Songs Lyrics and YT- Youtube Music Videos

Billy Joel - Summer, Highland Falls

Billy Joel - Summer, Highland Falls Lyrics and Youtube Music Videos

Album: Turnstiles
Released: 1976

Summer, Highland Falls Lyrics

They say that these are not the best of times
But they're the only times I've ever known
And I believe there is a time for meditation
In cathedrals of our own

Now I have seen that sad surrender in my mother's eyes
I can only stand apart and sympathize
For we are always what our situations hand us
Its either sadness or euphoria

So we'll argue and we'll compromise
And realize that nothing's ever changed
For all our mutual experience
Our separate conclusions are the same

Now we are forced to recognize our inhumanity
A reason coexists with our insanity
Though we choose between reality and madness
Its either sadness or euphoria

How thoughtlessly we dissipate our energies
Perhaps we'll help fulfill each other's fantasies
And as we stand upon the ledges of our lives with our respective similarities
Its either sadness or euphoria

Writer/s: JOEL, BILLY
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Summer, Highland Falls

A track from Billy Joel's fourth album, this song is about manic depression. He wrote it in 1975 during a transitional period in his life when he was moving back to New York after spending the previous three years in California. At a Howard Stern Town Hall event in 2014, Joel explained: "It was more about manic depression than depression. That song was about a relationship that wasn't really working out. It was very disappointing - you want everything to work out and when it doesn't, how do you deal with that?"

Joel wrote the music to reflect the highs and lows of manic depression. The song has a musical piano theme: the left hand plays the "depression" part, going slowly up and down, while the right hand is the "manic" part, playing a bouncy bit. "It actually describes manic depression in the music," says Joel.

Many yearbooks have been filled with the opening lines to this song:

They say that these are not the best of times
But they're the only times I've ever known

It's a very unusual song in that the title doesn't appear in the lyric and there's no chorus. This limited its hit potential, but the song has endured as a favorite for many of Joel's ardent fans.

Highland Falls is the village in the southern part of New York State where Joel lived at the time.

Men at Work - Down Under

Men at Work - Down Under Lyrics and Youtube Music Videos

Album: Business As Usual
Released: 1982

Down Under Lyrics

Traveling in a fried-out combie
On a hippie trail, head full of zombie
I met a strange lady, she made me nervous
She took me in and gave me breakfast
And she said

Do you come from a land Down Under?
Where women glow and men plunder?
Can't you hear, can't you hear the thunder?
You better run, you better take cover

Buying bread from a man in Brussels
He was six-foot-four and full of muscles
I said, "Do you speak-a my language?"
He just smiled and gave me a Vegemite sandwich
And he said

I come from a land down under
Where beer does flow and men chunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover
Yeah

Lyin' in a den in Bombay
With a slack jaw, and not much to say
I said to the man, "Are you trying to tempt me
Because I come from the land of plenty?"
And he said

Do you come from a land down under? (oh yeah yeah)
Where women glow and men plunder?
Can't you hear, can't you hear the thunder?
You better run, you better take cover

Living in a land down under
Where women glow and men plunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover

Living in a land down under
Where women glow and men plunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover

Living in a land down under
Where women glow and men plunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover

Living in a land down under
Where women glow and men plunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover

Writer/s: HAY, COLIN JAMES / STRYKERT, RONALD GRAHAM
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Down Under

The "Land Down Under" is Australia, where the group is from. The lyrics were written by lead singer Colin Hay, who told us: "The chorus is really about the selling of Australia in many ways, the over-development of the country. It was a song about the loss of spirit in that country. It's really about the plundering of the country by greedy people. It is ultimately about celebrating the country, but not in a nationalistic way and not in a flag-waving sense. It's really more than that."

Hay told us about composing the song: "It's a very important song for me. It always felt like a strong song, right from the start. Originally, the idea came from a little bass riff that Ron Strykert, the guitar player for Men at Work, had recorded on a little home cassette demo. It was just a little bass riff with some percussion that he played on bottles which were filled with water to varying degrees to get different notes. It was a very intriguing little groove. I really loved it, it had a real trance-like quality to it. I used to listen to it in the car all the time. When I was driving along one day in Melbourne, the chords popped out and a couple of days later I wrote the verses."

Barry Humphries is an Australian entertainer who has created many popular characters, including Dame Edna Everidge. He was also the voice of Bruce the Shark in the movie Finding Nemo. Colin explained his influence on this song: "He's a master of comedy and he had a lot of expressions that we grew up listening to and emulating. The verses were very much inspired by a character he had called Barry McKenzie, who was a beer-swilling Australian who traveled to England, a very larger-than-life character."

Some lyric translation:
Fried out Kombi - a broken-down van. The lyrics are often translated as "Combie," but the correct spelling is Kombi. It came from the VW Kombivan which was very popular in the '60s and early '70s, especially with surfers and hippies.
Head full of Zombie - Zombie was a particularly strong batch of marijuana which was floating around Australia for a long time. People called it "Zombie Grass."
Vegemite Sandwich - Vegemite is a fermented yeast spread that is pretty much a national institution in Australia. Some people love it and can't start the day without a piece of toast spread with Vegemite, and some go so far as to carry a small jar of it with them when they travel overseas. Some are indifferent to it, and others can't stand it. It kind of resembles smooth black tar, and is similar in taste to the English "Marmite," but Aussies will always tell you that Vegemite is far superior. Regarding the lyrics, "Where beer does flow, and men chunder..." Chunder is Aussie slang meaning to vomit.

This song is often misinterpreted as a patriotic anthem. Says Colin: "It's ironic to me that so many people thought it was about a specific thing and that really wasn't the intention behind the song. If you listen to 'Born In The USA,' it's a similar song in that there's a lot of nuance missed because people like drinking beer and throwing their arms up in the air and feeling nationalistic. It's ultimately a song about celebration, but it's a matter of what you choose to celebrate about a country or a place. White people haven't been in Australia all that long, and it's truly an awesome place, but one of the most interesting and exciting things about the country is what was there before. The true heritage of a country often gets lost in the name of progress and development."

Colin: "I love the song, I have strong feelings about it because it's looked after me for many, many years."

In 2003, Colin recorded 2 new versions for his album Man At Work. The first is an acoustic version he included so people could hear how the song sounded originally, before Men at Work did it. Colin's wife, Cecilia, has a Latin Salsa band, and on the second version he recorded her horn section and flute parts, combining them with his tracks.

This became an unofficial national anthem when Australia won the America's Cup in 1983, an event the United States had never lost. The then Prime Minister of Australia, Bob Hawke, was so delighted with Australia's win, he gave the whole country the day off and announced on the news that any boss who fired an employee for taking the day off "is a bum!" (thanks, Jude - Melbourne, Australia)

The quirky video became a huge hit on MTV. The network had been on the air for only a year, and they didn't have many videos to choose from. Men at Work didn't know much about MTV, but British and Australian bands had been making videos for some time. The band made videos that fit their personality, often improvising scenes and using their friends for help. The guy who stands up and offers the Vegemite sandwich is the band's drummer, Jerry Speiser. He wasn't really "6 foot 4 and full of muscles," he had to stand on something to get extra height. He also wore a wig.

Men at Work hit big in the summer of 1982 and through the next year had 5 Top 40 singles: "Who Can It Be Now?," "Down Under," "Overkill", "I's A Mistake" and "Dr. Heckyll & Mr. Jive," the first two of which vaulted all the way to #1 on the American charts. 1982 was also the year the band won the Best New Artist Grammy. (thanks, Victor - Boston, MA)

This was a huge worldwide hit. For 2 weeks, both the single and album were #1 in the US and UK. It was also #1 in Australia. (Thanks to Colin for speaking with us about this song. To learn more or to check out his album, go to www.colinhay.com)

Men at Work recorded the first version of "Down Under" in 1980 in Melbourne and released it independently as the B-side to a forgettable song called "Keypunch Operator." They released it on a label they called M.A.W. - about 300 copies. This early version of the song here is a crude, pale predecessor to the global hit and testament to the wonders a good producer can do. (thanks, steve - Sydney, Australia)

In 2009, the music publishing company that owns the rights to the Australian children's song "Kookaburra" sued the "Down Under" songwriters, claiming the flute riff copied the children's classic. On February 4, 2010, Justice Jacobson ruled in favour of Larrakin Music who own "Kookaburra's" publishing rights - the song having been originally penned by music teacher Marion Sinclair in 1932. In his judgment he said that Men At Work had infringed Larrikin's copyright because "Down Under" reproduced "a substantial part of Kookaburra."

Colin Hay said after the judgment: "I'll go to my grave knowing 'Down Under' is an original piece of work. In over 20 years no one noticed the reference to 'Kookaburra.' Marion Sinclair never made any claim that we had appropriated any part of her song, and she was alive when 'Down Under' was a hit. Apparently she didn't notice either."

Greg Ham, who contributed the controversial flute part, told Melbourne's The Age newspaper: "It will be the way the song is remembered, and I hate that. I'm terribly disappointed that that's the way I'm going to be remembered - for copying something."

Vince Gill - Take Your Memory With You

Vince Gill - Take Your Memory With You Lyrics and Youtube Music Videos

Album: Pocket Full of Gold
Released: 1991

Take Your Memory With You Lyrics

I can read the writing on the wall
You pretend that nothing's changed at all
I've got just one thing to ask you if it's so
Just Take Your Memory With You when you go

So I won't have to think about
The lonely nights I'll be without
Someone to hold me when the cold wind blows
Take your memory with you when you go

I walk the floor and wonder what went wrong
I'll have to find a way to carry on
Why don't you leave before the heartache starts to show
Take your memory with you when you go

So I won't have to think about
The lonely nights I'll be without
Someone to hold me when the cold wind blows
Take your memory with you
So I won't have to miss you
Take your memory with you when you go

Writer/s: Gill, Vincent Grant
Publisher: Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Take Your Memory With You

Running a tidy 2:34, this early hit for Vince Gill finds the singer at the end of a relationship. He makes just one request of the girl who is leaving him: that she take her memory with her when she goes so he doesn't have to think about what he's lost during those cold, lonely nights.

The song is a throwback to the classic Bakersfield Country sound that Gill loves (his 2013 album Bakersfield is comprised of cover songs from this era). When we spoke with Vince in 2014 , he told us: "That was straight out of a Buck Owens shuffle song or Harlan Howard or Ray Price or any of those guys. I've recorded several others over the years and loved those."

Musicians on this track are:

Steel Guitar - John Hughey
Piano - Pig Robbins
Fiddle - Andrea Zonn
Electric Guitar - Gill
Drums - Larrie Londin
Bass - Michael Rhodes
Backing Vocals - Herb Pedersen

Brand New - Seventy Times 7

Brand New - Seventy Times 7 Lyrics and Youtube Music Videos

Album: Your Favorite Weapon
Released: 2001

Seventy Times 7 Lyrics

Back in school they never taught us
What we needed to know
Like how to deal with despair
Or someone breakin' your heart
For twelve years I've held it all together
But a night like this is beggin' to pull me apart
I played it quiet left you deep in conversation
I felt uncool and hung out around the kitchen
I remember I kept thinking
That I know you never would
And now I know I want to kill you
Like only a best friend could

Everyone's caught on to everything you do
Everyone's caught on to

As if it happening wasn't enough
I got to go and write a song
Just to remind myself how bad it sucked
Ignore the sun, covers over my head
Wrote a message on my pillow that says
"Jesse, stay asleep in bed"
Don't apologize (I hope you choke and die!)
Search your cell for something which to hang yourself
They say you need to pray
If you want to go to heaven
But they don't tell you what to say
When your whole life has gone to Hell!

Everyone's caught on to everything you do
Everyone's caught on to
(and I can't let you let me down again)
Everyone's caught on to everything you do
(and I can't let you let me down again)
Everyone's caught on to

So is that what you call a getaway?
Tell me what you got away with
Cause I've seen more spine on jellyfish
I've seen more guts on eleven-year-old kids
Have another drink and drive yourself home
I hope there's ice on all the roads
And you can think of me when you forget your seat belt
And again when your head goes through the windshield

Is that what you call tact?
You're as subtle as a brick in the small of my back
So let's end this call and end this conversation
And is that what you call a getaway?
Tell me what you got away with
Cause you left the frays from the ties you severed
When you say "best friends" means friends forever

Is that what you call a getaway?!!
Tell me what you got away with!!
Cause I've seen more spine on jellyfish!!
I've seen more guts on eleven-year-old kids!!
Have another drink and drive yourself home!!
I hope there's ice on all the roads!!
And you can think of me when you forget your seat belt
Then when your head goes through the windshield!!

(I can't let you let me down again)
Everyone's caught on to everything you do
(and I can't let you let me down again)
Everyone's caught on to
(I can't let you let me down again)
Everyone's caught on to everything you do
(and I can't let you let me down again)
Everyone's caught on to

Writer/s: LACEY, JESSE / LANE, BRIAN / TIERNEY, GARRETT / ACCARDI, VINCENT
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Seventy Times 7

The was written about a falling out between best friends. Lead singer Jesse Lacey had been best friends with then Taking Back Sunday guitarist/singer John Nolan (who has left the band) since grade school. Lacey's girlfriend at the time cheated on him with Nolan. John called Jesse, and the last words that Jesse spoke to him were, "You're as subtle as a brick on the small of my back so lets end this call and end this conversation" and hung up. That was the last time they spoke and then years later Brand New added it as lyrics to their song "Seventy Times 7" which is about what happened and his feelings toward Nolan. Taking Back Sunday then came out with the song "There's No 'I' In Team," which expresses John's side of the story. In "There's No 'I' In Team," he says, "What I can't regret, can't you just forget it?" which shows how he wants to get past was happened between them. (thanks, Rikki - Lindenhurst, NY)

Saxon - Strong Arm Of The Law

Saxon - Strong Arm Of The Law Lyrics and Youtube Music Videos

Album: Strong Arm Of The Law
Released: 1980

Strong Arm Of The Law Lyrics

I was listening to the music on the radio
I had a feeling that something's not right
The music was loud, we could still hear the crowd
From the gig that we played that night

We pulled into a motorway restaurant
Stopped awhile, fooled around
But I still had a feeling that something's not right
'Cause we're standing in a whole in the ground

Stop, get out
We are the Strong Arm Of The Law
Stop, get out
We are the strong arm of the law

Into the night came a blue flashing light
A blast from the siren to make sure
But it came to a stop behind the motorway cop
Who'd been tailing us for more than an hour

He pulled us out of the car on the side of the road
He questioned us one at a time
Where is the gear that we know that you use
We said the only speed we use is on cars

You should've seen the stupid smirk drop from his face
It was a negative exercise
The way that we dress and the things that we do
They thought it was an easy bust

Writer/s: Maue, Ralf Rene / Roesnes, Kjetil / Johnson, Geir
Publisher: Sony/ATV Music Publishing LLC, CARLIN AMERICA INC
Lyrics licensed and provided by LyricFind

Strong Arm Of The Law

The title track to Saxon's third album, this song is about one of the band's many encounters with the British police. Their frontman Biff Byford told us the story: "We were stopped by the police on numerous occasions when we had this huge American car, and that's basically what it's about. It's a story about the police stopping us on London Bridge in London and it stuck in my head. So I wrote some lyrics about it when I got the opportunity."

Every member of the band contributed to their songwriting, so Saxon split the composer credits. Musically, this song was initiated by their guitarist Graham Oliver, who came up with the riff.

Bruce Dickinson - Accident Of Birth

Bruce Dickinson - Accident Of Birth Lyrics and Youtube Music Videos

Album: Accident of Birth
Released: 1997

Accident Of Birth Lyrics

Journey back to the dark side, back into the womb
Back to where the spirits move like vapor from the tomb
The center of the cyclone, blowing out the sun
Break the shackles of your union to the light

I might've had a brother
As I was born, they dragged him under
To the other side of twilight
He's waiting for me now

Nativity was lost on me
I didn't ask, I couldn't see
What created me
What and where and how

Welcome home - it's been too long, we've missed you
Welcome home - we've opened up the gates
Welcome home - to your brothers and sisters
Welcome home - to an Accident Of Birth

Feel our bodies breathing as you try to stop believing
There's nothing you can do about your shadows
You can fight us, you are like us
And your body will betray you
Lay down and die like all the others

Where are the angels and their wings of freedom?
Jesus had his day off when they pulled you through...

Welcome home - it's been too long, we've missed you
Welcome home - we've opened up the gates
Welcome home - to your brothers and sisters
Welcome home - to an accident of birth
(to an accident of birth)

Vision's growing dim as the daylight fades away
I'm spinning, twisting, black
Well, it's your dying day

Welcome home - it's been too long, we've missed you
Welcome home - we've opened up the gates
Welcome home - to your brothers and sisters
Welcome home - to an accident of birth

Welcome home - it's been too long, we've missed you
Welcome home - we've opened up the gates
Welcome home - to your brothers and sisters
Welcome home - to an accident of birth

Writer/s: DICKINSON, BRUCE/RAMIREZ, ROGER
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Accident Of Birth

This was Bruce Dickinson's fourth solo album, the previous three being Tattooed Millionaire (1990), Balls to Picasso (1994) and Skunkworks (1996). Dickinson was the lead singer of the British metal band Iron Maiden from 1981-1993. He replaced Paul Di'Anno , who had a distinctive raspy singing style. Dickinson, on the other hand, had loud, distinct, and powerful vocals which earned him the nickname "the air-raid siren" (his interest in flight helped this). After six critically acclaimed albums, he adapted a similar singing style for the less popular albums No Prayer For the Dying and Fear of the Dark. When he left the band to pursue his interests, he was replaced by Blaze Bayley, who recorded two albums (both with X in the title) until Bruce returned in 1999.

Dickinson: "'Accident of Birth' is about a family from Hell. Except they're in hell and one of them has accidentally been born, and they want him back and he doesn't want to go. For all the same reasons that you wouldn't want to go back to your family if they're a pain in the ass, he doesn't want to go back to his family. Ok, so they're in Hell, that makes a little difference too."

The songs Dickinson wrote for the album had a general "alchemy" theme (alchemy is the psuedo-science in which the practicers of alchemia attempted to make gold from other metals) "and specifically the poetry of William Blake, which is very much based on the philosophy of alchemy." Dickinson also said: "Each song has a sort of frame in which it operates. The first song is about fear, the second song is about tragedy, the third song is about union. You could pick a theme or a topic for each song so that's what the song is about and then you put it in a frame. For example, one of the songs is about failure and the song is called "The Trumpets of Jericho." In the story of the trumpets of Jericho in the Bible, the walls fall down when the tribes of Israel walk around the city and blow they trumpets. Except in this song they don't, it doesn't work. You're done everything right, everything's cool but the wall's still standing. And what do you do? How do you face up to that fact? And it's all part of the whole alchemy thing. What were the alchemists trying to do? They were trying to achieve something that was virtually impossible, they spent their whole lives trying to do it, and all of them failed, or pretty damn near all of them failed. So, what does that feel like, and how does that work, and why keep carrying on. So that's the way the songs kind of work. And you don't have to go into them in all this detail, you could just sit back there and let it hit you over the head like a sledgehammer cause the album works it's just a really heavy album. But it's all there if you want to dig through the words."

Dickinson resumed his previous, more popular air-raid siren vocals for his solo albums, much to the delight of critics and fans.

The cover art was designed by Derek Riggs, who designed all the early Iron Maiden cover art and created most of the different incarnations of the band's mascot, Eddie. He also designed the art for the single of this song. They both depicted an insane, club-wielding jester jack-in-the-box draped with the Union Jack. Derek named him "Edison" after Thomas Edison.

Most of the songs on the album featured Roy Z on guitar. His real name is Roy Romeriz but, in his words, "back in the '80s it wasn't really all that cool to have an ethnic last name, so I flipped it around and it became 'Zerimar.' Eventually, people just started abbreviating it for convenience sake's and called me 'Z,' and it stuck." However, the song "Ghost of Cain" (which was featured on the single) had Adrian Smith on guitar. Smith was the guitarist for Iron Maiden from 1980-1990 until leaving for his solo project, ASAP (Adrian Smith And Project). "Ghost of the Navigator" was the name of a song on Brave New World, the first Maiden album released after Dickinson rejoined the band.

Bruce Dickinson, about the album: "The truth is never clear... until it clobbers you over the head. That's what happened when I decided to make the ultimate metal record. My favorite stuff, legends, sci-fi, fairy stories, dark deeds of the occult, set to slamming riffs, soaring vocals and great tunes."

One line is "Jesus had his day off when they pulled you through." The album was rife with anti-Christ lyrics (for instance, "Man of Sorrows" is about Satanist Aleisteir Crowley, "Road to Hell" implies that Jesus was a sinner [and makes reference to a "brave new world," the name of the first Maiden album after Dickinson's return in 1999], and "The Magician" contains the line "I'll put Jesus in his place"). Rod Smallwood, manager of Iron Maiden, never let him use such controversial content under his management. (thanks, Brett - Edmonton, Canada, for all above)

Edith Piaf - Hymne À L'amour

Edith Piaf - Hymne À L'amour Lyrics and Youtube Music Videos

Album: The Very Best of Edith Piaf
Released: 1950

Hymne À L'amour Lyrics

Le ciel bleu sur nous peut s'effondrer
Et la terre peut bien s'écrouler
Peu m'importe si tu m'aimes
Je me fous du monde entier
Tant que l'amour inondera mes matins
Tant que mon corps frémira sous tes mains
Peu m'importent les problèmes
Mon amour puisque tu m'aimes

J'irais jusqu'au bout du monde
Je me ferais teindre en blonde
Si tu me le demandais
J'irais décrocher la lune
J'irais voler la fortune
Si tu me le demandais
Je renierais ma patrie
Je renierais mes amis
Si tu me le demandais
On peut bien rire de moi
Je ferais n'importe quoi
Si tu me le demandais

Si un jour la vie t'arrache Á moi
Si tu meurs que tu sois loin de moi
Peu m'importe si tu m'aimes
Car moi je mourrais aussi
Nous aurons pour nous l'éternité
Dans le bleu de toute l'immensité
Dans le ciel plus de problèmes
Mon amour crois-tu qu'on s'aime

Dieu réunit ceux qui s'aiment

Writer/s: MARGUERITE MONNOT, EDITH PIAF
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Hymne À L'amour

Love songs in French or any other language are ten a Franc, but this one was written from the heart. Édith Piaf had an incredibly hard life even after she rose to fame. Abandoned by her mother at birth, she grew up in a brothel and was blinded as a child, a condition that lasted for years. She gave birth out-of-wedlock at 17 - something that was considered shameful at that time - her daughter and only child died aged two, she was involved in three serious car crashes, and died aged just 47 addicted to both morphine and alcohol.

In 1948, she met the love of her life, Marcel Cerdan, arguably the greatest boxer France ever produced, although he was born in Algeria. Cerdan was slightly younger than Piaf, he was also married and the father of three. It remains to be seen if he would have left his wife for her, which would have added yet another scandal to her private life, but on October 28 the following year he was killed in a plane crash aged just 33.

Piaf wrote the words to "Hymne À L'amour," which would become one of her greatest hits, and was even recorded in Japanese, although not by her. The music was written by her regular collaborator Marguerite Monnot, who also supplied the music for "Milord." Running to 3 minutes 27 seconds, the original was released in 1950. There are several English versions including "Hymn To Love," which was recorded by Piaf herself; this translation was by Eddie Constantine. (thanks, Alexander Baron - London, England, for above 2)

On November 22, 2015, Celine Dion sang this at the American Music Awards in French to honor the victims of the terrorist attacks that took place on November 13.

Genesis - No Reply At All

Genesis - No Reply At All Lyrics and Youtube Music Videos

Album: Abacab
Released: 1981

No Reply At All Lyrics

Talk to me, you never talk to me.
Ooh, it seems that I can speak.
I can hear my voice shoutin' out.

But there's No Reply At All.

Look at me, you never look at me.
Ooh, I've been sittin, starin', seems so long.
But you're lookin' through me
Like I wasn't here at all.

No reply. There's no reply at all.

Dance with me, you never dance with me.
Ooh, it seems that I can move.
I'm close to you, close as I can get.

Yet there's no reply at all.
There's no reply at all.

Be with me. Seems you're never here with me.
Ooh, I've been tryin' to get over there.
Oh, but it's out of my reach.

And there's no reply at all.
There's no reply at all.

I get the feelin' you're tryin' to tell me;
Is there somethin' that I should know?
What excuse are you tryin' to sell me?
Should I be readin' stop or go?
I don't know.

Be with me. Seems you're never here with me.
Ooh, I've been tryin' to get over there.
Oh, but it's out of my reach.

And there's no reply at all.
There's no reply at all.

I get the feelin' you're tryin' to tell me;
Is there somethin' that I should know?
What excuse are you tryin' to sell me?
Should I be readin' stop or go?
I don't know.

Maybe deep down inside,
I'm tryin' for no one else but me,
Too stubborn to say, "The buck stops here.
I'm not the one you're lookin' for."

But maybe deep down inside, I'm lyin'
To no one else but me.
Oh, but my back is up. I'm on my guard
With all the exits sealed.

Listen to me, you never listen to me.
Oooh, and it seems there's no way out.
I've been tryin' but we cannot connect.

And there's no reply at all.
There's no reply at all.
There's no reply at all.
No reply at all.
Is anybody listenin'? Oh, there's no reply at all...

Writer/s: PHIL COLLINS, MICHAEL RUTHERFORD, ANTHONY BANKS
Publisher: IMAGEM U.S. LLC
Lyrics licensed and provided by LyricFind

No Reply At All

Phil Collins poached the Earth, Wind & Fire horn section (known as The Phenix Horns) for his 1981 solo hit "I Missed Again," so a few months later when he was working with Genesis on the Abacab album, he decided to use them again. "I thought, if we're going to reinvent ourselves, why not have horns on it? This is a song here that sounds like a funky, R&B thing, so let's put horns on it. So we did it, and people hated it."

The song did turn off some of Genesis' fans who were accustomed to their prog-rock sound. It's one of the Genesis songs that sounds like it could be a Phil Collins solo cut.

In the song, Phil Collins sings about being frustrated and feeling ignored by his partner, who he thinks is hiding something from him. Collins poured his heart out on his solo Face Value album and could certainly related to these emotions, but he has never described this as a personal song for him - he was writing in character with a touch of paranoia, but with nowhere near the delusional tone of "Mama."

Traditional - Nearer, My God, To Thee

Traditional - Nearer, My God, To Thee Lyrics and Youtube Music Videos

Album: various
Released: 1850

Nearer, My God, To Thee Lyrics

Nearer, My God, To Thee

Sometimes one or both the commas in the title are dropped from the title of this early 19^th Century hymn. Not a great deal is known about its origin, but it is best known for its relationship with one of the most famous maritime disasters of the following century because it is the song that was played by Wallace Hartley, band leader on the Titanic as the ship went down. In October 2013, the violin Hartley used was auctioned for £900,000 exclusive of buyer's premium and value added tax.

"Nearer, My God, To Thee" started life as a poem by Sarah Flower Adams, who died in 1848. It is said to have been inspired by or based loosely on the Biblical reference to Jacob's dream, as was the Rush track "Jacob's Ladder" a century-and-a-half later.

The poet wrote the words at her home at Loughton, Essex, and initially it was set to music by her sister, Eliza Flower, but it has also been set to the tunes of "Horbury" (1861), "Propior Deo", "St.Edmund" (by Arthur Sullivan in 1872) and most often by the 1856 "Bethany", composed Lowell Mason.

"Nearer, My God, To Thee" was also sung by the crew of the SS Valencia when the ship went down off the coast of Vancouver in January 1906. (thanks, Alexander Baron - London, England, for above 3)

Jacob's dream is presented in Genesis 28:11-19. Let's take a look at how the hymn's lyrics match up with the story.

By this time, Jacob is on the run from his twin brother, Esau, who vowed to kill Jacob for taking his birthright and stealing his blessing from their dying father.

Though like the wanderer, the sun gone down,
Darkness be over me, my rest a stone;
Yet in my dreams I'd be nearer, my God, to Thee.

As he settles down to rest on his journey, he dreams of a ladder coming down from heaven with angels ascending and descending upon it.

There let the way appear, steps unto Heav'n;
All that Thou sendest me, in mercy giv'n;
Angels to beckon me nearer, my God, to Thee..

God appears and promises the land around him will belong to Jacob and his descendants. "Behold, I am with you and will keep you wherever you go, and will bring you back to this land; for I will not leave you until I have done that of which I have spoken to you," He says. When Jacob awakens, he names the land Bethel, meaning House of God.

Then, with my waking thoughts bright with Thy praise,
Out of my stony griefs Bethel I'll raise.
So by my woes to be nearer, my God, to Thee.

While there are many interpretations of Jacob's Ladder, many Christian scholars believe the ladder represents Jesus Christ as the connection between man and God, citing John 1:51: "And he [Jesus] said to him, 'Truly, truly I say to you, you will see heaven opened, and the angels of God ascending and descending on the Son of Man.'"

There in my Father's home, safe and at rest,
There in my Savior's love, perfectly blest;
Age after age to be nearer, my God, to Thee.

Incubus - Stellar

Incubus - Stellar Lyrics and Youtube Music Videos

Album: Make Yourself
Released: 1999

Stellar Lyrics

Meet me in outer space
We could spend the night
Watch the earth come up
I've grown tired of that place
Won't you come with me?
We could start again

How do you do it?
Make me feel like I do
How do you do it?
It's better than I ever knew

Meet me in outer space
I will hold you close
If you're afraid of heights
I need you to see this place
It might be the only way
That I can show you how it feels to be inside of you

How do you do it?
Make me feel like I do
How do you do it
It's better than I ever knew
You are Stellar

Writer/s: KILMORE, CHRISTOPHER / BOYD, BRANDON / PASILLAS II, JOSE / KATUNICH, ALEX / EINZIGER, MICHAEL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Stellar

Lead singer Brandon Boyd: "The lyrics were inspired by my lover, Joan English. It's about love as a transcendental feeling, like free-floating in outer space. It's kind of a traditional song in that way." (thanks, Tim - Pittsburgh, PA)

Cockney Rejects - (They're Gonna) Put Me Away

Cockney Rejects - (They're Gonna) Put Me Away Lyrics and Youtube Music Videos

Album: Greatest Hits Vol. 1
Released: 1980

(They're Gonna) Put Me Away Lyrics

(They're Gonna) Put Me Away

Like "I'm Not A Fool" and "Police Car," this very short track was inspired by the arrest of a teenaged Jeff Geggus (the band's lead singer) at a football match. In his autobiography Cockney Reject he gives a far more graphic description than here of the time he spent in a crowded police cell. The good news is they didn't put him away because after sacking his lawyer he defended himself and convinced the bench that the police were mistaken (ie lying) about the public disorder in which he had allegedly been engaged - fighting with fans from his own team.

Writing in the March 1, 1980 issue of Sounds, Garry Bushell said of this song, it "makes you wanna screw your face up and punch the nearest parasite." (thanks, Alexander Baron - London, England, for above 2)

Meat Loaf - I'd Do Anything For Love (But I Won't Do That)

Meat Loaf - I'd Do Anything For Love (But I Won't Do That) Lyrics and Youtube Music Videos

Album: Bat Out of Hell II: Back Into Hell
Released: 1993

I'd Do Anything For Love (But I Won't Do That) Lyrics

And I would do anything for love
I'd run right into hell and back
I would do anything for love
I'd never lie to you and that's a fact
But I'll never forget the way you feel right now,
Oh no, no way
And I would do anything for love, but I won't do that
No, I won't do that

Anything for love
Oh, I would do anything for love
I would do anything for love, but I won't do that
No, I won't do that

Some days it don't come easy
Some days it don't come hard
Some days it don't come at all, and these are the days that never end
Some nights you're breathing fire
Some nights you're carved in ice
Some nights you're like nothing I've ever seen before or will again

Maybe I'm crazy, but it's crazy and it's true
I know you can save me, no-one else can save me now but you

As long as the planets are turning
As long as the stars are burning
As long dreams are coming true
You'd better believe it, that I would do

Anything for love
And I'l be there until the final act
I would do anything for love, and I'll take a vow and seal a pact
But I'll never forgive myself if we don't go all the way, tonight
I would do anything for love
Oh, I would do anything for love
Oh, I would do anything for love, but I won't do that
No, I won't do that

I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that

Some days I pray for silence
Some days I pray for soul
Some days I just pray to the god of sex and drums and rock 'n' roll
Some nights I lose the feeling
Some nights I lose control
Some nights I just lose it all when I watch you dance and the thunder rolls

Maybe I'm lonely, that's all I'm qualified to be
That's just one and only, the one and only promise I can keep

As long as the wheels are turning
As long as the fires are burning
As long as your prayers are coming true
You'd better believe it, that I would do

Anything for love
And you know it's true and that's a fact
I would do anything for love, and there'll never be no turning back
But I'll never do it better than I do it with you. So long, so long
I would do anything for love
Oh, I would do anything for love
Oh, I would do anything for love, but I won't do that
No, I won't do that
No, no, no, I won't do...

I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do that
I would do anything for love
Anything you've been dreaming of, but I just won't do...

But I'll never stop dreaming of you ev'ry night of my life, no way
I would do anything for love
Oh, I would do anything for love
I would do anything for love, but I won't do that
No, I won't do that

Will you raise me up? will you help me down?
Will you get me right out of this godforsaken town?
Will you make it all a little less cold?

I can do that
I can do that

Will you hold me sacred? Will you hold me tight?
Can you colourise my life, I'm so sick of black and white?
Can you make it all a little less old?

I can do that
Oh no, I can do that

Will you make me some magic with your own two hands?
Will you build and emerald city with these grains of sand?
Can you give me something I can take home?

I can do that
I can do that

Will you cater to every fantasy I got?
Will you hose me down with holy water, if I get too hot?
Will you take me places I've never known?

I can do that
Oh no, I can do that

After a while you'll forget everything
It was a brief interlude and a midsummer night's fling
And you'll see that it's time to move on
I won't do that
I won't do that

I know the territory, I've been around
It'll all turn to dust and we'll all fall down
Sooner or later you'll be screwing around

I won't do that
No, I won't do that

Anything for love
Oh, I would do anything for love
I would do anything for love, but I won't do that
No, I won't do that

Writer/s: JIM STEINMAN
Publisher: CARLIN AMERICA INC
Lyrics licensed and provided by LyricFind

I'd Do Anything For Love (But I Won't Do That)

This was Meat Loaf's comeback song. In 1977, his album Bat Out Of Hell produced the hits "Two Out Of Three Ain't Bad," "Paradise By The Dashboard Light," and "You Took The Words Right Out Of My Mouth," all written by the piano player Jim Steinman. After a falling out with Steinman and difficulty in his personal life, Meat Loaf released several unsuccessful albums before reuniting with Steinman for Bat Out of Hell II: Back Into Hell, which was considered a sequel to the 1977 album. This has a very similar sound to Meat Loaf's previous hits, and the bombastic, piano-driven style went over well with his old fans as well as a new generation of listeners, helping make this a massive hit.

The female vocalist is Lorraine Crosby. Also known as "Mrs. Loud," she has appeared on backup vocals for a number of artists and sings at various social functions in the UK. Patti Russo is Meat Loaf's backing singer who sings the vocals live in concert with him, and in the video for the song, the model Dana Patrick is lip-synching to Lorraine's voice. (thanks, Julia - London, England)

In the line, "I will do anything for love, but I won't do that," the "that" is whatever he said just before that. For example: "But I'll never forget the way you feel right now, Oh no - no way - I would do anything for love, But I won't do that" - The "that" in this particular verse is "forget the way you feel right now." Meat Loaf said this himself on his StoryTellers episode on VH1. (thanks, Melly - Chicago, IL)

The album version is about 12-minutes long. The radio mix runs 7:58, which was still a very long song to receive airplay. In both the US and UK, it is the longest #1 hit ever. It beat the previous record-holder, "Hey Jude" by The Beatles, by a margin of 47 seconds. (thanks, Emery - London, England)

In the UK, this was the biggest hit of 1993, selling 761,200 copies. It was #1 on the UK charts for 7 weeks, and would have been the Christmas #1 in 1993 if it stayed #1 for the eighth week. It was beaten by Mr. Blobby's Christmas single.

Meat Loaf won a Grammy for Best Rock Solo Performance for his work on this song.

Michael Bay directed the video for this song. David Fincher was the first choice, but he wanted $1.7 million for the budget. Seems hard to believe, but Bay - the man who would later direct the movies Transformers and Pearl Harbor - was the cheaper option. Bay did it for $750,000, and it made heavy rotation on MTV. The next two Meat Loaf videos were also directed by Bay: "Rock and Roll Dreams Come Through" and "Objects in the Rear View Mirror May Appear Closer than They Are."

Many music critics turned up their noses at this song, putting it a lot of snarky "Worst Of" lists at the end of 1993. Blender magazine named one of the 50 worst songs of all-time in their 2004 list.

In the movie Spiceworld, where Meat Loaf plays the Spice Girls' bus driver, there is a problem that the toilets are always clogged. When Clifford (the girls' manager) asks Meat Loaf to fix them he says, "Listen, I love these girls, and I'll do anything for them... but I won't do that." (thanks, Lisa - Alabaska, AL)