Sam Smith Songs - Stay With Me Lyrics
Sam Smith - Stay With Me |
Sam Smith - Stay With Me Lyrics and Youtube Music Videos
Album: In the Lonely Hour
Released: 2014
Stay With Me Lyrics
Guess it's true, I'm not good at a one-night stand
But I still need love 'cause I'm just a man
These nights never seem to go to plan
I don't want you to leave, will you hold my hand?
Oh, won't you Stay With Me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me
Why am I so emotional?
No it's not a good look, gain some self control
And deep down I know this never works
But you can lay with me so it doesn't hurt
Oh, won't you stay with me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me
Oh, won't you stay with me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me
Oh, won't you stay with me?
'Cause you're all I need
This ain't love it's clear to see
But darling, stay with me
Writer/s: SMITH, SAM / LYNNE, JEFF / PHILLIPS, WILLIAM / NAPIER, JAMES / PETTY, TOM
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind
Stay With Me
Smith later admitted that the person he is singing about throughout this song and much of the In the Lonely Hour album is a man. He waited to come out as gay because he didn't want it to influence how listeners perceived his music. To his relief, there was very little reaction to his admission - it simply didn't matter to most people.
Napier, also known as Jimmy Napes, co-wrote the Clean Bandit song "Rather Be" and the Naughty Boy tune "La La La," which features Smith.
Phillips is better known as "Tourist," a popular DJ/producer from Brighton. His EP Patterns was released in 2014.
On June 20, 2013, Fitzmaurice joined the pair at Napes' studio, where they beefed up the song with an organ riff and made some changes to the structure. The next morning, Fitzmaurice made a quick demo mix of the song and left for a gig in India.
In November, Fitzmaurice was called back to the recording sessions, which were now taking place at RAK Studios in London. They recorded a new version of "Stay With Me" using a live band, but found themselves "chasing the demo," meaning they couldn't get it any better than what they had back in June. Fitzmaurice ended up mixing parts of the RAK recording (including the bass, which was played by Jodi Milliner) with pieces of the demo version. Fitzmaurice estimates that about 90% of the song came from the demo, however.
Smith's own layered vocals provide the illusion of a choir in the song. "I layered my voice probably about 20 times. I stood in different parts around the entire room and I would layer my voice more and more and more, harmonizing, all that kind of stuff," he explained to NME.
Everything clicked when he heard the results, which were processed using a variety of panning and echo effects by co-producer Steve Fitzmaurice. "I remember crying because the whole song suddenly made sense," said Smith. "It was like that one touch just turned the song into... it just sounded anthemic."
"I'm so honored to have had the chance to work with Sam Smith," said Blige. "Sam's true soulful voice… is the first of this kind I have heard since Luther Vandross, Freddie Jackson and all the great soulful male voices from the '80s. I'm completely blown away by his talent, soul and the sincerity."
This wasn't the first time that Smith and Blige have worked together. The pair were special guest performers during Disclosure's show at New York's Terminal 5 in January 2014. (Blige previously supplied guest vocals on Disclosure's "F For You.")
By keeping the songs short, Smith and his producers were able to keep them simple and make his vocals the focal point.
"The loop wasn't quite right, it wasn't tied to a grid, and so the timing was slightly off," the other producer Steve Fitzmaurice told Sound on Sound. "The other instruments reacted to this, and altogether this created something magical that we couldn't get in any other way. Many people tried to put different drums on the track, and I even tried to correct the loop and fit it to a grid, and overdubbed drums to that. But when I listened to it a few days later, I immediately realized that it was no good and I took it all off again."
Both Smith and Petty stated that the agreement was amicable, and no lawsuit was ever threatened. "All my years of songwriting have shown me these things can happen," said Petty. "Most times you catch it before it gets out the studio door but in this case it got by. Sam's people were very understanding."
When Smith collected his trophy for Record of the Year, he said, "I want to thank the man who this record is about, who I fell in love with last year. Thank you so much for breaking my heart, because you got me four Grammys."
"So we sat in a session," Phillips continued. "I'd written with Jimmy a couple of times before I met Sam. Jimmy helped me write my third Tourist EP, and we really bonded over that. I got put in the studio with Sam and Jimmy - we didn't have any expectations. We just wanted to meet each other. Did ['Stay With Me'] in about half an hour."