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Joan Jett - I Hate Myself For Loving You

Joan Jett - I Hate Myself For Loving You Lyrics and Youtube Music Videos

Album: Up Your Alley
Released: 1988

I Hate Myself For Loving You Lyrics

Midnight, gettin' uptight. Where are you?
You said you'd meet me, now it's quarter to two
I know I'm hangin' but I'm still wantin' you.

Hey, Jack, It's a fact they're talkin' in town.
I turn my back and you're messin' around.
I'm not really jealous, don't like lookin' like a clown.

I think of you every night and day.
You took my heart, then you took my pride away.

I Hate Myself For Loving You.
Can't break free from the the things that you do.
I want to walk but I run back to you, that's why
I hate myself for loving you.

Daylight, spent the night without you.
But I've been dreamin' 'bout the lovin' you do.
I won't be as angry 'bout the hell you put me through.

Hey, man, bet you can treat me right.
You just don't know what you was missin' last night.
I want to see your face and say forget it just from spite.

I hate myself for loving you .
Can't break free from the the things that you do.
I want to walk but I run back to you, that's why
I hate myself for loving you.

I hate myself for loving you.
Can't break free from the things that you do.
I want to walk but I run back to you, that's why
I hate myself for loving you.

I think of you every night and day.
You took my heart, then you took my pride away.

I hate myself for loving you.
Can't break free from the the things that you do.
I want to walk but I run back to you, that's why
I hate myself for loving you.
I hate myself for loving you.
I hate myself for loving you.

Writer/s: CHILD, DESMOND/JETT, JOAN /
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

I Hate Myself For Loving You

Joan Jett's producer Kenny Laguna told us that Joan came up with the guitar riff for this song and wrote it as "I Hate Myself Because I Can't Get Laid." She took it to the writer/producer Desmond Child , who thought the title would never fly and convinced Joan to change it to something with "Love" in the title. Child, who got a co-writing credit on the song, knows something about the hit potential of love: he also co-wrote "I Was Made For Lovin' You" for Kiss and "You Give Love A Bad Name" for Bon Jovi. He has a knack for finding the right hook and making a song sound larger than life.

Desmond Child is a prolific songwriter and producer who has gone on to work with Ricky Martin, Aerosmith, Bon Jovi, Cher, and many others. Kenny Laguna, who has worked with Joan Jett since she started her solo career, explains how they got Child to work with them: "There was a friend of ours at Epic Records who was friends with Desmond, and before the Bon Jovi record came out, he played me the song 'Livin On A Prayer.' I said, 'Whoa, I want to meet this guy,' so I started chasing Desmond around. He didn't want any part of it because he was busy looking for really important acts like Michael Bolton. I just chased him around until he couldn't take it anymore. There was something about his style I liked, it reminded me of The Four Seasons. Sure enough, he had worked with Bob Crewe."

When we spoke with Desmond, he said, "I had really strong mentors, like Bob Crewe, who taught me how to analyze the structure of songs so that even though you're emotionally invested in it, you also have to have a detachment - there can be no ego."

Mick Taylor, who was the lead guitarist in The Rolling Stones in the early '70s, played guitar on this track, including the solo.

Pink recorded a version of this song for use on NBC's Sunday Night Football in 2006. In her version, the lyrics are changed to "Waiting all day for Sunday night." The next year, Faith Hill took over from Pink. In 2013, she was replaced by Carrie Underwood.

In Steven Tyler's 2011 book Does The Noise In My Head Bother You?, the Aerosmith frontman tells the story about showing up naked at Joan Jett's hotel room door while they were touring together. When she opened, he said, "I hate myself for loving you," and was soundly rejected.

This was featured in the movies Striptease (1996) and Ghosts of Girlfriends Past (2009). It also appeared in a 2002 episode of Dawson's Creek.

Guns N' Roses - Patience

Guns N' Roses - Patience Lyrics and Youtube Music Videos

Album: G 'N' R Lies
Released: 1988

Patience Lyrics

One, two, one, two, three, four

Shed a tear 'cause I'm missin' you
I'm still alright to smile
Girl, I think about you every day now
Was a time when I wasn't sure
But you set my mind at ease
There is no doubt you're in my heart now

Said woman take it slow, and it'll work itself out fine
All we need is just a little Patience
Said sugar make it slow and we'll come together fine
All we need is just a little patience (Patience)
Mm, yeah

I sit here on the stairs
'Cause I'd rather be alone
If I can't have you right now, I'll wait dear
Sometimes I get so tense but I can't speed up the time
But you know love there's one more thing to consider

Said woman take it slow and things will be just fine
You and I'll just use a little patience
Said sugar take the time 'cause the lights are shining bright
You and I've got what it takes to make it
We won't fake it, I'll never break it
'Cause I can't take it

Little patience, mm yeah, mm yeah
Need a little patience, yeah
Just a little patience, yeah
Some more patience, yeah (I've been walking the streets at night, just trying to get it right)
A little patience, yeah (Its hard to see with so many around
You know I don't like being stuck in the crowd)
Could use some patience, yeah (And the streets don't change but maybe the names)
(I ain't got time for the game 'cause I need you)
Gotta have more patience, yeah (Yeah, yeah but I need you)
All need some patience (Ooh I need you, whoa I need you)
Just a little patience is all you need (Ooh, this time, ah)

Writer/s: ROSE, W. AXL / HUDSON, SAUL / MCKAGAN, DUFF ROSE / STRADLIN, IZZY / ADLER, STEVEN
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Patience

This song was a trendsetter in its use of all-acoustic instrumentation. This song made it safe for hard rockers to display their sensitive, vulnerable sides in a more understated way rather than utilizing the power ballad format.

The video for this song can be seen playing in the background of the Robert DeNiro film Cape Fear. (thanks, cameron - mesquite, TX)

This is a very popular Karaoke song, but one that you might want to avoid. Kimberly Starling of The Karaoke Informer says it's one of the top 5 songs that tends to bomb: "It just eludes the average ear and when you get off key on this one it sounds to the ear like a turd in a punch bowl looks to the eye."

Before Geffen Records decided it was too long, the title for the album was Lies! The Sex, The Drugs, The Violence, The Shocking Truth.

On January 30th, 1989, Guns N' Roses played this at the American Music Awards with Don Henley on drums.

Axl Rose can be heard whistling on this track. He's also the one who blows the whistle on "Paradise City." (thanks, Bertrand - Paris, France)

Midnight Oil - Beds Are Burning

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Midnight Oil - Beds Are Burning Lyrics and Youtube Music Videos

Album: Diesel And Dust
Released: 1988

Beds Are Burning Lyrics

Beds Are Burning

This is a political song about giving native Australian lands back to the the Pintupi, who were among the very last people to come in from the desert. These 'last contact' people began moving from the Gibson Desert to settlements and missions in the 1930s. More were forcibly moved during the 1950's and 1960's to the Papunya settlement. In 1981 they left to return to their own country and established the Kintore community which is nestled in the picturesque Kintore Ranges, surrounded by Mulga and Spinifex country. It is now a thriving little community with a population of about 400.

Regarding the line, "From Kintore East to Yuendemu," Yuendemu is an aboriginal community in Central Australia, 250 Kilometers northwest of Alice Springs. (thanks, Dave Malkoff - San Francisco, CA, for above 2)

Midnight Oil performed this in front of a world audience of billions, (including Prime Minister John Howard who has claimed this is his favorite Midnight Oil song) at the closing ceremony of the 2000 Sydney Olympics. The whole band were dressed in black, with the words "sorry" printed conspicuously on their clothes. This was a reference to the Prime Minister's refusal to apologize, on behalf of Australia, to the Aboriginal Australians for the way they have been treated over the last 200 years. (thanks, Edward Pearce - Ashford, Kent, England)

Diesel and Dust is ranked the #1 Australian album of all time in Toby Creswell, Craig Mathieson and John O'Donnell's book, The 100 Best Australian Albums, which was published in 2010. The runner-up is AC/DC's 1980 classic record Back in Black.

Iron Maiden - Seventh Son Of A Seventh Son

Iron Maiden - Seventh Son Of A Seventh Son Lyrics and Youtube Music Videos

Album: Seventh Son of a Seventh Son
Released: 1988

Seventh Son Of A Seventh Son Lyrics

Here they stand brothers them all
All the sons divided they'd fall
Here await the birth of the son
The seventh, the heavenly, the chosen one

Here the birth from an unbroken line
Born the healer the seventh, his time
Unknowingly blessed and as his life unfolds
Slowly unveiling the power he holds

Seventh Son Of A Seventh Son
Seventh son of a seventh son
Seventh son of a seventh son

Then they watch the progress he makes
The Good and the Evil which path will he take
Both of them trying to manipulate
The use of his powers before it's too late

Seventh son of a seventh son
Seventh son of a seventh son
Seventh son of a seventh son

Today is born the seventh one
Born of woman the seventh son
And he in turn of a seventh son
He has the power to heal
He has the gift of the second sight
He is the chosen one
So it shall be written
So it shall be done

Writer/s: HARRIS, STEPHEN PERCY
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Seventh Son Of A Seventh Son

Running This runs 9:53, this song was inspired by a series of science fiction novels by Orson Scott Card. They are about Alvin Maker, the seventh son of a seventh son (the first book in the series is called Seventh Son), who is born with second sight and the ability to use "folk magic" in an alternate reality. The song describes how his birth was eagerly anticipated by his siblings and how the forces of good and evil struggled over him.

The album was a "concept album" and dealt with the life of the "seventh son." For instance, "The Clairvoyant" is about him coming to terms with his powers and learning to control them, "The Prophecy" is about him trying to get people to believe him and "Moonchild" is about "the Unmaker of all things" trying to prevent his birth. Four songs from the album became Top 10 singles in the UK.

Derek Riggs, who designed the cover art for most Iron Maiden albums, depicted a skeletal upper torso hovering over water in an arctic region with UFO-like objects in the sky. He also displayed his trademark in the water, a unique symbol which depicts his initials with a mirrored D and an R on the right hand side. It is hidden in a subtle place on most of the albums, usually near Maiden's mascot, Eddie.

Seven is the Hebrew and Biblical number of perfection. In ancient legend, the seventh son of a seventh son will have extraordinary powers, including magical healing skills.

This was the band's seventh studio album. (thanks, Brett - Edmonton, Canada, for all above)

According to the mythology about the "seventh son of a seventh son," Septamus is supposed to be the Christian name of such a child. When Kerrang! magazine gave lead singer Bruce Dickinson a quiz that included the question "Which Christian name are you traditionally supposed to give to a seventh son of a seventh son?" his answer was "Steve." He ultimately scored 16 out of 25, although Kerrang! gave him "A slap on the wrist for not knowing the 'seventh son of a seventh son' one!" (thanks, Brett - Edmonton, Canada, for all above)

Weird Al Yankovic - Fat

Weird Al Yankovic - Fat Lyrics and Youtube Music Videos

Album: Even Worse
Released: 1988

Fat Lyrics

Your butt is wide, well mine is too
Just watch your mouth or I'll sit on you
The word is out, better treat me right
'Cause I'm the king of cellulite
Ham on, ham on, ham on whole wheat, all right

My zippers bust, my buckles break
I'm too much man for you to take
The pavement cracks when I fall down
I've got more chins than Chinatown

Well, I've never used a phone booth
And I've never seen my toes
When I'm goin' to the movies
I take up seven rows

Because I'm Fat, I'm fat, come on
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it
(Fat, fat, really really fat)
You know I'm fat, I'm fat, come on you know
(Fat, fat, really really fat)
Don'tcha call me pudgy, portly or stout
Just now tell me once again who's fat

When I walk out to get my mail
It measures on the Richter scale
Down at the beach I'm a lucky man
I'm the only one who gets a tan
If I have one more pie a la mode
I'm gonna need my own zip code

When you're only having seconds
I'm having twenty-thirds
When I go to get my shoes shined
I gotta take their word

Because I'm fat, I'm fat, sha mone
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it you know
(Fat, fat, really really fat)
And my shadow weighs forty-two pounds
Lemme tell you once again who's fat

If you see me comin' your way
Better give me plenty space
If I tell you that I'm hungry
Then won't you feed my face

Because I'm fat, I'm fat, come on
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it, you know
(Fat, fat, really really fat)
Woo woo woo, when I sit around the house
I really sit around the house

You know I'm fat, I'm fat, come on
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it, you know it
(Fat, fat, really really fat)
You know, you know, you know, come on
(Fat, fat, really really fat)
And you know all by myself I'm a crowd
Lemme tell you once again

You know I'm huge, I'm fat, you know it
(Fat, fat, really really fat)
You know I'm fat, you know, ho
(Fat, fat, really really fat)
You know I'm fat, I'm fat, you know it, you know
(Fat, fat, really really fat)
And the whole world knows I'm fat and I'm proud
Just tell me once again who's fat

Writer/s: JACKSON, MICHAEL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Fat

A parody of Michael Jackson's hit "Bad," this song is all about the state of being overweight. It's similar in concept to Yankovic's previous Jackson parody, "Eat It."

Food is a common theme in Al's parodies - he drew inspiration from cafeterias when he started writing songs.

The video is based on "Bad," with Al wearing a fat suit and gorging himself throughout the clip. It was a big-budget production with special effects that required lots of ingenuity - to make Al's face expand, tubes were placed in the latex on his face and inflated by technicians blowing through them.

The subway set is the same one used in the "Bad" video.

Everything but the Girl - The Night I Heard Caruso Sing

Everything but the Girl - The Night I Heard Caruso Sing Youtube Music Videos and Lyrics

Album: Idlewild
Released: 1988

The Night I Heard Caruso Sing Lyrics

Born from the dark
In the black cloak of night
To envelop its prey below
Deliver to the light
To eliminate your enemy
Hit them in their sleep
And when all is won and lost
The spoils of wars are yours to keep

Great nations built from the bones of the dead
With mud and straw, blood and sweat
You know your worth when your enemies
Praise your architecture of aggression

Praise your architecture of aggression
Ensuing power vacuum
A toppled leader dies
His body fuels the power fire
And the flames rise to the sky
One side of his face a kiss
The other genocide
Time to pay with your ass
A worldwide suicide

Great nations built from the bones of the dead
With mud and straw, blood and sweat
You know your worth when your enemies
Praise your architecture of aggression

Born from the dark
In the black cloak of the night
To envelop its prey below
Deliver to the light
To eliminate your enemy
Hit them in their sleep
And when all is won and lost
The spoils of war are yours to keep

Great nations built from the bones of the dead
With mud and straw, blood and sweat
You know your worth when your enemies
Praise your architecture of aggression

Great nations built from the bones of the dead
With mud and straw, blood and sweat
You know your worth when your enemies
Praise your architecture of aggression

Writer/s: MUSTAINE, DAVE/ELLEFSON, DAVE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

The Night I Heard Caruso Sing

The song appears on the duo's fourth album Idlewild. Ben Watt wrote the war-conscious tune in the mid-'80s after driving with his dad to Scotland to revisit some of his old stomping grounds. One of the places they went to was the Holy Loch, which was used as a submarine base in World War II.

In our interview with Watt , he told us about his experience of standing on the edge of the Holy Loch and a nuclear submarine surfacing right in front of them, calling it "A startling moment." He explained how the story of the song is more than just about hearing the Italian operatic tenor, Enrico Caruso, sing for the first time and restoring his faith in humanity. "The song is about the redemptive power of music," said Watt. "Not just Caruso - to make sense of life, to offer succor and wonder, even when life itself may seem frightening and unknowable."

Unlike most EBTG songs, Ben Watt sings the lead vocals on this one. Tracey Thorn joins in to sing harmonies with Watt at the 1:30 mark.

Winger - Seventeen

Winger - Seventeen Youtube Music Videos and Lyrics

Album: Winger
Released: 1988

Seventeen Lyrics

Yey I saw sparks fly, from the corner of my eye
When I turned, it was love at first sight
I said please excuse me, I didn't catch your name
Oh it'd be a shame not to see you again

And just when I thought she was comin' to my door
She whispered sweet and brought me to the floor, she said

I'm only Seventeen (seventeen), but I'll show you love like you've never seen
She's only seventeen (seventeen), daddy says she's too young, but she's old enough for me

Come to my place, we can talk it over, oh everything going down in your head
She said take it easy, I need some time, time to work it out, to make you mine

And just when I thought she was comin' to my door
She whispered sweet and brought me to the floor, she said

I'm only seventeen (seventeen), you ain't seen love, ain't seen nothing like me
She's only seventeen, seventeen yeah yea

Yes! Such a bad girl, loves to work me overtime
Feels good (ha), dancin' close to the borderline
She's a magic mountain, she's a leather glove
Oh she's my soul, it must be love

She's only seventeen (seventeen), I used to give her love, like I've never seen
She's only seventeen (seventeen), daddy says she's too young, but she's old enough for me (seventeen)
She's everything I need (seventeen), daddy says she's too young
But she's old enough, old enough for me

Writer/s: K. WINGER, R. BEACH, B. HILL
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Seventeen

Kip Winger was 27 years old when this song was released, making him a decade older than the groupie he sings about. Winger had long since lost interest in this game, but he certainly encountered many young vixens looking to share his company, which gave him plenty of inspiration for this song.

Winger says that most of his indulging came when he was 15. "I was playing in bars all the time and thinking I was a rock star and doing all that stuff," he told Kerrang! in 1989. "But I wasn't really anything. I was just in a bar band and I was having women every night. Now the women are in much more abundance and I don't really indulge myself at all. I feel more of a responsibility in this position."

Laws vary from state to state determining how young is too young, and in this song it sounds like Kip Winger might have something unlawful in mind when he sings, "Daddy says she's too young, but she's old enough for me."

In our 2014 interview with Winger , he explained that this wasn't the case. "Look, seventeen was legal in Colorado, so I didn't even get the joke, dude," he said. "I didn't get it. And then it hit and every seventeen-year-old girl in the United States thought that song was about her."

Thanks to a video directed by Mark Rezyka, this song did very well on MTV, where the photogenic frontman Kip Winger fit right in. The clip is mostly tight shots of the band, with fleeting images of the mystery girl seen in passing.

With help from the video, the song became Winger's first hit, going to #26 in the US. It was their second single; their first was "Madalaine," which didn't chart.

What does Led Zeppelin have to do with this song? A lot, it turns out. Listen to the Zeppelin song "The Crunge" for similarities. Kip Winger told us: "It's got that weird syncopation in it. It's got the same syncopation as 'Seventeen.' And I was like, 'Let's rip that Led Zeppelin song off on the verse.'"

Songwriting credits on this song go to Kip Winger, guitarist Reb Beach, and their producer Beau Hill. Beach was 15 when he came up with the riff, but he wasn't able to turn it into a song until he played it for Winger and Hill, who used it as a starting point.

Winger was the group's first album, but the group members were already very accomplished, especially their drummer Rod Morgenstein, who was acclaimed for his work in the Dixie Dregs. Winger songs are not easy to play, but that didn't stop folks from trying. Kip Winger explained in our interview: "Time and time again I've seen cover bands try to play it and there's no one I've ever seen be able to play that riff correctly. [Laughs] That song is very deceiving because it's cocky on the melody end and it's musically a difficult song for average bands to play, because it's all this intricate picking and a lot of riffs and syncopations and singing and playing that song has always been a challenge."

This is Winger's best-known song, but it wasn't their biggest hit: both "Headed for a Heartbreak" (#19) and "Miles Away" (#12) charted higher in America. According to Kip Winger, "Headed for a Heartbreak" is the song that most defines the band.

Winger never defined their sound as "Metal," but they became a piñata in the early '90s, taking the stick for everything regrettable about the late '80s Melodic Rock sound (also known as "Hair Metal"). More representative acts like Bon Jovi and Poison got their share of scorn, but nothing like what Winger endured: The kick-me character on Beavis and Butt-Head wore a Winger T-shirt; Lars Ulrich is shown throwing darts at a Winger poster in the Metallica video for "Nothing Else Matters ." Winger felt so besieged that they named their 1993 album Pull, as they felt like skeet shooting targets.

The derision was clearly out of proportion, and a bit ironic considering their credentials. Kip Winger and keyboard player Paul Taylor came from Alice Cooper's band, and guitarist Reb Beach was an in-demand session musician - a job that required extraordinary chops.

Metallica - One

Metallica - One Youtube Music Videos and Lyrics

Album: ...And Justice For All
Released: 1988

One Lyrics

I can't remember anything
Can't tell if this is true or dream
Deep down inside I feel to scream
This terrible silence stops me

Now that the war is through with me
I'm waking up, I cannot see
That there is not much left of me
Nothing is real but pain now

Hold my breath as I wish for death
Oh please, God, wake me

Back to the world that's much too real
In pumps life that I must feel
But can't look forward to reveal
Look to the time when I'll live

Fed through the tube that sticks in me
Just like a wartime novelty
Tied to machines that make me be
Cut this life off from me

Hold my breath as I wish for death
Oh please, God, wake me

Now the world is gOne, I'm just one
Oh God, help me
Hold my breath as I wish for death
Oh please, God, help me

Darkness imprisoning me
All that I see
Absolute horror
I cannot live
I cannot die
Trapped in myself
Body my holding cell

Landmine has taken my sight
Taken my speech
Taken my hearing
Taken my arms
Taken my legs
Taken my soul
Left me with life in hell

Writer/s: Bailey, Philip James / White, Maurice / Shocklee, Hank / Ridenhour, Carlton Douglas / Harris, Clifford Joseph / Alexander, Phalon Anton / Callaway, Thomas Decarlo
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

One Song Chart

This song is about a soldier fighting in a war and a mortar blows off in his face. He can't hear, see, smell, taste and he doesn't have arms or legs. He comes out of a coma in a hospital. During the time he is in the hospital he reflects on his life and things his father told him. Eventually the doctors get worried because he's having spasms all the time, but he doesn't seem to be dying. They call in the general and he can't figure it out either but the soldier with the general recognizes it. "Its Morse code," he says. The general asks what he is saying and the soldier looks for a minute and then says, "He is saying K-I-L-L- M-E over and over again. (thanks, Paul - Anacortes, WA)

The lyrics are based on the novel Johnny Got His Gun by Dalton Trumbo, which is about World War I. A specific passage that inspired the song is: "How could a man lose as much of himself as I have and still live? When a man buys a lottery ticket you never expect him to win because it's a million to one shot. But if he does win, you'll believe it because one in a million still leaves one. If I'd read about a guy like me in the paper I wouldn't believe it, cos it's a million to one. But a million to ONE always leaves one. I'd never expect it to happen to me because the odds of it happening are a million to one. But a million to one always leaves one. One."

James Hetfield was introduced to the book by his older half brother, David Hale, who was also in a band. (thanks Vesa - Tampere, Finland and Bertrand - Paris, France)

In 1971, Johnny Got His Gun was made into a movie which was directed by Trumbo. The video for the song uses images and monologues from that movie.

This was the first single released by the band to feature bassist Jason Newsted, who continued playing with Metallica until 2001. You have to listen very carefully to hear his playing, however, since the bass was buried in the mix.

In our 2013 interview with Jason Newsted , we asked him if he would like to see the album re-released with a more prominent low end. He replied: "There's been so much hubbub over this thing and people make so much out of it, but whatever it is that they make out of the blend of the whole thing, to me the album is perfect. Kill 'Em All isn't perfect, but it's perfect. And Van Halen I isn't perfect, but it's perfect. ...And Justice For All isn't perfect, but it's perfect. Because it captured that time for those people. Going back and re-recording albums that were already classics, I'm just not sure about all that stuff."

Metallica performed this at the Grammy awards in 1989. This was the first year a Grammy was awarded for Hard Rock/Metal Performance, and it went to Jethro Tull. This was a bit of a joke, since few people consider Jethro Tull to be Hard Rock or Heavy Metal. The next year, this won the award for Best Metal Performance and the year after, Metallica won again for "Stone Cold Crazy."

In 2014, Metallica once again performed "One" at the Grammy Awards, this time joined by the Chinese piano player Lang Lang.

Metallica guitarist James Hetfield wrote this with drummer Lars Ulrich. It is a fixture at their live shows.

This was included on the 1999 live album S&M, which they recorded with the San Francisco Symphony Orchestra.

KoRn performed this on MTV Icon in 2003. (thanks, Nick - Paramus, NJ, for above 3)

The name of the statue with the scales on the album cover is "Doris." (thanks, Ali Sadeghi - Scottsdale, AZ)

Hetfield has said he lifted the intro from Venom's "Buried Alive," a song about being trapped in a casket while being buried alive, similar to the predicament of the character in this song. (thanks, Michael - North Adams, MA)

This was the first video Metallica made, and it expanded their fan base by giving them a presence on MTV. Many fans got mad at Metallica for selling out, but the band said it felt right. (thanks, Josh - East Longmeadow, MA)

Hammett told Kerrang! September 13, 2008 that this track has one of his favorite Metallica guitar solos. He explained: "Specifically, this is the middle solo of the song. Much like 'Enter Sandman' it's a solo that everybody can pretty much sing along to, and it definitely gives me a really good feeling every time I play it."

This song is featured in the video game Guitar Hero III: Legends of Rock and is considered the second hardest song on the game. (thanks, matt - Langhorne, PA)

When Metallica appeared on The Howard Stern Show in September, 2013, James Hetfield explained that this was not so much an anti-war song as an observation. "War is a part of man," he explained. "We're just writing about it. It's not good or bad, it's just a thing."

Hetfield also revealed that he could relate to the character in the song because of his difficult childhood. He said that he often felt like a "prisoner in his own body," with no means to escape. His father left when he was 13, and his mother died a few years later.

R.E.M. - Orange Crush

R.E.M. - Orange Crush Youtube Music Videos and Lyrics

Album: Green
Released: 1988

Orange Crush Lyrics

Orange Crush Song Chart

Orange Crush was an orange flavored soft drink. In this case, though, it was meant to refer to Agent Orange, a chemical used by the US to defoliate the Vietnamese jungle during the Vietnam War. US military personnel exposed to it developed cancer years later and some of their children had birth defects. The extreme lyrical dissonance in the song meant that most people completely misinterpreted the song, including Top Of The Pops host Simon Parkin, who remarked on camera after R.E.M. performed the song on the British TV show, "Mmm, great on a summer's day. That's Orange Crush."

The song does not refer to any single Vietnam-related experience for lead singer Michael Stipe, but simply that he lived in that era of American history. He wrote in Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011: "[The song is] a composite and fictional narrative in the first person, drawn from different stories I heard growing up around Army bases. This song is about the Vietnam War and the impact on soldiers returning to a country that wrongly blamed them for the war."

Stipe's father served in Vietnam in the helicopter corps.

Stipe sometimes introduced this in concert by singing the US Army jingle, "Be all that you can be, in the Army."

The drill sergeant heard in the background during the middle is just an imitation by Stipe. In the traditional Michael Stipe way, the words he says during the imitation are complete nonsense.

This was not the first R.E.M. song to deal with the Vietnam War. That distinction goes to "Body Count," an early unreleased song that they played live many times.

This was used in the 2007 drama Towelhead, starring Maria Bello, Chris Messina and Summer Bishil.

The song's meaning keeps changing for Peter Buck. He wrote in the In Time liner notes:
"I must have played this song onstage over three hundred times, and I still don't know what the f*** it's about. The funny thing is, every time I play it, it means something different to me, and I find myself moved emotionally. [Playwright/composer] Noel Coward made some remark about the potency of cheap music, and while I wouldn't describe the song as cheap in any way, sometimes great songwriting isn't the point. A couple of chords, a good melody and some words can mean more than a seven-hundred-page novel, mind you. Not a good seven-hundred-page novel mind you, but more say, a long Jacqueline Susann novel. Well alright, I really liked Valley of the Dolls."

R.E.M. - Pop Song '89

R.E.M. - Pop Song '89 Youtube Music Videos and Lyrics

Album: Green
Released: 1988

Pop Song '89 Lyrics

Pop Song '89 Song Chart

This was written as a play on the Doors song "Hello I Love You." Instead of talking to a girl about sex, it's about the weather or politics.

R.E.M. played an early version on their Document tour before this was released. It didn't even have words then, but the band had a lot of trouble keeping themselves from laughing because they had so much fun with it.

The video was directed by lead singer Michael Stipe. It features him and three women all dancing topless as a way to satirize videos that objectify women. When MTV asked for a censored version, Stipe superimposed black bars over the chests of all four dancers. He said, "A nipple is a nipple."

This was REM's 89th recorded track, if you count mini-album "Chronic Town" and B-sides. (thanks, Michael - New York, NY)

Michael Stipe said in the October, 1992 issue of Q magazine: "It's a complete piss-take. I guess it's the prototype of, and hopefully the end of, a pop song. It would be the last pop song ever."

Stipe has described it as one of his "fruit loop songs" along with "Shiny Happy People" and "Stand."

Peter Buck remembers thinking this sounded like a Dream Syndicate song and calling up frontman Steve Wynn to make sure he didn't mind. Wynn gave the OK and agreed it did sound a bit like the group's Karl Precoda on guitar.

This was featured on the TV series Parks and Recreation in the 2014 episode "Prom."

Soundgarden - 665

Soundgarden - 665 Youtube Music Videos and Lyrics

Album: Ultramega OK
Released: 1988

665 Lyrics

It's creeping
In so slow
Trapping it, nobody's home

(more mumbling)

It's creeping in
So slow
Trapping it, nobody's home

[Played backwards, the Santa/Satan parody:
Santa, I love you baby
My Christmas king
Santa, you're my king
I love you, Santa baby
Got what I need
etc.]

Music: Yamamoto
Lyrics: Cornell

Writer/s: HIRO YAMAMOTO, CHRIS J. CORNELL
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

665 Song Chart

Written by Soundgarden bass player Hiro Yamamoto, 665 is one away from 666, the sign of the devil. The song parodies all those Heavy Metal songs that supposedly include hidden (or not-so-hidden) satanic messages. Soundgarden has said that the association between black magic and rock is ridiculous.

When played in reverse, lead singer Chris Cornell can be heard singing, "I need you Santa baby." This is a play on the supposed backward masking found in songs like "Stairway To Heaven."

Soundgarden was often pegged as an angsty band, but this song shows their vivid sense of humor. The album title is also a bit of a joke - they liked the songs but weren't thrilled with the way it was produced, so they reflected their conflicted feelings in the title Ultramega OK.

Phish - You Enjoy Myself

Phish - You Enjoy Myself Youtube Music Videos and Lyrics

Album: Junta
Released: 1988

You Enjoy Myself Lyrics

Boy
Man
God
Shit
Boy man
Boy man
Wash uffitze drive me to firenze

Writer/s: BYRNE, DAVID / FRANTZ, CHRIS / WEYMOUTH, TINA / HARRISON, JERRY / ENO, BRIAN
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

You Enjoy Myself Song Chart

This Phish classic came to define their live shows and is probably their most popular song. Rolling Stone magazine named it #85 on their list of the 100 Greatest Guitar songs, where they explained that Trey Anastasio wrote the song in the summer of 1985 when he was 20 years old and traveling in Europe with Phish drummer Jon Fishman. Said Anastasio: "I was coming up with these little bits, but I never really sat down to write anything. We'd be sitting around the bonfire with, like, 20 people, watching the stars and listening to the waves crash, and I'd be strumming along. I'd play something like the opening part of the song, and it would stick in my head. And the next week, we'd be standing on the street, and I'd come up with another part. I would just glue them together - the song is like a travel journal." (thanks, Bertrand - Paris, France)

This was the last song Phish played before going on hiatus. On October 7, 2000, they played an extended version in their encore at a show in Mountain View, California. After the show, the 4 band members locked themselves in a trailer and stayed there for about 4 hours. When they came out, they had decided to quit, feeling that the grind of touring and the size of their operation had gotten so they couldn't enjoy the music anymore. They regrouped in 2002, but made sure to limit their touring schedule.

At some shows, Anastasio and bass player Mike Gordon bounce on little trampolines while performing this. They saw the trampolines at a yard sale one day and thought they would be great for their show. This is not all that unusual in the world of Phish.

At their last concert in Coventry, Vermont, the trampolines were given out to the crowd in a farewell gesture at the end of the song. The trampolines were passed back and fans jumped and danced on them during the show. (thanks, HooHah - Tenfaly, NJ)

The first half of the song is instrumental. The second half of the song includes understandable lyrics, "Boy. Man. God. Sh-t." and a phrase sung in the background in a very mumbled, unintelligible manner. The most common interpretation of the mumble is "Wash Ufizzi, drive me to Ferenzi" referring to the Ufizzi museum, Italy and the town of Ferenzi, also in Italy. The band members lately say they forgot what it is. (thanks, Jeff - Kendall Park, NJ)

When Phish broke up in 2004, Anastasio explained he was sick of playing the same songs over and over: "I gotta do something new. I cannot spend my entire life going around the country playing 'You Enjoy Myself.'"

The Proclaimers - I'm Gonna Be (500 Miles)

The Proclaimers - I'm Gonna Be (500 Miles) Youtube Music Videos and Lyrics

Album: Sunshine On Leith
Released: 1988

I'm Gonna Be (500 Miles) Lyrics

When I wake up yeah I know I'm gonna be
I'm gonna be the man who wakes up next to you
When I go out yeah I know I'm gonna be
I'm gonna be the man who goes along with you
If I get drunk yes I know I'm gonna be
I'm gonna be the man who gets drunk next to you
And if I have yeah I know I'm gonna be
I'm gonna be the man who's havering to you

But I would walk 500 miles
And I would walk 500 more
Just to be the man who walked 1,000 miles

To fall down at your door
When I'm working yes I know I'm gonna be
I'm gonna be the man who's working hard for you
And when the money comes in for the work I'll do

I'll pass almost every penny on to you
When I come home yeah I know I'm gonna be
I'm gonna be the man who comes back home to you
And if I grow old well I know I'm gonna be
I'm gonna be the man who's growing old with you

When I'm lonely yes I know I'm gonna be
I'm gonna be the man who's lonely without you
When I'm dreaming yes I know I'm gonna dream
Dream about the time when I'm with you

Writer/s: REID, CHARLES STOBO/REID, CRAIG MORRIS
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

I'm Gonna Be (500 Miles) Song Chart

The Proclaimers are the Scottish twins Craig and Charlie Reid. This is their only hit in America, but four of their other songs made the UK Top 40, including their first hit, "Letter From America," which went to #3 in 1987.

This song is about being devoted to a woman and wanting to spend the rest of your life with her. And it's all sung in a Scottish accent.

In the line "I'm gonna be the one who's havering for you," 'havering' means babbling on.

This was written in 1988 and released on The Proclaimers album Sunshine On Leith. It became a hit when the song was used in the 1993 movie Benny And Joon, starring Johnny Depp and Mary Stuart Masterson.

Craig Reid in the Daily Mail, March 23, 2007: "I can remember sitting at the piano and the chords just came to me. I reckon I just wrote the whole thing in 45 minutes. I knew that it was a good song, maybe even a single, but I had no idea how popular it would become."

This was a hit in the US after being featured in the movie Benny & Joon after the director heard the song being played on his personal stereo by Mary Ann Waterston. The Proclaimers had no idea it would be featured in the film.

It was a #1 hit in Australia.

This song was adopted as a theme song by Hibernian Football Club in Scotland.

In March 2007 The Proclaimers teamed up with British comedians Peter Kay and Matt Lucas to release a new version for the charity Comic Relief, which topped the UK charts. Peter Kay stars as his wheelchair bound character the Phoenix Club boss Brian Potter and Matt Lucas in turn appears as his similarly wheelchair bound Little Britain character Andy Pipkin. The comedians duet on the first 2 verses of the song before the Proclaimers take over.

The original version returned to the British chart at #37 the same week the Comic Relief version entered the chart at #3 making The Proclaimers become the first act in over 20 years to chart simultaneously with two different recordings of the same song. The last person to achieve this was Lulu, who in the last week of July 1986 had both her original 1964 recording of "Shout" in the Top 75 alongside a brand new "86" version.

By 2002, 500 miles just wasn't enough, as Vanessa Carlton used the same lyrical theme, but with twice the distance, in her song "A Thousand Miles."

Country duo Haley & Michaels covered this for their 2014 eponymous debut EP. "When I heard it, I listened to it, and I felt like, 'Wait a second, this could take on a whole different meaning if a man and woman were singing it to each other,'" Haley said. "I bounced it off Ryan, and he had actually just heard it, and it was one of those things, it was on both of our minds, and we just started playing it to see what it would sound like."

This was featured in a beloved Budweiser commercial that aired during the 2015 Super Bowl between the New England Patriots and Seattle Seahawks. A sequel to the previous year's "Puppy Love" spot where the Budweiser Clydesdales befriend a golden retriever puppy, this one finds the dog getting lost, and the horses saving him from a wolf and guiding him home. The song was used to convey the lengths that living creatures will go for love.

The version used in the commercial is a downtempo take on the song performed by Sleeping at Last , which is the one-man operation of Ryan O'Neal. He released the song in 2013.

Patti Smith - People Have the Power

Patti Smith - People Have the Power Youtube Music Videos and Lyrics

Album: Dream of Life
Released: 1988

People Have the Power Lyrics

People Have the Power Song Chart

This song was written by Patti Smith and her late husband, Fred "Sonic" Smith. Patti told NME how they tried to infuse the spirit of the '60s into a modern protest song: "We had both protested the Vietnam War when we were young. We had been part of the '60s, where our cultural voice was really strong, and we were trying to write a song that would reintroduce that kind of energy. It's sad for me but quite beautiful. It was really Fred's song - even though I wrote the words, he wrote the music; the concept was his, and he wanted it to be a song that people sang all over the world to inspire them for different causes. And he didn't live to see that happen, but I have. I've seen people. I've walked in marches all over the world where people spontaneously started singing it, you know, whether it's been in Paris or with the Palestinians or, you know, in Spain or New York City, Washington D.C. - and it's so moving for me to see his dream realized."

Patti remembers the moment Fred burst into their kitchen with the idea for this song: "It was around 1986. I was in the kitchen. My late husband was writing music, and he was a great songwriter, Fred "Sonic" Smith, and we were writing some songs together. And I was peeling potatoes, and I remember I was in a bad mood because I had, you know, I was making dinner and washing the clothes and peeling potatoes. And in the middle of it, Fred came in and said, 'Tricia, people have the power, write it.' And I was standing there with a potato peeler thinking I'd like to have the power to make him peel these potatoes, that's what I'd like... but I kept him.

So for the next few nights, I really contemplated - because Fred was very political, and we talked about it, what we wanted to do with this line, which was Fred's. And what we wanted to do was remind the listener of their individual power but also of the collective power of the people, how we can do anything. That's why at the end it goes, 'I believe everything we dream can come to pass, through our union we can turn the world around, we can turn the earth's revolution.' We wrote it consciously together to inspire people, to inspire people to come together."

This song hit #19 on the Mainstream Rock chart.

Chicago - Look Away

Chicago - Look Away Lyrics and Youtube Music Videos

Album: Chicago 19
Released: 1988

Look Away Lyrics

When you called me up this morning,
Told me 'bout the new love you found,
I'm said "I'm happy for you,
I'm really happy for you."
Found someone else,
I guess I won't be coming 'round.
I guess it's over, baby,
It's really over, baby, whoa,
And from what you said
I know you've gotten over me,
It'll never be the way it used to be.
So if it's gotta be this way,
Don't worry, baby, I can take the news okay.

But if you see me walking by,
And the tears are in my eyes,
Look Away, baby, look away.
If we meet on the streets someday,
And I don't know what to say,
Look away, baby, look away.
Don't look at me,
I don't want you to see me this way.

When we both agreed as lovers,
We were better off as friends,
That's how it had to be,
Yeah, that's how it had to be.
I tell you I'm fine
But sometimes I just pretend,
Wish you were holding me,
Wish you were still holding me, whoa,
I just never thought,
That I would be replaced so soon,
I wasn't prepared to hear those words from you.
I know I wanted to be free,
Yeah, baby, this is how we wanted it to be.

But if you see me walking by,
And the tears are in my eyes,
Look away, baby, look away.
If we meet on the streets someday,
And I don't know what to say,
Look away, baby, look away.
Don't look at me,
I don't want you to see me this way.

But if you see me walking by,
And the tears are in my eyes,
Look away, baby, look away.
If we meet on the streets someday,
And I don't know what to say,
Look away, baby, look away.
Don't look at me,
I don't want you to see me this way.

When you called me up this morning,
Told me 'bout the new love you found.
I said "I'm happy for you,
I'm really happy for you."

Writer/s: S. ADAMSON
Publisher: BMG RIGHTS MANAGEMENT US, LLC, Realsongs
Lyrics licensed and provided by LyricFind

Look Away Song Chart

R.E.M. - Finest Worksong

R.E.M. - Finest Worksong Lyrics and Youtube Music Videos

Album: Document
Released: 1988

Finest Worksong Lyrics

Finest Worksong Song Chart

This was the third single from R.E.M.'s fifth album. Though it wasn't a hit on the US Pop charts, it did peak at #28 on the Mainstream Rock Tracks.

Peter Buck wrote in Part Lies, Part Heart, Part Truth, Part Garbage: "It's a great intro although it's just me hitting a b-string, and Mike has that great bass line. When I brought it in, I felt like I knew what I wanted to and kind of vaguely knew what the guys should do, but we played it once and it just kind of came out of nowhere. Mike and Bill have always been particularly good at coming up with stuff off the tops of their heads that's kind of amazing. It sounded great, but I was afraid that Michael might have trouble writing to it just because it's a B note. That whole song is in B except for the chorus. It reminded me of touring with the Gang of Four. It kind of had that vibe to it."

Frontman Michael Stipe references nineteenth-century poet Henry David Thoreau in the lyrics ("To throw Thoreau and rearrange"), completely by accident. He wrote: "My friend Chris told me that I was our generation's Whitman, I think because I was an ecstatic, and I liked men and women, and I was a poet in his eyes, even though I hated the word poet. Anyway I meant to write Whitman into the song, but I got mixed up and wrote Thoreau in instead."

The music video, directed by Stipe, shows workers throwing, smashing and burning a globe, among other things.

Bruce Springsteen - Roulette

Bruce Springsteen - Roulette Lyrics and Youtube Music Videos

Album: Tracks
Released: 1988

Roulette Lyrics

Roulette Song Chart

This song is about the meltdown at the Three Mile Island nuclear power plant in 1979. At the time, there was a great deal of debate over the use of nuclear energy, as it presented safety and environmental concerns.

This was the first song recorded during sessions for The River, but Springsteen decided not to use it on the album. Even though it was recorded in 1979, it was not released until 1988 as the B-side of "One Step Up." It resurfaced on the 1998 album Tracks, a collection of Springsteen outtakes.

U2 - All I Want Is You

U2 - All I Want Is You Lyrics and Youtube Music Videos

Album: Rattle And Hum
Released: 1988

All I Want Is You Lyrics

You say you want
Diamonds on a ring of gold
You say you want
Your story to remain untold

But all the promises we make
From the cradle to the grave
When all I want is you

You say you'll give me
A highway with no one on it
Treasure just to look upon it
All the riches in the night

You say you'll give me
Eyes in a moon of blindness
A river in a time of dryness
A harbor in the tempest

But all the promises we make
From the cradle to the grave
When all I want is you

You say you want
Your love to work out right
To last with me through the night

You say you want
Diamonds on a ring of gold
Your story to remain untold
Your love not to grow cold

All the promises we break
From the cradle to the grave
When all I want is you

You... all I want is...
You... all I want is...
You... all I want is...
You...

Writer/s: EVANS CLAYTON
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

All I Want Is You Song Chart

Bono wrote the lyrics about his wife Ali. The quiet verses are him telling her the words, the loud guitar pieces at the end of the verses is her reaction. At the end when he screams "All I want is you" 4 times, the Edge solos for that amount of time, as her reaction. (thanks, Bill - Johnstown, PA)

The Edge came up with the guitar part while working on U2's song "Desire."

Van Dyke Parks arranged the strings. He was best known for working with Brian Wilson on the Beach Boys Smile project, writing intricate lyrics for Wilson's melodies, but many other artists have called upon his services as a session musician and arranger, including T-Bone Burnett, Rufus Wainwright and Joanna Newsom. When we spoke with Parks in 2011, he talked about "framing" a song to give it "greater power of enunciation so that it will be noticed." "All I Want Is You" is a great example of his work, as the strings bring out an emotive quality in the song without detracting from its other elements.

On The Best Of 1980-1990, "October" comes on as a hidden track about a minute after this.

The single is backed with a cover of "Unchained Melody."

This was used in the trailer for the 2000 movie All The Pretty Horses. It was also on the soundtrack to Reality Bites. (thanks, Wendy - Yakima, WA)

This plays under the credits of the U2 documentary Rattle And Hum.

U2 - Heartland

U2 - Heartland Lyrics and Youtube Music Videos

Album: Rattle And Hum
Released: 1988

Heartland Lyrics

See the sun rise over her skin
Don't change it
See the sun rise over her skin
Dawn changes everything
Everything
And the delta sun
Burns bright and violet

Mississippi and the cotton wool heat
Sixty six a highway speaks
Of deserts dry
Of cool green valleys
Gold and silver veins
Of the shining cities

In this heartland
In this Heartland soil
In this heartland
Heaven knows this is a heartland
Heartland, heartland

See the sun rise over her skin
She feels like water in my hand
Freeway like a river cuts through this land
Into the side of love
Like a burning spear
And the poison rain
Brings a flood of fear
Through the ghost ranch hills
Death valley waters
In the towers of steel
Belief goes on and on

In this heartland
In this heartland soil
In this heartland
Heaven knows this is a heartland
Heartland, heaven knows this is a heartland
Heartland, heartland
Heartland, heaven's day here in the heartland
Heart

Writer/s: ADAM CLAYTON, DAVE EVANS, PAUL HEWSON, LARRY MULLEN
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Heartland Song Chart

This was written in 1986 and intended for The Joshua Tree. It was bumped by "Trip Through Your Wires," which they felt was a better song to perform live.

U2 wrote this about Ireland, but they were also inspired by the American heartland. It talks about the "Mississippi delta sun, Mississippi and the cotton wool heat, Sixty-six a highway speaks." Route 66 is a historic interstate highway in the USA. (thanks, Richard - St. Louis, MO)

U2 - Love Rescue Me

U2 - Love Rescue Me Lyrics and Youtube Music Videos

Album: Rattle And Hum
Released: 1988

Love Rescue Me Lyrics

Love rescue me
Come forth and speak to me
Raise me up and don't let me fall
No man is my enemy
My own hands imprison me
Love rescue me

Many strangers have I met
On the road to my regret
Many lost who seek to find themselves in me
They ask me to reveal
The very thoughts they would conceal
Love rescue me

And the sun in the sky
Makes a shadow of you and I
Stretching out as the sun sinks in the sea
I'm here without a name
In the palace of my shame
Said, love rescue me

In the cold mirror of a glass
I see my reflection pass
See the dark shades of what I used to be
See the purple of her eyes
The scarlet of my lies
Love rescue me

Yea, though I walk
In the valley of shadow
Yea, I will fear no evil
I have cursed thy rod and staff
They no longer comfort me
Love rescue me
Sha la la, sha la la la
Sha la la la, ha la la
Sha la la la, sha la la la
Sha la la la, sha la la
Sha la la la, sha la la la
Sha la la
I said love, love rescue me

I said love
Climb up the mountains, said love
I said love, oh my love
On the hill of the son
I'm on the eve of a storm
And my word you must believe in
I said love, rescue me
Oh yeah, oh yeah, oh yeah

Yeah I'm here without a name
In the palace of my shame
I said love rescue me

I've conquered my past
The future is here at last
I stand at the entrance
To a new world I can see
The ruins to the right of me
Will soon have lost sight of me
Love rescue me

Writer/s: ADAM CLAYTON, LAURENCE MULLER, DAVID EVANS, PAUL HEWSON, BOB DYLAN
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Love Rescue Me Song Chart

Bob Dylan helped Bono write this. As he wrote it, Bono thought it may have been a Bob Dylan song he had heard. He asked Dylan, who told him it wasn't and helped him finish it.

Bono started writing this while staying with The Edge at his place in Los Angeles. After The Edge moved out, the Menendez family moved in. Eric and Lyle Menendez killed their parents there in 1989 and were sentenced to life.

Bob Dylan recorded a vocal track, but it was not used because of contractual obligations to The Traveling Wilburys, a group Dylan was playing in with George Harrison, Tom Petty, Roy Orbison, and Jeff Lynne.

U2 recorded this at Sun Studios in Memphis during their 1987 US tour. Sun is considered by many to be the "Birthplace of Rock and Roll." Elvis recorded there as well as Jerry Lee Lewis, Johnny Cash and Carl Perkins.