / ORBISON, ROY
    Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Barbara Orbison Music Company, Orbi-Lee Music, R-Key Darkus, BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Crying
  • Orbison claimed to have written this as the result of an encounter he had with an old flame with whom he was still in love. He refused to say how much she meant to him, and when he ran into her again it was too late.
  • Orbison started writing this song for a country singer named Don Gibson; the working title was "Once Again." Orbison's songwriting partner, Joe Melson, then came up with the lyrics, "Once again I'm crying, once again I'm crying," which became the basis for the song, so Orbison changed the title. Orbison claimed the stunning climax at the end of the song was not contrived, but just happened in the course of the song. He told the NME in 1980: "Immediately I thought of a past experience and just retold that, was the way that came about. It was the retelling of a thing with a girlfriend that I had had. I couldn't tell you right now what notes I hit at the end of the song, or anything."
  • At the time, rock artists didn't typically write songs about crying over a girl. Orbison wanted to show that crying was not weakness, but sensitivity. Other voices would have a hard time pulling this off, but Orbison could emote very naturally when he sang, which he did on many of his hits.
  • In 1987, shortly after he signed with Virgin Records, Orbison recorded a duet of this song with kd lang which was released as a single and later used as the B-side to his 1989 release "She's A Mystery To Me." This duet won the 1988 Grammy award for Best Country Vocal Collaboration, and was re-released in the UK in 1992, where it hit #13. Lang said that when they met to do the recording, it was obvious that their voices had a "tonal connection."

    This recording was made for the 1987 Jon Cryer movie Hiding Out, and produced by Pete Anderson, who was Dwight Yoakam's producer. In our interview with Pete Anderson , he said: "The editor cut it for the movie, and he slowed it down for this scene where they were roller skating. So my daunting task was to recut 'Crying' as a duet with kd lang, Roy Orbison, and slow it down a little bit. It was great - it's Roy and kd, so you can't go wrong no matter what you do.

    I more-or-less witnessed it because they were so terrific. The biggest plus out of it was just getting to know Roy a little bit and spending a little time with Roy, who was a very, very special person."
  • Roy Orbison explained in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh how he came to write this song: "I was dating a girl and we broke up. I went to the barber shop to get a haircut and I looked across the street and there was this girl that I had split up with. I wanted to go over and say, 'Let's forget about what happened and carry on'. But I was stubborn. So I got in the car and drove down the street about two blocks and said to myself, 'Boy, you really made a mistake. You didn't play that right at all.' It certainly brought tears to my eyes and that's how I came up with 'Crying'."
  • In 1978 Don McLean recorded a cover version of this for his Chain Lightning album. It was originally released as a single in Europe successfully, and by 1980 it had become a #1 hit in the UK and #5 in the US. Jay & the Americans also had a hit with the song, taking it to #25 in the US in 1966.
  • Orbison broke convention by following up a hit ballad with another ballad: his previous release was "Running Scared," and while conventional wisdom was to never release two ballads back to back, it worked out just fine for Orbison as "Crying" was also a hit.

  • Mother Love Bone - Gentle Groove
    Mother Love Bone - Gentle Groove


    Mother Love Bone - Gentle Groove Lyrics and Youtube Music Videos

    Album: Mother Love Bone
    Released: 1992

    Gentle Groove Lyrics


    Like my world I'm on fire
    'Cause I'm full of desire
    No more preachin' on your part
    No more love on my pillow
    Come dance with me in my room
    You can hold me hands
    I shall be your boyfriend
    And you can call me names
    And nobodies gonna change the way I feel, for my love
    Nobodies gonna slow my Gentle Groove
    'Til kingdom come thy work is done on earth as it is in Dallas
    Come play with me in room
    You can hold me hands
    I will be your boyfriend
    And you can call me names
    And nobody gonna take the power away, from my love
    And nobodies gonna slow my gentle groove
    And nobodies gonna take my love away
    And nobodies gonna slow my gentle groove
    'Til kingdom come thy work is done on earth as it is in Dallas

    Writer/s: WOOD, ANDREW / GOSSARD, STONE C. / AMENT, JEFFREY ALLEN / GILMORE, GREG A. / FAIRWEATHER, BRUCE IAN
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Gentle Groove
  • Mother Love Bone was comprised of future Pearl Jam members Stone Gossard and Jeff Ament, along with Bruce Fairweather, Greg Gilmore, and their frontman, Andrew Wood. The Mother Love Bone album wasn't released until 1992, two years after Wood died from a heroin overdose and the year after Pearl Jam released their debut album.

    A band composition with lyrics by Wood, the song finds him expressing his intractable love as he shuts out the outside world.
  • Stone Gossard of Mother Love Bone later formed a band called Brad with lead singer Shawn Smith, who learned a lot by watching Andrew Wood at work. In our interview with Smith , he talked about how this song came together: "I had a 4-track and a little reverb unit. Andy lived across the street from me, and sometimes he would call me over to bring over my 4-track, because he had a song or something. So I recorded him doing the first version of 'Gentle Groove.' That was cool. And then I got to see a soundcheck a little while later, the full version with the band, with Love Bone. And it was just mind blowing. To see something go from a little acoustic song on my 4-track and then transferred into a band with two Marshall stacks, it was just a huge songwriting moment, where it's like, 'Oh, that's what happens.' You can have the little, teeny thing, and then you can put it in a band and make magic just explode."

  • Social Distortion - Don't Drag Me Down
    Social Distortion - Don't Drag Me Down


    Social Distortion - Don't Drag Me Down Lyrics and Youtube Music Videos

    Album: White Light, White Heat, White Trash
    Released: 1996

    Don't Drag Me Down Lyrics


    Children are taught to hate, parents just couldn't wait
    Some are rich and some are poor, others will just suffer more
    Have you ever been ashamed and felt society try to keep you down?
    I begin to watch things change and see them turn around

    [Chorus:]
    Turn around, they'll try to keep you down
    Turn around, Turn around
    Don't Drag Me Down

    Ignorance like a gun in hand, reach out to the promised land
    Your history books are full of lies, media-blitz gonna dry your eyes
    Have you ever been afraid, and felt society try to keep you down?
    I begin to watch things change see them turn around

    [Chorus]

    Ignorance like a gun in hand
    Reach out to the promised land
    Your history books are full of lies,
    Media -blitz gonna dry your eyes
    You're eighteen want to be a man
    Your granddaddy's in the Ku Klux Klan
    Taking two steps forward
    And four steps back
    Gonna go to the White House
    And paint it black

    [Chorus]

    Writer/s: NESS
    Publisher: Sony/ATV Music Publishing LLC, DOWNTOWN MUSIC PUBLISHING LLC
    Lyrics licensed and provided by LyricFind

    Don't Drag Me Down
  • Social Distortion lead singer Mike Ness said: "This is a song about ignorance and racism and the astounding fact that it still exists. This song is also about the government cover-ups and lies. When I hear the truth about our forefathers, I'm ashamed. They don't mention in school that our forefathers exterminated a whole Native American race. I experience discrimination all the time. I know what it's like to be discriminated against - being seated in the back of a restaurant because of my tattoos. It's cruel but people still judge you by the way that you look and I am reminded daily that commercial and mainstream ideals are quite different from my own."
  • This appears of the live album Social Distortion - Live At The Roxy. (thanks, Dan - Trenton, NJ, for above 2)

  • George Formby - Why Don't Women Like Me?
    George Formby - Why Don't Women Like Me?


    George Formby - Why Don't Women Like Me? Lyrics and Youtube Music Videos

    Album: Golden Greats
    Released: 1933

    Why Don't Women Like Me? Lyrics


    Why Don't Women Like Me?
  • According to the Brendan Ryan catalogue and discography of the Ukulele Man's work which was commissioned by the George Formby Society, he recorded this song on January 29, 1933, for the Decca and Rex labels. It was co-written by Jack Cottrell (who wrote "Chinese Laundry Blues") and Bud Bennett. Along with "Chinese Laundry Blues" it was performed by George in the 1934 film Boots! Boots! (thanks, Alexander Baron - London, England)

  • Green Day - Coming Clean
    Green Day - Coming Clean


    Green Day - Coming Clean Lyrics and Youtube Music Videos

    Album: Dookie
    Released: 1994

    Coming Clean Lyrics


    Seventeen and strung out on confusion
    Trapped inside a roll of disillusion
    I found out what it takes to be a man
    Now mom and dad will never understand

    Secrets collecting dust but never forget
    Skeletons come to life in my closet
    I found out what it takes to be a man
    Now mom and dad will never understand
    What's happening to me

    Seventeen and Coming Clean for the first time
    I finally figured out myself for the first time
    I found out what it takes to be a man
    Now mom and dad will never understand
    What's happened to me

    Writer/s: ARMSTRONG, BILLIE JOE / COOL, TRE / DIRNT, MIKE
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Coming Clean
  • Front man Billie Joe Armstrong has stated that this song is about coming out of the closet. Billie Joe himself stated, "I think I've always been bisexual" in a 1995 issue of The Advocate. He also brings up his thoughts on the issues of heterosexuality and homosexuality in the music world. (thanks, Lauren - Laurel Springs, NJ)
  • More from the Advocate interview with Billie Joe: "I think mostly it's been kept in my head. I've never really had a relationship with another man. But it is something that comes up as a struggle in me. It especially came up when I was about 16 or 17. In high school people think you have to be so macho. People get attacked just because someone insinuates something about their sexuality. I think that's gruesome." (thanks, Elvira - Moscow)

  • John Mellencamp - Between a Laugh and a Tear
    John Mellencamp - Between a Laugh and a Tear


    John Mellencamp - Between a Laugh and a Tear Lyrics and Youtube Music Videos

    Album: Scarecrow
    Released: 1985

    Between a Laugh and a Tear Lyrics


    When paradise is no longer fit for you to live in
    And your adolescent dreams are gone
    Through the days you feel a little used up
    And you don't know where your energy's gone wrong
    It's just your soul feelin' a little downhearted
    Sometimes life is too ridiculous to live
    You count your friends all on one finger
    I know it sounds crazy just the way that we live

    Between a Laugh and a Tear
    Smile in the mirror as you walk by
    Between a laugh and a tear
    And that's as good as it can get for us
    And there ain't no reason to stop tryin'

    When this cardboard town can no longer amuse you
    You see through everything and nothin' seems worthwhile
    And hypocrite used to be such a big word to you
    And it don't seem to mean anything to you now
    Just try to live each and every precious moment
    Don't be discouraged by the future forget the past
    That's old advise but it'll be good to you
    I know there's a balance see it when I swing past

    Between a laugh and a tear
    Smile in the mirror as you walk by
    Between a laugh and a tear
    And that's as good as it can get for us
    And there ain't no reason to stop tryin'

    Between a laugh and a tear
    Smile in the mirror as you walk by
    Between a laugh and a tear
    And that's as good as it can get for us
    And there ain't no reason to stop tryin'

    When paradise can no longer amuse you

    Writer/s: MELLENCAMP, JOHN
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Between a Laugh and a Tear
  • Scarecrow was Mellencamp's eighth album, and by then he had paid his dues and become one of the most successful musicians in America. Despite his triumphs, he was going through severe emotional difficulties at the time, including a panic disorder. In this song, he explores that dichotomy - how success can simply amplify your emotions, both good and bad.

    Mellencamp has a notorious temper, which he says is the result of a condition he suffered from as a child: spina bifida. "I had a hole in my spine and all my nerve endings were on the outside of my body," he told Rolling Stone. "They were all exposed to air, so it's no wonder I go up and down so quickly."

  • Martika - Toy Soldiers
    Martika - Toy Soldiers


    Martika - Toy Soldiers Lyrics and Youtube Music Videos

    Album: Martika
    Released: 1989

    Toy Soldiers Lyrics


    It wasn't my intention to mislead you
    It never should have been this way,
    What can I say?
    It's true I did extend the invitation,
    I never knew how long you'd stay,
    When you hear temptation call
    It's your heart that takes,
    Takes the fall

    Won't you come out and play with me?

    [Chorus]
    Step by step,
    Heart to heart
    Left, right, left
    We all fall down
    Like Toy Soldiers
    Bit by bit torn apart,
    We never win,
    But the battle wages on
    For toy soldiers

    It's getting hard to wake up in the morning,
    My head is spinning constantly,
    How can it be?
    How could I be so blind to this addiction?
    If I don't stop
    The next one's gonna be me
    Only emptiness remains,
    It replaces all the pain.

    Won't you come out and play with me?

    [Chorus]

    (We never win)

    Only emptiness remains (ahh)
    It replaces all the pain,

    Won't you come out and play with me?

    [Chorus]

    Writer/s: MARGULES/MARRERO
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Toy Soldiers
  • This is about drug addiction and how drugs can control you like children control their toys - Metallica's "Master Of Puppets" has a similar theme. In an interview that aired on VH1, Martika said that she wrote this song about a friend who was hooked on cocaine. (thanks, Camille - Toronto, OH)
  • Martika (her real name is Marta Marrera) was born in May 1969 in Whittier, California. Her Cuban parents left their home country during a revolution. Martika started acting before launching a recording career, appearing in the film version of Annie in 1982 and on the TV series Kids Incorporated from 1984 to 1986. In 1988 her first single, "More Than You Know," landed on the American charts; a year later, this was released as the follow up." (thanks, Edward Pearce - Ashford, Kent, England)
  • Stacy Ferguson was one of the background singers on this. She starred in Kids Incorporated with Martika and went on to become Fergie of Black Eyed Peas. (thanks, Crystal - Panama City, FL)
  • Eminem sampled this on his 2004 song "Like Toy Soldiers."

  • Alicia Keys - Power
    Alicia Keys - Power


    Alicia Keys - Power Lyrics and Youtube Music Videos

    Album: Not Released On An Album
    Released: 2014

    Power Lyrics


    Power
  • Alicia Keys shared this uplifting song on her website, The Vault in January 2014 to coincide with Martin Luther King Day. The previously unheard tune celebrates strong and courageous men and women and dates back to the singer's 2007 As I Am era. "This is one of my favorite unreleased songs," Keys said. "I was looking for my power. This song says it all. All of these pics inspire me! They represent the power of being yourself and finding yourself! Shine on!"

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