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Ellie Goulding - Hearts Without Chains

Ellie Goulding - Hearts Without Chains Lyrics and Youtube Music Videos

Album: Halcyon Days
Released: 2013

Hearts Without Chains Lyrics

You wake up I know it's time to go
With a spinning head I lie and watch you smoke
Change the hands on my watch and hold you close
This misery is weightless as a stone

Have you lost the same things I have lost?
Do you know that panic I know?
Would I see the terror in your face?
Do you know that fever I know?
I wish time was still
We'd stay right here
With time to kill in our Hearts Without Chains

And if time was still
We'd have no fear or scars to heal
In our hearts without chains
In our hearts without chains

You left everything behind except yourself
All I see is question marks and nothing else
You must've landed in New York by now
Please don't bring this love down

And have you lost the same things I have lost?
And do you know that panic I know?
And would I see the terror in your face?
Do you know that fever I know?

I wish time was still
We'd stay right here
With time to kill
In our hearts without chains

And if time was still
We'd have no fear
Or scars to heal
In our hearts without chains
In our hearts without chains

Don't bring this love down
Don't bring this love down
Don't bring this love down
Don't bring this love down

I wish time was still
We'd stay right here
With time to kill
In our hearts without chains

And if time was still
We'd have no fear
Or scars to heal
In our hearts without chains
In our hearts without chains
In our hearts without chains

Writer/s: ELLIE GOULDING, FRASER LANCE THORNEYCROFT SMITH
Publisher: Peermusic Publishing, Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Hearts Without Chains

Goulding penned this breathless ballad with songwriter Fraser T Smith, who also co-penned Adele's hit single "Set Fire to the Rain." Smith was also responsible for producing UK chart-toppers for Tinchy Stryder ("Never Leave You," "Number 1"), Pixie Lott ("Boys and Girls") and Taio Cruz ("Break Your Heart").

This piano-backed ballad finds Goulding crooning about the misery of a long distance relationship. Her lover (most likely American electronic musician Skrillex) is about to fly away to New York and the misery she feels is "weightless as a stone." "It's my favorite song of the batch," she told Rolling Stone. "It has a folky English quality to it. Plus, it's quite nice to listen to and not be in the state I was when I wrote it."

Def Leppard - White Lightning

Def Leppard - White Lightning Lyrics and Youtube Music Videos

Album: Adrenalize
Released: 1992

White Lightning Lyrics

No promises, no guarantees
When you come down here
You're already on your knees
You want to ride White Lightnin'
Then sign your name
If you want to dance with the devil
You gotta play his way, play the game
You gotta taste that sweetness
Cause you can't say no
But are you ready for the nightmare
When you can't let go
Like a soldier of fortune
When the money runs dry
You got rivers of bitter tears, in your eyes

You want to leave but you can't let go
You want to stop but you can't say no
You'll never laugh about it
You just can't live without it
You had enough but you just want more
You never get what you're lookin' for
You'll never laugh about it, never

You got both ends burning
You're like a moth to a flame
You're going off the rails
Like a runaway train
It's a no-win situation
And there's no way out
And no one will ever hear you, scream and shout

You want to leave but you can't let go
You want to stop but you can't say no
You'll never laugh about it
You just can't live without it
You had enough but you just want more
You never get what you're lookin' for
You'll never laugh about it, never

Run, he's coming to claim you
Run, nowhere to hide away
Run, oh, you dance with danger
Run, oh, you gotta ride the

[Chorus]
White Lightnin'
On a dead end street
White Lightnin'
Where the deadbeats meet
White Lightnin'
It's a one-way ride
White Lightnin'
Oh, there's nowhere to hide
Such a lonely road you ride
It's not easy when you don't know why
Such a heavy load you hide
You never leave no matter how you try

Run, he's coming to claim you
Run, nowhere to hide away
Run, you dance with danger
Run, oh, you gotta ride the

[Chorus]

White Lightning
Can you feel it, can you feel it?
White Lightning
It's so dangerous
White Lightning
No promises, no guarantees
White Lightning
When you come down here
You're already on your knees

Writer/s:
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

White Lightning

This song was written as a dedication to Def Leppard's deceased guitar player Steve Clark after his death in 1991. He was referred to as "White Lightning," as he was always running around the stage, but White lightning can also mean drugs, or your addiction of choice.

In the book MTV Ruled the World - The Early Years of Music Video, guitarist Phil Collen discussed the band's image: "You can say The Police, Madonna, and Michael Jackson, all these really young artists had very definite images. We didn't really consider that we had an image, but I think looking back, we actually did. The Police were kind of from the British punk scene... obviously not really, because they're some of the best pop songs I've ever heard in my life, Sting being just an amazing writer and the band having this great chemistry."

Further on he concludes: "It wasn't a sweaty, greasy, leather metal, which again, is what we actually came from in England... There was something that was a bit more clean-cut than your average Motorhead fan, but it wasn't as glossy as Duran Duran."

The Clash - Hate And War

The Clash - Hate And War Lyrics and Youtube Music Videos

Album: The Clash
Released: 1977

Hate And War Lyrics

Hate And War
The only things we got today
An' if I close my eyes
They will not go away
You have to deal with it
It is the currency
Hate, hate, hate, the hate of a nation
A million miles from home
And get war from the junkies
Who don't like my form
I'm gonna stay in the city
Even when the house fall down
I don't dream of a holiday
When hate an' war come around
Hate and war
The only things we got today
Hate and war
The only things

I have the will to survive
I cheat if I can't win
If someone locks me out
I kick my way back in
An' if I get aggression
I give 'em two times back
Every day it's just the same
With hate an' war on my back

Hate and war, I hate all the English, man
Hate and war, they're just as bad as wops
Hate and war, I hate all the politeness
Hate and war, I hate all the cops
Hate and war, I want to walk down any street
Hate and war, looking like a creep
Hate and war, I don't care if I get beat up
Hate and war, by any rotten Greek

Writer/s: JOE STRUMMER, MICK JONES, PAUL SIMONON, TOPPER HEADON
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Hate And War

Singer Joe Strummer noted in a 2002 interview with Uncut magazine that the title "Hate and War" was a direct reversal of the hippy phrase "Love and Peace," done to illustrate the contrast between the optimism and hope of the late 1960s and the grim reality of Britain in the '70s. "It was a good punk rock blast to have a song called that" he said.

In a 1991 interview, Strummer remembered that he "wrote the lyrics in a disused ice cream factory I'd broken into. It was just behind the Harrow Road in Foscote Mews. I wrote it in the dark by candlelight and the next day took it to Rehearsals and Mick put a tune to it."

The lyrics in question are an angry indictment of everyday working class life in London, and a rallying call to toughen up if you want to survive in the mean streets ("I have the will to survive, I cheat if I can't win. If someone locks me out, I kick my back in, an' if I get aggression, I give it to them two time back").

It also controversially uses racist terms such as "wops" and "Kebab Greeks." The lyrics are ambiguous as to their usage, although it would appear the song uses these terms to add to the gritty realistic feel of urban London at the time where such language may well have unfortunately been commonplace.

"Hate and War" was first introduced into The Clash's live set on the Anarchy tour of 1977, and was dropped by 1978, but after that would reappear every so often on tours - the Pearl Harbour tour in 1979 (and on their appearance on the Alright Now TV show), occasionally in Europe in 1980, once in Newcastle in 1982, all of their 1983 US Festival warm-up shows (and the festival itself), and their last festival shows in the summer of 1985 with Strummer handling all lead vocals after original singer on the song Mick Jones had been fired.

The Mamas & the Papas - Creeque Alley

The Mamas & the Papas - Creeque Alley Lyrics and Youtube Music Videos

Album: Deliver
Released: 1967

Creeque Alley Lyrics

John and Mitchy were gettin' kind of itchy
Just to leave the folk music behind
Zal and Denny workin' for a penny
Tryin' to get a fish on the line
In a coffee house Sebastian sat
And after every number they'd pass the hat
McGuinn and McGuire just a-gettin' higher
In L.A., you know where that's at
And no one's gettin' fat except Mama Cass

Zally said "Denny, you know there aren't many
Who can sing a song the way that you do, let's go south"
Denny said "Zally, golly, don't you think that I wish
I could play guitar like you"
Zal, Denny and Sebastian sat (At the Night Owl)
And after every number they'd pass the hat
McGuinn and McGuire still a-gettin higher
In L.A., you know where that's at
And no one's gettin' fat except Mama Cass

When Cass was a sophomore, planned to go to Swarthmore
But she changed her mind one day
Standin' on the turnpike, thumb out to hitchhike
"Take me to New York right away"
When Denny met Cass he gave her love bumps
Called John and Zal and that was the Mugwumps
McGuinn and McGuire couldn't get no higher
But that's what they were aimin' at
And no one's gettin' fat except Mama Cass

Mugwumps, high jumps, low slumps, big bumps
Don't you work as hard as you play
Make up, break up, everything is shake up
Guess it had to be that way
Sebastian and Zal formed the Spoonful
Michelle, John, and Denny gettin' very tuneful
McGuinn and McGuire just a-catchin' fire
In L.A., you know where that's at
And everybody's gettin' fat except Mama Cass
Di-di-di-dit dit dit di-di-di-dit, whoa

Broke, busted, disgusted, agents can't be trusted
And Mitchy wants to go to the sea
Cass can't make it, she says we'll have to fake it
We knew she'd come eventually
Greasin' on American Express cards
It's low rent, but keeping out the heat's hard
Duffy's good vibrations and our imaginations
Can't go on indefinitely
And California dreamin' is becomin' a reality

Writer/s: JOHN EDMUND ANDREW PHILLIPS, MICHELLE GILLIAM
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Creeque Alley

This is the story of how the band met and formed. Individual members had sung in other bands before and these show up in the lyrics (Mugwumps etc.). The Mamas & The Papas spent time in the Virgin Islands staying in a club on a road called Creeque Alley, providing the name of this song.

While the song is about the formation of the Mamas and the Papas, it mentions other artists who were getting their starts at the same time:

Sebastian is John Sebastian, who, with Zal Yanovsky (also mentioned in the song), formed the Lovin' Spoonful.

"McGuinn and McGuire, couldn't get no higher" - Jim "Roger" McGuinn was the lead singer for The Byrds, who were starting to take flight at the time and who had two #1 songs in 1965 - "Mr. Tambourine Man" and "Turn, Turn, Turn." Barry McGuire had a #1 in 1965 with the anti-war song "Eve Of Destruction." In other words, at #1 they "Couldn't get no higher."

The line, "Zallie said 'Denny, you know there aren't many who can sing a song the way that you do,'" "Zallie" is The Lovin' Spoonful's Zal Yanovsky, and he's talking about Papa Denny Doherty, who sang the male lead on "California Dreamin'" and many of their other songs. Doherty died of kidney failure on January 19, 2007 at age 66.

The lyrics, "Greasin' on American Express cards" refers to a time when the band was in the Virgin Islands and living off their American Express cards, running up balances they couldn't (and didn't intend to) pay.

Glasvegas - Finished Sympathy

Glasvegas - Finished Sympathy Lyrics and Youtube Music Videos

Album: Later...When The TV Turns To Static
Released: 2013

Finished Sympathy Lyrics

Finished Sympathy

Glasvegas frontman James Allan explained that this Later...When The TV Turns To Static album closer is, "based on my opinion that sympathy is something that's finished at too young an age."

Foo Fighters - The Last Song

Foo Fighters - The Last Song Lyrics and Youtube Music Videos

Album: In Your Honor
Released: 2005

The Last Song Lyrics

This is the sound
The here and the now
You got to talk the talk, the talk, the talk
To get it all out

I listen
I listen
I listen

But you're out of tune
You're so out of tune

This is The Last Song (This is the last song)
This is the last song
That I will dedicate to you

Something I've found
Yea, That want to turn around
You got to walk the walk, the walk, the walk
To make any ground

You're pushing
You're pushing
You're pushing

But there ain't no room
No there ain't no room

This is the last song (This is the last song)
This is the last song (This is the last song)
That I will dedicate to you
I made my peace
And now I'm trough
This is the last song
That I will dedicate to you

And yours is a name
I will never name again
I will never name again

We pretend it doesn't matter
We pretend it all away
We pretend it all away

We pretend
We pretend
We pretend

But it ain't no use
This is the last song (This is the last song)
This is the last song (This is the last song)
That I will dedicate to you
I made my peace
And now I'm through

This is the last song
That I will dedicate to you
To you
To you
To you

Writer/s: DAVID ERIC GROHL, TAYLOR HAWKINS, NATE MENDEL, CHRIS SHIFLETT
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

The Last Song

This song is often interpreted to be about Dave Grohl letting go of Kurt Cobain, being the last song he writes about him. Cobain has been dead for a while, and he's spoken out about his feelings in songs about Kurt, but it's getting sort of old now. Grohl would try to write new songs, but everyone keeps relating them to Kurt Cobain no matter what he writes them about. He's made peace with Kurt's spirit and won't dwell on Kurt's death any more.

Drummer Taylor Hawkins: "It's what Breakout should have sounded like. A lot of things on this record to me are what a lot of old past songs should have sounded like. With this record we worked on everything without beating the hell out of it; just getting the best, most intense, energetic performances."

The Foo Fighters often play on The Late Show with David Letterman, and the band played this song on Letterman the night before the new album came out.

Goodie Mob - Special Education

Goodie Mob - Special Education Lyrics and Youtube Music Videos

Album: Age Against The Machine
Released: 2013

Special Education Lyrics

They call him Gipp saga
It's the mutant, mister get down
Live wire, words poke you like barbwire
Maroon Range, sugar cane, oil stains
My right leg longer than my left foot
Put stripes next to squares, still peel the circle
See spirits off of people, I don't see color
I'm a special mind, yeah, a special kind
Conceived in the South at a special time
Covered in leaves of gold
Scripture written in scrolls
Spoken so clearly in tongues
So my children would come
Look around
Can't you see
The industry: they look like me

I don't wear the clothes you wear
I'm just different and I don't care
It's kind of sad and it's a shame
Everyone wants to be the same
If you are listening here and now
I'm sure I can show you how
It's okay to be afraid
Don't you want to be special

I'm so special, boy
Try to went stupid, dawg
I eat nuclear waste and spit atomic bombs
Plutonium explodes, that's my trademark
Mushroom clouds inside, call 'em brain farts
Gamma rays torch my system, now I'm going green
G-force in my veins, pump hydrozine
KT, 13, a microphone beam
Cosmic juggernaut, extraterrestrial being
Reign supreme, once conceived, boy, they broke the mold
All this glory-seeking is getting totally outta control
No one's original, Attack of the Clones
Invasion of the swagger-snatchers
Aim for the dome

I don't wear the clothes you wear
I'm just different and I don't care
It's kind of sad and it's a shame
Everyone wants to be the same
If you are listening here and now
I'm sure I can show you how
It's okay to be afraid
Don't you want to be special

Scientists stood around in silence as I was being born
Was I quote, unquote special or was there something wrong
My skin was black, my heart was gold, and my tongue was silver
And the fact that I could talk already, that was a thriller
And I fear what I don't understand, so let me warn you
Especially when nigga make too much noise about being normal
Unusual but beautiful, the bondin' blessing
Summa Cum Laude, School of Exceptional Youth
X-Men
Let me put something poetic into plain English
I'd rather die than to not be distinguished
The outsiders have no desires to be equal
When V.I.P. stands for "Very Insecure People"

I don't wear the clothes you wear
I'm just different and I don't care
It's kind of sad and it's a shame
Everyone wants to be the same
If you are listening here and now
I'm sure I can show you how
It's okay to be afraid
Don't you want to be special

S.P.E.C.I.A.L.
Heavyweight in the game, T tip the scale
I travel over the world back to ATL
I'm friends with the mayor, I'm a truthsayer
A crusader, a natural-born raider
I need a deejayer to be the illustrator
Let's get the dollar signs
I said my Gucci rhymes
I think it's tea time
Don't need a co-sign
T-Mo is on the grind, he about to let it shine
Off in the skyline, don't worry 'bout mine
I can handle lies and watching third eyes
I make 'em go blind, I don't deserve to rhyme

I don't wear the clothes you wear
I'm just different and I don't care
It's kind of sad and it's a shame
Everyone wants to be the same
If you are listening here and now
I'm sure I can show you how
It's okay to be afraid
Don't you want to be special

Writer/s: CAMERON F. GIPP, ROBERT TERRANCE BARNETT, THOMAS CALLAWAY, TREMAINE WINFREY, WILLIE EDWARD KNIGHTON
Publisher: REACH MUSIC PUBLISHING, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Special Education

This blast of Industrial Funk finds the Goodie Mob accompanied by guest vocalist Janelle Monae. The song has an empowering message about embracing individuality, as well as discrimination against people with lesser intellectual abilities.

Goodie Mob performed the song on Late Night With Jimmy Fallon on August 1, 2013 with some help from The Roots.

The song's music video was directed by John Colombo (Young Jeezy, Big K.R.I.T.). We see child actors portraying younger versions of the Goodie Mob quartet as well as Monáe, all of whom are just trying to make it to the end of the school day.

Everlast - What It's Like

Everlast - What It's Like Lyrics and Youtube Music Videos

Album: Whitey Ford Sings The Blues
Released: 1999

What It's Like Lyrics

We've all seen a man at the liquor store beggin' for your change
The hair on his face is dirty, dread-locked, and full of mange
He asks a man for what he could spare, with shame in his eyes
"Get a job you fucking slob," is all he replies
God forbid you ever had to walk a mile in his shoes
Cause then you really might know What It's Like to sing the blues

Then you really might know what it's like
Then you really might know what it's like
Then you really might know what it's like
Then you really might know what it's like

Mary got pregnant from a kid named Tom that said he was in love
He said, "Don't worry about a thing, baby doll
I'm the man you've been dreaming of."
But three months later he say he won't date her or return her calls
And she swear, "God damn, if I find that man I'm cuttin' off his balls."
And then she heads for the clinic and
She gets some static walking through the door
They call her a killer, and they call her a sinner
And they call her a whore
God forbid you ever had to walk a mile in her shoes
Cause then you really might know what it's like to have to choose

Then you really might know what it's like
Then you really might know what it's like
Then you really might know what it's like
Then you really might know what it's like

I've seen a rich man beg
I've seen a good man sin
I've seen a tough man cry
I've seen a loser win
And a sad man grin
I heard an honest man lie
I've seen the good side of bad
And the downside of up
And everything between
I licked the silver spoon
Drank from the golden cup
And smoked the finest green
I stroked the fattest dimes at least a couple of times
Before I broke their heart
You know where it ends, yo, it usually depends on where you start

I knew this kid named Max
Who used to get fat stacks out on the corner with drugs
He liked to hang out late
He liked to get shit-faced and keep the pace with thugs
Until late one night there was a big gun fight and Max lost his head
He pulled out his chrome .45, talked some shit, and wound up dead
Now his wife and his kids are caught in the midst of all of this pain
You know it comes that way
At least that's what they say when you play the game
God forbid you ever had to wake up to hear the news
Cause then you really might know what it's like to have to lose

Then you really might know what it's like
Then you really might know what it's like
Then you really might know what it's like...to have to lose

Writer/s: ERIK SCHRODY
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

What It's Like

This song tells 3 different stories. The first is about a man who lives on the street. The second is about a girl who gets pregnant by her boyfriend and then he ditches her and she has to go and get an abortion. The third is about a drug dealer trying to support his family; he is shot one night and the family wakes up to see it on the news and finally finds out what their husband/father has been doing. The song speaks about how society is so quick to label people.

This was Everlast's first solo single after leaving House Of Pain. When he left the band, he quit alcohol and cigarettes and became a Muslim.

Juicy J - Bounce It

Juicy J - Bounce It Lyrics and Youtube Music Videos

Album: Stay Trippy
Released: 2013

Bounce It Lyrics

Yeah, yeah
We gon' stay trippy for life man
Yeah, I'm 'bout to take your girl

Bounce It, bounce it
I'm about to throw a couple thousand
Bounce it, bounce it
I'm about to throw a couple thousand
Ones, fives, tens, twenties
Work your way up to the big face hundreds, just bounce
Bounce it, bounce it
I'm about to throw a couple thousand

I love the way she slow dance
She make me throw more bands
Grabbing ass with both hands
She in luv with the dope man
She wanna be my main chick
I was thinking different
Clap that ass, light that blunt
Baby, let's get ignant
She strips for the G's, break cash lightly
She got double Ds, and ain't shit free
Came with my goon but I'm leaving with a diva
With an ass like Serena and a face like Aaliyah
Redbone in some red bottoms
She ain't finished college, she a head doctor
Bouncing ass while I'm getting high
As propellers on a helicopter
Let's do it again, me, you and your friend
We don't even need a room, gimme head up in my Benz
Where my double cup, time to pour it up
Got a bitch so bad you can't afford to fuck

Bounce it, bounce it
I'm about to throw a couple thousand
Bounce it, bounce it
I'm about to throw a couple thousand
Ones, fives, tens, twenties
Work your way up to the big face hundreds, just bounce
Bounce it, bounce it
I'm about to throw a couple thousand

Hands is on her you know what
'Cause bands'll make her you know what
And I can make a girl break fast
My pants be on that too much lust
And I'm bout whatever baby
Take a photo, I'm looking good
And these breezes are so beneath you
Understand you're misunderstood
Premium leather goods, we pay whatever for it
All of these pussy niggas, only under influenced
Throw a block up then I back out, like that
Roll a pack out, took a light hit, might nap
Got a thick bitch with a trip stick I’ma smack
And a bucket but we nothing but pack
Bald-headed scallywag, real niggas salute me
Catch me at that Memphis game, seats saved by Rudy
Or Marc Gasol, or Selby do, that’s plenty dough
That’s Juicy J, Folarin, got it then get me those

Bounce it, bounce it
I'm about to throw a couple thousand
Bounce it, bounce it
I'm about to throw a couple thousand
Ones, fives, tens, twenties
Work your way up to the big face hundreds, just bounce
Bounce it, bounce it
I'm about to throw a couple thousand

Juicy be trippy and paid up like Diddy,
Toss up that cash and she show me her kitty
Got some white girl and a white girl
Do Montana line off of her titty
Ain’t tryna fuck, I just found a replacement
Feelin' so global, I think I need agent
Ratchet on deck and they know I’m gon’ stunt
I’m tryna get head while smoking a blunt
Take her to my hotel, beat the pussy up
I don’t know her name, but I wanna fuck
Along came Molly, then came Doobie
Then codeine in a styrofoam cup
See me in the club, bands pop, they poppin'
Do it real good, might take you shoppin'
All these racks can’t fit in my pocket
Keep that stack, hundred K in the stocking
Then it’s back to my room, she come out her dress
Slob on my knob, think you know the rest
I don’t buy these broads Nike
But I keep these girls in check
Working for that money
Bitch, you gon’ have to break a sweat
Bounce it sweat

Bounce it, bounce it
I'm about to throw a couple thousand
Bounce it, bounce it
I'm about to throw a couple thousand
Ones, fives, tens, twenties
Work your way up to the big face hundreds
Bounce it, bounce it
I'm about to throw a couple thousand
I'm about to throw a couple thousand

Writer/s: OLUBOWALE VICTOR AKINTIMEHIN, TREMAINE NEVERSON, LUKASZ GOTTWALD, JACOB KASHER HINDLIN, HENRY RUSSELL WALTER, ETHAN LOWERY, JORDAN HOUSTON
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Bounce It

This ode to strippers features a verse from Wale, whilst Trey Songz tells the girl on the hook to "bounce it" because he's about to throw her a couple of thousand.

The song was co-produced by Dr. Luke, who is also an executive producer on Stay Trippy. The hitmaker is best known for his work with such pop acts as Katy Perry, Rihanna and Britney Spears and also heads up Kemosabe Records. "I'm super lucky to be able to work with a talent like Juicy J," Dr. Luke said. "From Three 6 Mafia to winning an Oscar and coming back with one of the biggest songs of the year with 'Bandz A Make Her Dance,' Juicy has proven that's he's the real deal."

The video finds Juicy with beautiful women and piles of cash, and boasts a guest appearance from Wiz Khalifa as well as cameos from Trey Songz and Wale.

Bruce Hornsby & the Range - The Way It Is

Bruce Hornsby & the Range - The Way It Is Lyrics and Youtube Music Videos

Album: The Way It Is
Released: 1986

The Way It Is Lyrics

Standing in line marking time--
Waiting for the welfare dime
'Cause they can't buy a job
The man in the silk suit hurries by
As he catches the poor old ladies' eyes
Just for fun he says "Get a job"

That's just The Way It Is
Some things will never change
That's just the way it is
But don't you believe them

They say hey little boy you can't go
Where the others go
'Cause you don't look like they do
Said hey old man how can you stand
To think that way
Did you really think about it
Before you made the rules
He said, Son

That's just the way it is
Some things will never change
That's just the way it is
But don't you believe them

Well they passed a law in '64
To give those who ain't got a little more
But it only goes so far
Because the law another's mind
When all it sees at the hiring time
Is the line on the color bar

That's just the way it is
Some things will never change
That's just the way it is
But don't you believe them

Writer/s: BRUCE HORNSBY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

The Way It Is

This song deals with the Civil Rights Movement in the United States. The line in the lyrics that mentions "The law passed in '64" is the Civil Rights Act of 1964. The law was supposed to prohibit discrimination in public places, the government and employment.

The lyrics in this song deal with the need to resist complacency and never resign yourself to racial injustice as the status quo.

This is a very unusual hit, lacking a big chorus, shifts in momentum, catchy hooks and most other elements of typical chart-toppers. With a consistent tempo and a jazz-inflected sound, it appealed to a more adult audience and added a welcome diversity to Top 40 playlists that were dominated by uptempo, synth-driven songs. It was a song grown-ups loved and their kids could tolerate, reaching the top of both the Hot 100 and Adult Contemporary charts.

Hornsby grew up in Virginia, which isn't where you would expect a song about racial and economic tolerance to originate. He was raised with these values though. Hornsby told NME: "My mother came from the New England area, and she was a little more enlightened about racial subjects than a lot of people in the South. So I had a different attitude to a lot of my friends whose parents were more conservative."

He added: "When I was brought up, the vibe I got of Martin Luther King in my town was that he was a real evil man - just the vibe in the air, that he was terrible. And if you grow up in that environment you can't help but be affected by it a little bit. Luckily, I came from a family that guarded us against that conservatism, but sure, I grew up in the thick of all that bad feeling."

Hornsby had been working as a staff songwriter for years with no luck getting a record deal. With his attempts to appeal to popular taste falling short, he decided to make a demo of songs in his own style - ECM jazz - and included this track. He sent the demo to a new label called Windham Hill, which specialized in vocal groups. They offered him a deal, but so did some major labels that also got a hold of it. Hornsby signed with RCA because they offered him creative freedom. They were rewarded when this song and the album became huge hits.

The conservative radio host Sean Hannity used an instrumental portion of this song as his show's theme for many years. Hornsby, a liberal democrat, had vastly different political views, but there was nothing he could do about Hannity using the song as long as royalties were paid.

The rapper Tupac Shakur used this as the basis for his song "Changes," which is a look at racism and urban life from a black perspective.

This was the second single released from the album, following "Every Little Kiss." It was issued in the US in September 1986 and hit the top spot on December 13.

Hornsby and his band were not exactly MTV-ready, but the video for this song did well on the network. In the stark performance clip, none of the musicians ever stand up - some folks were surprised when they saw Hornsby in person and realized he was 6' 4".

King Krule - Baby Blue

King Krule - Baby Blue Lyrics and Youtube Music Videos

Album: 6 Feet Beneath the Moon
Released: 2013

Baby Blue Lyrics

Baby Blue

My sandpaper sigh
Engraves a line
Into the rust of your tongue
I could've been someone
To you
Would have painted the skies blue
Baby blue
If you knew
Baby blue

Edging closer
You swing my way
I've got no chance
And nothing to say
But stay
Here for a while
Baby blue

But if only
You could see
My shadow crossing your path
It won't be the last

Baby blue

Writer/s: ARCHIE IVAN MARSHALL
Publisher: CHRSALYIS MUSIC GROUP INC
Lyrics licensed and provided by LyricFind

Baby Blue

This song finds Krule staring so intently at girl that he's scarring her. "My sandpaper sight engraves a line into the rust of your tongue," he croons. "Yeah, I'm scarring her tongue, her lust, her mouth," he told The Guardian. "I actually find a lot of pleasure in writing lyrics."

Paul Simon - The Obvious Child

Paul Simon - The Obvious Child Lyrics and Youtube Music Videos

Album: The Rhythm Of The Saints
Released: 1990

The Obvious Child Lyrics

Well I'm accustomed to a smooth ride
Or maybe I'm a dog who's lost its bite
I don't expect to be treated like a fool no more
I don't expect to sleep through the night
Some people say a lie's a lie's a lie
But I say why
Why deny The Obvious Child?
Why deny the obvious child?

And in remembering a road sign
I am remembering a girl when I was young
And we said these songs are true
These days are ours
These tears are free
And hey
The cross is in the ballpark
The cross is in the ballpark

We had a lot of fun
We had a lot of money
We had a little son and we thought we'd call him Sonny
Sonny gets married and moves away
Sonny has a baby and bills to pay
Sonny gets sunnier
Day by day by day by day

I've been waking up at sunrise
I've been following the light across my room
I watch the night receive the room of my day
Some people say the sky is just the sky
But I say
Why deny the obvious child?
Why deny the obvious child?

Sonny sits by the window and thinks to himself
How it's strange that some roots are like cages
Sonny's yearbook from high school
Is down on the shelf
And he idle thumbs through the pages
Some have died
Some have fled from themselves
Or struggled from here to get there
Sonny wanders beyond his interior walls
Runs his hands through his thinning brown hair
I'm accustomed to a smoother ride
Or maybe I'm a dog who's lost its bite
I don't expect to be treated like a fool no more
I don't expect to sleep the night
Some people say a lie is just a lie
But I say
The cross is in the ballpark
Why deny the obvious child?

Writer/s: PAUL SIMON
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Obvious Child

In this song, an intriguing phrase is repeated: "The cross is in the ballpark." When asked of its meaning, Simon answered, "The cross, the burden that we carry, is in the ballpark, it's doable."

Following the success of 1986's Graceland, on which he worked principally with South African musicians, Simon turned to Latin America for much of The Rhythm of the Saints. The drums for this song were recorded live at Pelourinho Square in the Brazilian city of Salvador. They were played by the Afro-Brazilian group Grupo Cultural Olodum, who are masters of the heavily percussive sub-style of samba called Batuque. Simon recalled to Mojo magazine July 2011: "One day we were driving through the old part of Salvador in Bahia when we heard this incredible drumming coming from Pelouinho Square. It was the group Olodum practising outside and (Simon's percussionist) Mazzola asked if we could record them. We did it in their back yard, just rented a couple of 8-tracks, and that was our backing-track for 'The Obvious Child.'"