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The Impressions Songs - People Get Ready
The Impressions - People Get Ready


The Impressions - People Get Ready Lyrics and Youtube Music Videos

Album: People Get Ready
Released: 1965

People Get Ready Lyrics


People Get Ready, there's a train a comin'
You don't need no baggage, you just get on board
All you need is faith, to hear the diesels hummin'
Don't need no ticket, you just thank the Lord

So people get ready, for the train to Jordan
Picking up passengers coast to coast
Faith is the key, open the doors and board 'em
There's hope for all, among those loved the most

There ain't no room for the hopeless sinner
Whom would hurt all mankind, just to save his own, believe me now
Have pity on those whose chances grow thinner
For there is no hiding place, against the kingdom's throne

So people get ready there's a train a comin'
You don't need no baggage, you just get on board
All you need is faith, to hear the diesels hummin'
Don't need no ticket, you just thank the Lord

Writer/s: MAYFIELD, CURTIS L /
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

People Get Ready Song Chart
  • Impressions lead singer Curtis Mayfield wrote this song. Mayfield got his start performing with the Northern Jubilee Gospel Singers, competing with other gospel acts in the Chicago area. Grounded in church music, he wrote many songs in that style, including "People Get Ready."

    The song embodies a deep sense of spirituality and community, but with enough popular appeal to make it a hit.
  • Mayfield based the song's lyric on various sermons he heard in church. He wrote the music first, and the gospel feel dictated the words.
  • This song resonated with African Americans during the civil rights struggles of the '60s. The song speaks for the downtrodden, and Mayfield made it clear that transcended race. "It doesn't matter what color or faith you have," he told Goldmine in 1997. "I'm pleased the lyrics can be of value to anybody."
  • Bob Marley was huge fan of The Impressions, and especially of this song (he could hear it in Jamaica on Miami radio stations). In 1965, he incorporated the verse lyrics of "People Get Ready" into "One Love," a song he recorded with his group The Wailers. This version didn't credit Curtis Mayfield, since copyright law was kind of loose in Jamaica.

    In 1977, Marley released a new version of the song for his album Exodus (credited to Bob Marley & The Wailers). This time, the song was titled "One Love/People Get Ready," with the songwriters listed as Bob Marley and Curtis Mayfield.
  • Aretha Franklin, Maria Muldaur, The Walker Brothers and Eva Cassidy are among the artists to cover this song. In 1985, Jeff Beck and Rod Stewart did a version that made #48 in the US.

    After Curtis Mayfield was paralyzed in 1990 (a light rig fell on him, crushing three vertebrae), royalties from this song - especially the Rod Stewart version - helped keep him financially sound, which he credited for helping him fend off depression and remain active as a songwriter and singer despite his condition. Mayfield released the acclaimed album New World Order two years before his death in 1999.
  • Vanilla Fudge recorded this in 1967. They had a hit the year before with their version of "You Keep Me Hangin' On," and covered many songs in a slowed-down, emotional style. Says Fudge drummer Carmine Appice: "When we do People Get Ready, we usually get a standing ovation. In the middle '60s, we were into Beatles stuff - Revolver and all that - and we were also into the R&B stuff: The Temptations, The Impressions, The Supremes. The Impressions were a favorite of mine, and I believe of Tim Bogert and Mark Stein as well. We came about the song and said, 'This would be a great song. It sounds like a Gospel song, let's make it sound like a churchy, Gospel-type song.' We came up with a very symphonic kind of intro, as we've done with many songs, but most of the song was done just with an organ and a vocal, and I actually sang that. With the background harmonies singing, 'Thank the lord,' it made it sound very Gospely. At the end, it built into a big, powerful last verse and chorus, and then it went out with Gospel vocals. That was a great arrangement for us, and today it still goes over great." (Thanks to Carmine for speaking with us about this song. His website is carmineappice.net.)
  • From a biblical standpoint, the lyrics encourage believers to hang onto their faith in times of strife because the "train to Jordan" is on its way to deliver them to a peaceful afterlife. The song, however, has a universal appeal beyond its religious underpinnings as it promises triumph in fighting the good fight, and the assurance of punishment for those who have done us harm.

    Jordan is an Arab kingdom in the Middle East bordered by Saudi Arabia to the south and east, Iraq to the northeast, Syria to the north, and Israel and Palestine to the west. Referenced in the Bible as part of the Kingdom of Ammon, it's often considered one of the only places of refuge for Christians during the end times. Daniel 11:41 speaks of the antichrist's inability to overcome the country: "He will also invade the Beautiful Land. Many countries will fall, but Edom, Moab and the leaders of Ammon will be delivered from his hand." It's also a significant place in the Gospels as the Jordan River was the site of Jesus' (and many others') baptism.

  • The Decemberists Songs - 12/17/12
    The Decemberists - 12/17/12


    The Decemberists - 12/17/12 Lyrics and Youtube Music Videos

    Album: What a Terrible World, What a Beautiful World
    Released: 2015

    12/17/12 Lyrics


    What a gift, what a gift you can give me
    Here with my heart so whole,
    While others may be grieving
    Think of their grieving

    And oh my boy
    Don't you know you are dear to me
    You are a breath of life
    And a light upon the water
    A light upon the water

    And, oh my love
    If you only knew how I long for you
    How I waste my days wishing you would come around
    Just to have you around

    And what a dear
    What a sweet little baby
    This cannonball in the bosom of your belly
    It's just a kick in your belly

    And oh my god,
    What a world you have made here
    What a terrible world, what a beautiful world
    What a world you have made here
    What a world you have made here
    What a world you have made here
    What a world you have made here

    Writer/s: COLIN MELOY
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    12/17/12 Song Chart
  • This song was written by Decemberists frontman Colin Meloy after watching President Obama's speech in the wake of the December 14, 2012 Newtown school shootings. He explained to The Sun: "There is an incredible feeling of helplessness when you see things like this, but we feel an intimate desire to do something."

    "It happened that day when Obama did a press conference and he read out the names of the kids. It was a powerful moment and the song was in some way my attempt to do something."
  • Meloy contrasts the horrific incident and his own domestic bliss. "I was probably more affected by it than if I had no children," he said. "My kid (Hank) was that age at the time. He was in first grade, so you see your own kid in those kids and it's terrifying."
  • The album title comes from the end of this song as Meloy reflects upon President Obama's speech: "What a terrible world, what a beautiful world, what a world you make here."

  • Michael Jackson Songs - Thriller
    Michael Jackson - Thriller


    Michael Jackson - Thriller Lyrics and Youtube Music Videos

    Album: Thriller
    Released: 1983

    Thriller Lyrics


    It's close to midnight and something evil's lurking
    In the dark
    Under the moonlight you see a sight that almost stops
    Your heart
    You try to scream, but terror takes the sound before
    You make it
    You start to freeze as horror looks you right between
    The eyes
    You're paralyzed

    'Cause this is Thriller, thriller night
    And no one's gonna save you from the beast about to
    Strike
    You know it's thriller, thriller night
    You're fighting for your life inside a killer
    Thriller tonight

    You hear the door slam and realize there's nowhere
    Left to run
    You feel the cold hand and wonder if you'll ever see
    The sun
    You close your eyes and hope that this is just
    Imagination
    But all the while you hear the creature creepin' up
    Behind
    You're out of time

    'Cause this is thriller, thriller night
    There ain't no second chance against the thing with
    Forty eyes
    You know it's thriller, thriller night
    You're fighting for your life inside a killer
    Thriller tonight

    Night creatures call
    And the dead start to walk in their masquerade
    There's no escapin' the jaws of the alien this time
    (They're open wide)
    This is the end of your life

    They're out to get you; there's demons closing in on
    Every side
    They will possess you unless you change the number on
    Your dial
    Now is the time for you and I to cuddle close
    Together
    All through the night I'll save you from the terrors on
    The screen
    I'll make you see

    That it's a thriller, thriller night
    'Cause I can thrill you more than any ghost
    Would ever dare try
    Girl, this is thriller, thriller night
    So let me hold you tight and share a killer, diller
    Chiller
    Thriller here tonight

    That it's a thriller, thriller night
    'Cause I can thrill you more than any ghost
    Would ever dare try
    Girl, this is thriller, thriller night
    So let me hold you tight and share a killer, diller

    Darkness falls across the land
    The midnight hour is close at hand
    Creatures crawl in search of blood
    To terrorize y'awl's neighborhood
    And whosoever shall be found
    Without the soul for getting down
    Must stand and face the hounds of hell
    And rot inside a corpse's shell

    The foulest stench is in the air
    The funk of forty thousand years
    And grizzly ghouls from every tomb
    Are closing in to seal your doom
    And though you fight to stay alive
    Your body starts to shiver
    For no mere mortal can resist
    The evil of the thriller

    Writer/s: TEMPERTON, RODNEY LYNN
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Thriller Song Chart
  • This is a rare pop song with a horror theme. Halloween novelty songs like "The Monster Mash" had been around for a while, but this was the first hit song with year-round appeal containing lyrics about creatures of the night who terrify their victim. At the time, Michael Jackson was one of the least frightening people on Earth, so the video had to sell it. John Landis, who worked on the 1981 movie An American Werewolf In London, was brought in to direct. Landis had Jackson turn into a Werewolf in the video.
  • Vincent Price, an actor known for his work on horror films, did the narration at the end of the song, including the evil laugh. Price's rap includes the line "Must stand and face the hounds of hell." This was inspired by the most popular Sherlock Holmes novel to date, The Hound of the Baskervilles by Sir Arthur Conan Doyle, in which Sir Henry Baskerville's family is supposedly cursed by a bloodthirsty, demonic hound. Price's personal friends, Peter Cushing and Christopher Lee (who appeared in several horror films with him), starred in a loose 1959 film adaptation of it. It was the first Sherlock Holmes film shot in color.

    Price recorded the central spoken section in this sing on his second take, after it had been written by Rod Temperton in the taxi on the way to the studio for the recording session. (thanks, Brett - Edmonton, Canada)
  • The music video is considered the most famous music video of all time, at least by the Library of Congress, which added it to its National Film Registry in 2009, the first music video in their registry.

    The video was a cultural milestone, introducing elaborate choreography, costumes and dialogue into the format. It also introduced the concept of the long-form music video, where a mini-movie was made for a song, then edited down for the short version. The long version of "Thriller" runs nearly 14 minutes, but had remarkable longevity, easily racking up over 100 million views when it showed up on YouTube. MTV usually ran the short version, which ran a little under five minutes but still contained about a minute of non-song content in a storyline that omits most of the movie the couple is watching at the beginning.

    With its famous graveyard dance, the video started the trend of group dance scenes in pop videos, forcing even non-dancers like Pat Benatar to front a group of dancers in their clips.

    The video owes a debt to Alice Cooper, who in 1975 created a movie based on the stage show for his Welcome To My Nightmare tour. Cooper's production was based on an entire album, but it also used a horror theme and was narrated by Vincent Price.
  • Rod Temperton wrote this song. Once a member of disco group Heatwave, he also wrote Jackson's "Off The Wall" and "Rock With You."
  • Most homes had VCRs in 1983 and sales of videos were big business. Along with the Jane Fonda workout tapes, you could buy a VHS or beta copy of Michael Jackson's Thriller, which included the full video and also "The Making of Michael Jackson's Thriller," a behind the scenes documentary. This tape became the best selling music video at the time, and was later certified by Guinness World Records as the top selling music video of all time, moving nine million units. Part of its appeal was the price, a mere $24.95 at a time when movies on tape cost much more.

    The video distribution deal was through a company called Vestron, who approached John Landis about selling the film directly to consumers, which turned out to be very profitable. The timing helped, as the video was released a few weeks before Christmas.
  • The video won for Best Performance Video, Best Choreography, and Viewers Choice at the first MTV Video Music Awards in 1984. The show was hosted by Dan Aykroyd and Bette Midler.
  • Thriller is by far the best selling album in the world. In the United States, it was overtaken by The Eagles Their Greatest Hits 1971-1975, but reclaimed the title after Jackson's death.
  • This was the last of seven US Top 10 hits from the Thriller album. The first single from the album, "The Girl Is Mine," reached its peak chart position of #2 on January 8, 1983. The song "Thriller" was released over a year later, on January 23, 1984, peaking at #4 on March 3. This lifespan of chart singles from one album was unprecedented, but so was the video for "Thriller." The clip was so effective that after six singles and a year of release, it boosted yet another track from the album into the Top 10. It also brought the album back to #1 on December 24, 1983 - it lost the top spot on September 17 to Synchronicity by The Police. Thriller held the peak position until April 21, 1984, over a year after it first went to #1 on February 26, 1983.
  • Jackson, who was a Jehova's Witness at the time, insisted on a disclaimer at the beginning of the video reading: "Due to my strong personal convictions, I wish to stress that this film in no way endorses a belief in the occult." He asked for the disclaimer after taking criticism from Witness leaders who objected to the zombies and other creatures that violated their beliefs.

    The whole Jackson clan was raised as Jehova's Witnesses, but unlike Scientology, celebrities do not get excessive special treatment, and followers were asked not to idolize Jackson, as adulation should be given only to God. After further conflict, Jackson cut ties with the Jehova's Witnesses in 1987.
  • The video cost about $500,000 to make, and Jackson's record company had intention of paying for it, since the album was on the downswing and they had already financed videos for two of its songs. According to John Landis, Jackson really wanted to turn into a monster, so he offered to pay for the clip himself. Landis took on the project because he saw it as a way to revive the short film genre, which he loved.

    Jackson didn't have to pay for the video out of pocket because they made deals with Showtime and MTV to cover the costs. Showtime got to air a one-hour special with the "making of" documentary and the 14-minute film before it was broadcast anywhere else. When MTV heard about this, their executive Bob Pittman decided that losing a Michael Jackson video to Showtime was unacceptable, and paid $250,000 for the exclusive broadcast rights once Showtime's window ended. MTV was founded on the principle of not paying for videos, so Pittman got around this by paying for the documentary, even though the money was really used to pay for the film.
  • Because of a disagreement over royalties, Vincent Price's rap was not included in the 7" single version of the recording.
  • Vincent Price, while a guest on the Johnny Carson's Tonight Show, laughingly stated that when he did the narration for "Thriller" (at the request of Michael Jackson who was a big fan of Price) he had a choice between taking a percentage of the album sales or $20,000. Price was well along in his career, so he took the $20,000. He was good-natured about it when Carson told him he could have made millions off of the royalties due to the vast number of copies sold even at that time. Price laughed heartily and said: "How well I know!" (thanks, Jonnie - St. Louis, MO)
  • Before the 14-minute short film of Thriller aired on Showtime or MTV, it was screened at the Metro Crest Theater in Los Angeles. This screening took place on November 14, 1983, in was a gathering of stars, including Diana Ross and Eddie Murphy.
  • In 2008 Thriller 25, a special 25th anniversary edition of Thriller, was released. The re-recorded album debuted at #2 on the Top Comprehensive Albums chart, where catalog titles mix with current best-sellers. This made it the highest-charting catalog album in the history of the Top Comprehensive Albums survey. Despite selling 166,000 copies in its debut week, it was not eligible for the main album chart as Billboard considered it to be a catalog or oldies album, and Billboard publishes a special chart just for catalog albums.
  • The version of the song in the video is different from the one on the album, which you need to account for if you're planning to stage a Thriller Dance. On the album, the song begins with a series of spooky sound effects that don't lend themselves to dancing.

    Editing the song for the video was a challenge, since producer Quincy Jones wouldn't release the master tapes. In the book I Want My MTV, John Landis explains how they got around this restriction. "The song was five minutes long, and I needed it to be 12 minutes for the video," he said. "So Michael and I went to the recording studio at three in the morning. We walked past the guard - 'Hi, Michael.' 'Hi' - put the tracks in a big suitcase and walked out with them. Then we drove across Hollywood, duped them, and put them back."
  • Originally this song was going to be called "Starlight Love" and on some demos its titled "Starlight Sun."
  • In the UK this has become something of a chart perennial, regularly charting each year in time for Halloween.
  • Rod Temperton recalled that when he wrote this song he envisaged "this talking section at the end and didn't know really what we were going to do with it. But one thing I 'd thought about was to have a famous voice in the horror genre to do the vocal. Quincy (Jones, producer)'s wife knew Vincent Price, so Quincy said to me, 'How about if we got Vincent Price?'" (Source Q magazine August 2009).
  • The Decemberists Songs - Make You Better
    The Decemberists - Make You Better


    The Decemberists - Make You Better Lyrics and Youtube Music Videos

    Album: What a Terrible World, What a Beautiful World
    Released: 2014

    Make You Better Lyrics


    I want you, thin fingers
    I wanted you, thin fingernails
    And when you bend backwards
    I wanted you, I needed you
    Oh-oh, to make me better

    I'll love you in springtime
    I lost you when summer came
    And when you pulled backwards
    I wanted you, I needed to
    Oh-oh, to make me better
    Oh-oh, to make me better

    But we're not so starry-eyed anymore
    Like the perfect paramour you were in your letters
    And won't it all just come around to make you
    Let it all unbreak you to the day you met her
    But it'd Make You Better
    It'd make you better

    I sung you, your twinges
    I suffered you, your tattletales
    And when you broke sideways
    I wanted you, I needed you
    Oh-oh, to make me better
    Oh-oh, to make me better

    But we're not so starry-eyed anymore
    Like the perfect paramour you were in your letters
    And won't it all just come around and make you
    Let it all unbreak you to the day that you met her
    And it'd make you better
    Did it make you better?
    Make you better

    And all I wanted was a sliver to call mine
    And all I wanted was a shimmer in your shine
    To make me bright

    'Cause we're not so starry-eyed anymore
    Like the perfect paramour you were in your letters
    Won't it all just come around and make you
    Let it all unbreak you to the days you met her
    But it'd make you better
    It'd make you better

    Writer/s: COLIN MELOY
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Make You Better Song Chart
  • This rousing ballad finds frontman Colin Meloy crooning about romantic loss. The song was released as the first single from What a Terrible World, What a Beautiful World on November 3, 2014.
  • The Bill Fishman-directed comic video stars The Parks and Recreation's Nick Offerman. It finds the band visiting a '70s-era German talk show called The Old Blue Rock Palace Show hosted by Offerman. Melroy explained to The Sun: "There is a whole world of German and British music television on YouTube. It's so amazing, funny and so ripe with its own little narrative. It was perfect inspiration for the video and specifically based on (70's BBC show) The Old Grey Whistle Test."
  • The Decemberists achieved their first ever #1 on a Billboard chart when this topped Adult Alternative Songs.

  • The Band Songs - The Weight
    The Band - The Weight


    The Band - The Weight Lyrics and Youtube Music Videos

    Album: Music From Big Pink
    Released: 1968

    The Weight Lyrics


    I pulled into Nazareth, was feeling 'bout half past dead
    I just need some place where I can lay my head
    Hey, mister, can you tell me, where a man might find a bed?
    He just grinned and shook my hand, "No" was all he said.

    [Chorus]
    Take a load off Fanny, take a load for free
    Take a load off Fanny, and you put the load right on me

    I picked up my bags, I went looking for a place to hide
    When I saw old Carmen and the Devil, walking side by side
    I said, "Hey, Carmen, c'mon, let's go downtown"
    She said, "I gotta go, but my friend can stick around"

    [Chorus]

    Go down, Miss Moses, ain't nothin' you can say
    It's just old Luke, and Luke's waiting on the judgment day
    Well, Luke, my friend, what about young Annalee
    He said, "Do me a favor, son, won't you stay and keep Annalee company"

    [Chorus]

    Crazy Chester followed me, and he caught me in the fog
    Said, "I will fix your rag, if you'll take Jack, my dog"
    I said, "Wait a minute Chester, you know, I'm a peaceful man"
    He said, "That's okay, boy, won't you feed him when you can"

    [Chorus]

    Catch the cannonball, now to take me down the line
    My bag is sinking low, and I do believe it's time
    To get back to Miss Fanny, you know she's the only one
    Who sent me here, with her regards for everyone

    [Chorus]

    Writer/s: ROBBIE ROBERTSON
    Publisher: BOB DYLAN MUSIC CO
    Lyrics licensed and provided by LyricFind

    The Weight Song Chart
  • This tells the story of a guy who visits Nazareth, and is asked by his friend Annie to visit several of her friends. "The Weight" that is his load are all these strange people he promised he would check on. The song was never a big hit, but it endures as a classic rock staple.
  • The Band's guitarist Robbie Robertson claims this was influenced by the work of Luis Buñuel, a Mexican director who made some of the first movies dealing with surrealism. Robertson was intrigued by the characters in his films, who were often good people who did bad things.
  • Robbie Robertson got the only writing credit for this, although other members of the group claimed that they contributed to this as well as many of their other songs and were not credited. Since only the writer receives royalties for a song, this created a great deal of tension in The Band.
  • The vocals are shared by Richard Manuel, Rick Danko, and Levon Helm. One of the distinctive characteristics of The Band was their three lead vocalists.
  • Nazareth, where the story takes place, refers to the town in Pennsylvania about 70 miles north of Philadelphia. The rock group Nazareth got their name from this line ("Went down to Nazareth, I was feeling about half past dead..."). In the liner notes for the Across the Great Divide box set, Robbie is quoted as saying that he chose that place because they make legendary Martin Guitars there, so he was aware of the place and been there once or twice. The only reason I know all of this is because I grew up in that area, and found it cool that little Nazareth, PA was mentioned in SUCH an influential song. (thanks, Jared - Meadville, PA)
  • The characters in the song - Crazy Chester, Luke, Anna Lee, are based on friends of the band. In Levon Helm's autobiography This Wheel's On Fire: Levon Helm And The Story Of The Band, he explained:

    'We had two or three tunes, or pieces of tunes, and 'The Weight' was one I would work on. Robbie had that bit about going down to Nazareth - Pennsylvania, where the Martin guitar factory is at. The song was full of our favorite characters. 'Luke' was Jimmy Ray Paulman. 'Young Anna Lee' was Anna Lee Williams from Turkey Scratch. 'Crazy Chester' was a guy we all knew from Fayetteville who came into town on Saturdays wearing a full set of cap guns on his hips and kinda walked around town to help keep the peace,if you follow me. He was like Hopalong Cassidy, and he was a friend of the Hawks. Ronnie would always check with Crazy Chester to make sure there wasn't any trouble around town. And Chester would reassure him that everything was peaceable and not to worry, because he was on the case. Two big cap guns, he wore, plus a toupee! There were also 'Carmen and the Devil', 'Miss Moses' and 'Fanny,' a name that just seemed to fit the picture. (I believe she looked a lot like Caladonia.) We recorded the song maybe four times. We weren't really sure it was going to be on the album, but people really liked it. Rick, Richard, and I would switch the verses around among us, and we all sang the chorus: Put the load right on me!"
  • There has been more than a little debate among classic rock DJs and enthusiasts over the real meaning of this song. Yes, Robertson has insisted time and again there is no biblical subtext, but many people think he may be deflecting. Consider the following:

    - The narrator can't find a bed in Nazareth, and the guy to whom he makes an inquiry just smiles and says "no."

    - Carmen and the devil were walking side by side, Carmen can go but her friend the devil has to stick around - an allusion to ever-present temptations.

    - "Crazy Chester followed me and he caught me in the fall" - possible allusion to Paul on the road to Damascus.

    - The most glaring one: "I do believe it's time to get back to Miss Fanny, you know she's the only one who sent me here with her regards for everyone" - Miss Fanny is the one who sent him to Nazareth, but now it's time for him to go back to her; Miss Fanny is God, the "time" in question is the crucifixion, and "regards for everyone" is Jesus dying for all of man's sins. (thanks, S.D. - Denver, CO)
  • This was used in the movie Easy Rider. The Band performed the version heard in the movie, but on the soundtrack, a different group was used because of legal issues.
  • On September 28, 1968, this song reached its peak US chart position of #63. That same day, Jackie DeShannon's cover reached its peak of #55 US. DeShannon's release wasn't what she had in mind. She explained in our interview : "I absolutely said, 'No way I'm going to do it, it's The Band's record, goodbye.' But the label kept calling me, so I finally said, 'Well, if you can get confirmation from The Band that they're not putting it out as a single and I can do it with their permission, then okay.' So, I recorded it. The record's going up the chart and all of a sudden, here comes The Band's single. Then Aretha Franklin's version comes out. So I was at a radio station talking to the program director, and there were two other people promoting the same record outside the door."

    Aretha Franklin's version was the biggest hit, reaching #19 in March 1969. Many other acts have since covered the song. A version by Diana Ross and the Supremes with The Temptations reached #46 in October, 1969, which was the last time it charted in America. The song was also recorded by: A Group Called Smith, The Black Crowes, Bob Dylan, Grateful Dead, The Allman Brothers, Joan Osborne, Keller Williams, King Curtis & Duane Allman, Otis & Travis, Rotary Connection, Spooky Tooth, and The Ventures.
  • The album title came from the big pink house in upstate New York they rented and recorded in. The Band was Bob Dylan's backup band, and they moved there to be near Dylan while he was recovering from a motorcycle accident. Dylan offered to help with this album, but The Band refused because they wanted to make a mark on their own.
  • This was used in a television commercial in the US for Cingular/AT&T Wireless.
  • The Staple Singers sing on this in The Band's 1978 concert film The Last Waltz. "Being in The Last Waltz was the most beautiful thing that ever happened to the Staple Singers," Mavis Staples told Rolling Stone in 2015. "I still can't get offstage without doing 'The Weight.'" (thanks, Bertrand - Paris, France, for above 2)
  • Weezer covered this in 2008 and released it as a bonus track on The Red Album.
  • In 2007, this was used in a commercial for Cingular Wireless. Levon Helm took issue with it and sued BBDO, the advertising agency that came up with the campaign. Said Helm: "It was just a complete, damn sellout of The Band - its reputation, its music; just as much disrespect as you could pour on Richard and Rick's tombstones."
  • The Band played this at Woodstock in 1969. The festival fit in well with their schedule, as they were touring to promote their first album, Music From Big Pink. Their performance stands out as a highlight from the festival, and earned The Band a great deal of exposure. (thanks, Bertrand - Paris, France, for above 3)
  • Scottish rock band Nazareth, who are best known for their transatlantic hit "Love Hurts," took their name from a lyric in this song - "I pulled into Nazareth, Was feelin' about half past dead."
  • This song was featured in the 1978 documentary of The Band, The Last Waltz, directed by Martin Scorsese. Most of the film was shot at their Thanksgiving Day, 1976 concert at the Winterland Ballroom in San Francisco, but their performance of "The Weight" was done in a studio with The Band joined by The Staple Singers, a Gospel group who wrung out the spirituality of the song.

    In celebration of Band drummer Levon Helm, who died in 2012, "The Weight" was performed at the Grammy Awards the next year with Mavis Staples joining Elton John, Mumford & Sons, the Zac Brown Band and Brittany Howard of Alabama Shakes. Unlike many star-packed performances that get messy fast, this one worked. The song is a great showcase for multiple performers and served as a fitting tribute to Helm.
  • Aretha Franklin's version featured Duane Allman playing slide guitar using an empty bottle of decongestant pills.
  • Joe Cocker also covered this song. It was included on the 2005 deluxe edition of his 1970 live album, Mad Dogs & Englishmen.

  • Dutch Uncles Songs - Decided Knowledge
    Dutch Uncles - Decided Knowledge


    Dutch Uncles - Decided Knowledge Lyrics and Youtube Music Videos

    Album: O Shudder
    Released: 2015

    Decided Knowledge Lyrics


    Decided Knowledge Song Chart
  • Frontman Duncan Wallis: "The lyrics came as a reaction to failing very miserably at a job interview. It was a council job at a local arts centre. I thought personal experience would account for something, but it really didn't, so the melodramatic tone of the words reflect a) how very assuming I was; and, b) how very unsuitable for the job I was in the first place."

  • Sting Songs - Moon over Bourbon Street
    Sting - Moon over Bourbon Street


    Sting - Moon over Bourbon Street Lyrics and Youtube Music Videos

    Album: Dream Of The Blue Turtles
    Released: 1985

    Moon over Bourbon Street Lyrics


    There's a Moon over Bourbon Street tonight
    I see faces as they pass beneath the pale lamplight
    I've no choice but to follow that call
    The bright lights the people and the moon and all
    I pray everyday to be strong
    For I know what I do must be wrong
    Oh you'll never see my shade or hear the sound of my feet
    While there's a moon over bourbon street

    It was many years ago that I became what I am
    I was trapped in this life like an innocent lamb
    Now I can never show my face at noon
    And you'll only see me walking by the light of the moon
    The brim of my hat hides the eye of a beast
    I've the face of a sinner but the hands of a priest
    Oh you'll never see my shade or hear the sound of my feet
    While there's a moon over bourbon street

    She walks everyday through the streets of New Orleans
    She's innocent and young from a family of means
    I have stood many times outside her window at night
    To struggle with my instinct in the pale moonlight
    How could I be this way when I pray to god above
    I must love what I destroy and destroy the thing I love
    Oh you'll never see my shade or hear the sound of my feet
    While there's a moon over bourbon street

    Writer/s: SUMNER, GORDON
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Moon over Bourbon Street Song Chart
  • This was inspired by the Anne Rice novel Interview With The Vampire . Police guitarist Andy Summers gave Sting the book, which he read late into the night. Sting recalled in Lyrics By Sting: "Anne Rice's Interview with the Vampire was the direct inspiration for this song, but there was one moonlit night in the French Quarter of New Orleans where I had the distinct impression that I was being followed."
  • Bourbon Street is a reference to the main drag in the French Quarter of New Orleans, Louisiana. As might be expected for a street that shares its name with an alcohol, it's party-central whenever Mardi Gras is in session. While it's also a major tourist attraction, that attraction is due mainly to the street being tiled solid with bars, strip clubs, and general seedy business. The area was one of the few parts of New Orleans unscathed by Hurricane Katrina.
  • This is one of six singles released from the album The Dream of the Blue Turtles. Five of these at least charted on the UK Singles chart, including "Moon over Bourbon Street." The song put radio programmers in an awkward spot: Sting was one of the most popular artists of the time, but this song didn't fit any specific format. It didn't get a lot of play on American radio, but many UK stations expanded their horizons and added it.
  • The Dream of the Blue Turtles was Sting's first solo album. He enlisted four acclaimed jazz musicians to play on it and accompany him on the subsequent tour:

    Branford Marsalis - saxophone
    Kenny Kirkland - keyboards
    Darryl Jones - bass
    Omar Hakim - drums

    Marsalis and Kirkland had been members of Branford's brother Wynton Marsalis' band, which caused some friction when they abandoned him for Sting. Hakim played in the band Weather Report, and Jones in known for this work with Miles Davis. With this new ensemble, Sting was able to create songs he couldn't do with The Police, which was a three-piece. "Moon over Bourbon Street" is a great example of how he put these seasoned jazz musicians to work.
  • Sting played the double bass on this track.
  • The album name comes from a dream Sting had. The album was recorded at Eddy Grant's studio (Blue Wave) in Barbados. Sting says that during his first night on the island, he awoke from a vivid dream that gave him the idea for the title. In the dream, he was sitting in the walled garden at his home in Hampstead when the wall crumbled down to reveal a bale of giant blue turtles, who proceeded to casually destroy the garden.

    Parts of the recording sessions for this album are immortalized in the 1985 Sting documentary film Bring on the Night. The film won a Grammy for Best Long Form Music Video in 1987.
  • Sting was fascinated by the character of Louis, a vampire with a conscience, rather than the popular antihero Lestat in Anne Rice's novel. He explained for the live album All This Time: "The idea of being a vampire and being a predator, but regretting it all the time knowing that there was something morally wrong with your lusts and your hunger, and I love the struggle that is going on in that character's head. There was a kind of movement of people who thought that Lestat who became a rock star in resulting books was based on me. He wasn't the character I was interested in at all."

  • Fall Out Boy Songs - American Beauty/American Psycho
    Fall Out Boy - American Beauty/American Psycho


    Fall Out Boy - American Beauty/American Psycho Lyrics and Youtube Music Videos

    Album: American Beauty/American Psycho
    Released: 2015

    American Beauty/American Psycho Lyrics


    She's an American beauty
    I'm an American psycho
    She's an American beauty
    I'm an American, I'm an American
    American Psycho
    I'm an American, I'm an American
    I'm, I'm, I'm an American psycho

    I think I fell in love again
    Maybe I just took too much cough medicine
    I'm the best worst thing that hasn't happened to you yet
    The best worst thing
    You take the full, full truth, then you pour some out
    You take the full, full truth, then you pour some out
    And you can kill me, kill me or let God sort '€˜em out
    Kill me, kill me or

    She's an American beauty
    I'm an American psycho
    She's an American beauty
    I'm an American, I'm an American
    American Psycho
    I'm an American, I'm an American
    I'm, I'm, I'm an American psycho

    I'm an American, I'm an American
    I'm, I'm, I'm an American psycho

    I wish I dreamt in the shape of your mouth
    But it's your thread count I really care about
    Stay up 'til the lights go out
    Stay up, Stay up
    You take the full, full truth, then you pour some out
    You take the full, full truth, then you pour some out
    And as we're drifting off to sleep
    All those dirty thoughts of me
    They were never yours to keep

    Altered boys, altered boys
    We're the things that love destroyed
    (I'm an American, I'm an American)
    You, me, us, them
    We're just resurrection men
    (I'm an American, I'm an American)
    Us, we were only there, to make you live again
    (I'm an American, I'm an American)
    Us, we were pity sex, nothing more and nothing less
    (I'm an American)

    She's an American beauty
    I'm an American psycho
    She's an American beauty
    I'm an American, I'm an American
    American Psycho
    I'm an American, I'm an American
    I'm, I'm, I'm an American psycho

    I'm an American, I'm an American, I'm an American psycho
    I'm an American, I'm an American
    I'm, I'm, I'm an American psycho

    Writer/s: WENTZ, PETER / STUMP, PATRICK / TROHMAN, JOSEPH / HURLEY, ANDREW / BROWN, DAROLD DURARD / SIXX, NIKKI / AKCHOTE BOZOVIC, SEBASTIAN
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., SONGS MUSIC PUBLISHING
    Lyrics licensed and provided by LyricFind

    American Beauty/American Psycho Song Chart
  • The song title covers a lot of pop culture. Both a 1970 Grateful Dead album and an Oscar-winning Kevin Spacey movie have utilized the title of American Beauty, whilst American Psycho is the name of a darkly comic novel about a Wall Street serial killer, which was turned into a film. "Both (American Beauty and American Psycho) depict this obsession with an idea of perfection and imply we might be bad underneath," guitarist Joe Trohman told Billboard magazine.

    "I also like the repetition of the word 'American,'" vocalist Patrick Stump added. "What does it mean to be American? I think a lot about how awesome it is here, and how horrible it is, too."
  • Fall Out Boy hooked up with French musician and producer DJ SebastiAn for this track. "We thought about where this all began but razing it and starting again," the band said of the song's creation. "So we reached out to a kindred spirit in SebastiAn- from the past he mined some of the future. the mission is the heart pure and simple as it can be distilled but never fragmented or disguised. through these experiments, that were sometimes lost in translation, we persevered - 'they tried to bury us but they didn't realize we were seeds.'"
  • This samples Motley Crüe's song "Too Fast for Love," which was the title track of their 1981 debut album.
  • Patrick Stump tweeted that is his favorite track from American Beauty/American Psycho, saying, "It's the right level of artistically interesting, but also just fun."
  • Bassist Pete Wentz told HMV.com that the album almost had a couple of different titles. "It was a bit of a struggle, this record is a lot more about modern romance than the last one, but the singles are called 'Centuries' and 'Immortals,'" he explained. "I think we started talking about thresholds, the idea that everyone has a dark side and a light side within them and what makes that change in our culture. The movies are good references and good book-ends, we try and point fans to things we like. Also it rolls off the tongue quite nicely."
  • So who's the face-painted kid on the album cover? It's 13-year-old actor Jake Karlen and the shoot was done in a Los Angeles rented home. Jake told MTV News that it was the band who came up with the face paint concept. "They explained it to me and said they'd put it on my hand first and then my face afterwards," he recalled. "They wanted to see something very dark and angry, very angry. I think I pulled it off. I think I did pretty good."
  • American Beauty/American Psycho sold 218,000 copies in the US in its first seven days, landing Fall Out Boy at #1 on the Billboard 200. It was the band's best sales week since 2007.
  • Wentz told Rolling Stone that when the band were making the album, a tweet from the magazine's writer Brian Hiatt stayed in their heads. "He said that modern rock music isn't modern," said Wentz. "That was a big inspiration for when we were talking with this French DJ sebastiAn about creating something that was like a throwback, but from the future. It's like modern rock of the future. I'm not sure that's even what it is, but it is something strange."

  • Nirvana Songs - Smells Like Teen Spirit
    Nirvana - Smells Like Teen Spirit


    Nirvana - Smells Like Teen Spirit Lyrics and Youtube Music Videos

    Album: Nevermind
    Released: 1991

    Smells Like Teen Spirit Lyrics


    Load up on guns, bring your friends
    It's fun to lose and to pretend
    She's over-bored and self-assured
    Oh no, I know a dirty word

    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello

    With the lights out, it's less dangerous
    Here we are now, entertain us
    I feel stupid and contagious
    Here we are now, entertain us
    A mulatto, an albino, a mosquito, my libido
    Yeah, hey

    I'm worse at what I do best
    And for this gift I feel blessed
    Our little group has always been
    And always will until the end

    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello

    With the lights out, it's less dangerous
    Here we are now, entertain us
    I feel stupid and contagious
    Here we are now, entertain us
    A mulatto, an albino, a mosquito, my libido
    Yeah, hey

    And I forget just why I taste
    Oh yeah, I guess it makes me smile
    I found it hard, it's hard to find
    Oh well, whatever, never mind

    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello

    With the lights out, it's less dangerous
    Here we are now, entertain us
    I feel stupid and contagious
    Here we are now, entertain us
    A mulatto, an albino, a mosquito, my libido
    A denial, a denial, a denial, a denial, a denial
    A denial, a denial, a denial, a denial

    Writer/s: KURT COBAIN, KRIST NOVOSELIC, DAVID GROHL
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Smells Like Teen Spirit Song Chart
  • Kurt Cobain wrote this song for Nirvana; it came together in a jam session when he played it for the band. He said: "I was trying to write the ultimate pop song. I was basically trying to rip off The Pixies."
  • Kathleen Hanna, the lead singer of the group Bikini Kill, gave Cobain the idea for the title when she spray painted "Kurt Smells Like Teen Spirit" on his bedroom wall after a night of drinking and spraying graffiti around the Seattle area. In his pre-Courtney Love days, Cobain went out with Bikini Kill lead singer Tobi Vail, but she dumped him. Vail wore Teen Spirit deodorant, and Hanna was implying that Cobain was marked with her scent.

    Hanna explained that early in the night, she was Cobain's lookout as he spray pained "God Is Gay" on the wall of a religious center that they believed was posing as an abortion clinic and telling women they would go to hell if they aborted their child. They got quite inebriated that night, and Hanna said, "We ended up in Kurt's apartment and I smashed up a bunch of s--t. I took out a Sharpie marker and I wrote all over his bedroom wall - it was a rental so it was really kind of lame that I did that. I passed out with the marker in my hand, and woke up hung over." Six months later she got a call from Cobain, asking her if he could use what she wrote on the wall for a lyric. Said Hanna, "I thought, how is he going to use 'Kurt Smells Like Teen Spirit as a lyric?"
  • Cobain didn't know it when he wrote the song, but Teen Spirit is a brand of deodorant marketed to young girls. Kurt thought Hanna was complimenting him on his rebellious spirit, as someone who could inspire youth. Sales of Teen Spirit deodorant shot up when this became a hit, even though it is never mentioned in the lyrics.
  • This was the first "Alternative" song to become a huge hit, and in many ways it redefined the term, as "alternative" implies lack of popularity and the song was embraced by the mainstream. In an effort to save the label for acts like Porno For Pyros and Catherine Wheel, some industry folk referred to the genre as "Modern Rock," which became a common radio format. "Alternative" became more of a catchall for music played by white people that didn't fit the pop or country formats, and Nirvana quickly became a "Classic Alternative" band.
  • With this track, Nirvana helped ignite the "grunge" craze, which was characterized by loud guitars, angst-ridden lyrics, and flannel. Grunge was a look and sound that was distorted and emotive, led by bands coming out of the Northwest. Pearl Jam and Soundgarden were other top grunge bands of the era. Cobain would often dismiss the term as a meaningless label when asked about it in early interviews, but their bass player Krist Novoselic explained that it was a growling, organic guitar sound that defined it.
  • Cobain said he wrote this song because he was feeling "disgusted with my generation's apathy, and with my own apathy and spinelessness." This feeling of detachment is what led to lyrics like "Oh well, whatever, nevermind." Krist Novoselic added: "Kurt really despised the mainstream. That's what 'Smells Like Teen Spirit' was all about: The mass mentality of conformity."
  • The video was a huge hit on MTV. The concept was "Pep Rally from Hell," and it was shot at Culver City Studios in California on August 17, 1991, directed by Samuel Bayer, who was a 1987 graduate of the New York City School of Visual Arts. The kids were recruited at a show the band played two days earlier at The Roxy Theater in Los Angeles, where flyers were handed out saying, "Nirvana needs you to appear in their upcoming music video. You should be 18-25 year old and adopt a high school persona, i.e. preppy, punk, nerd, jock. Be prepared to stay for several hours. Come support Nirvana and have a great time."

    The shoot took more like 12 hours, with the extras ordered to sit in the bleachers and look bored while the song played over and over. Said Bayer: "Nobody wanted to be there for more than a half hour, and I needed them for 12 hours. By the 11th hour when the band had had it with me and the kids were so angry with me, they said, 'Can we destroy the set?'" Bayer let the kids come down and form a mosh pit, and with all that pent-up energy they proceeded to smash up the set. This impromptu and genuine destruction provided a nice finale for the clip.
  • The video was inspired by the movie and song Rock And Roll High School by the Ramones, and was also influenced by a 1979 movie called Over the Edge, which was a favorite of Cobain and showed rebellious kids destroying a high school.

    According to Bayer, Cobain was getting very frustrated with the shoot, but Bayer needed another take. Cobain channeled his frustration into the performance that you see near the end of the video, where he is screaming and mashing his face near the camera. It was great acting trigger by his real anger.

    Bayer did the first edit of the video , which Cobain didn't like - he used a principal character in a lot of shots and cut it too literal, with the music synching up to the playing. Cobain worked with him to recut the video and make it much more surreal, inserting his crazy look as the second to last shot, and making sure that for his guitar solo, his hands were in the wrong place on the guitar.
  • The girls who played the cheerleaders in the video were originally supposed to be very fat and unattractive (Cobain's idea). The Director Samuel Bayer did not like this idea, but still allowed the cheerleaders to have "sleeve" tattoos and the symbol for anarchy on their shirts. He says he recruited them from a local strip club, which helps explain their unorthodox cheers. (thanks, Chris - Louisville, KY)
  • Weird Al Yankovic did a parody of this called "Smells Like Nirvana." He shot his video in the same gym with the same janitor, but in his video, the janitor was wearing a tutu. Cobain said he was flattered by the parody: "I loved, it, it was really amusing." (thanks, Peter - Montreal, Canada)
  • The distinctive bridge was originally at the end of the song. Producer Butch Vig had them move it to the middle.
  • A lot was made of Cobain being a spokesperson for Generation X when this song became a hit. Cobain responded by saying, "I don't have the answers for anything. I don't want to be a f--king spokesperson."

    Producer Butch Vig explained, "That ambiguity or confusion, that's the whole thing. What the kids are attracted to in the music is that he's not necessarily a spokesman for a generation. He doesn't necessarily know what he wants but he's pissed. It's all these things working at different levels at once. I don't exactly know what 'Teen Spirit' means, but you know it means something and it's intense as hell."
  • The line "Here we are now, entertain us" was something Cobain used to say when he entered a party.
  • In a sign of the cultural apocalypse, the February 20, 1992 issue of Rolling Stone magazine featured the cast of the TV show Beverly Hills 90210 with the tag line "Smells Like Teen Spirit," turning Kurt Cobain's diatribe against the culture of conformity into a convenient headline for a story about a TV series about rich kids. Here's the cover.
  • For a while, MTV refused to air the video. When they finally did, it was on their alternative show 120 Minutes. When the song became a hit, the video went into hot rotation.
  • The album cover shows a baby swimming toward a dollar bill. Cobain and Nirvana bass player Krist Novoselic had seen a documentary on underwater birth and wanted to use that image on the cover. Pictures of babies being born underwater were too gross, so they hired a photographer to take some underwater shots during a water babies class. The baby they chose was Spencer Elden, who was 4 months old at the time.
  • At many of their later shows, Nirvana did not play this song, helping root out the people coming just to hear a hit.
  • Courtney Love deliberated a long time before allowing this to be used in the 2001 movie Moulin Rouge. Dave Grohl and Krist Novoselic, who along with Love control the Nirvana catalog, claimed Love was trying to get the title role in the movie, which went to Nicole Kidman.

    The song was later used in the 2011 movie The Muppets (where it is performed to a captive Jack Black by The Muppet Barbershop Quartet), and in the 2015 film Pan, where it is sung by a large group of rebellious child slaves. It's use in this last film was, er... panned by Entertainment Weekly, which wrote, "The song's satirical lyrics make an already gauche movie even dorkier."
  • The opening guitar part is a small variation on the main riff of Boston's "More Than A Feeling." This was noted by a Rolling Stone magazine writer years later, but not as an accusation of plagiarism. Influences and similarities like this are everywhere in rock music. (thanks, Redstar - Redding, CT)
  • The Nevermind album title is taken from the song's lyric: "And I forget just why I taste / Oh yeah, I guess it makes me smile / I found it hard, it's hard to find / Oh well, whatever, never mind."
  • Dave Grohl recalled to Mojo magazine March 2011: "Teen Spirit definitely established that quiet/loud dynamic thing that we fell back on a lot of the time. It did become that one song that personifies the band. But the video was probably the key element in that song becoming a hit. People heard the song on the radio and they thought, 'This is great,' but when kids saw the video on MTV they thought, 'This is cool. These guys are kinda ugly and they're tearing up their f--king high school.' So I think that had a lot to do with what happened with the song.

    But do I think it's the greatest single of all time? Of course not! I don't even think it's the greatest Nirvana single. And compared to Revolution by The Beatles or God Only Knows by The Beach Boys?! Give me a break! Smells like Teen Spirit was a great moment in time… but there's better."
  • A version by Miley Cyrus performed by the pop singer on her Gypsy Heart tour topped Rolling Stone's 2011 reader list of the top 10 Worst Cover Songs of All Time. It was so bad that it even outranked Britney's much-maligned version of "I Love Rock and Roll!"
  • Tori Amos did a popular cover of this song in 1992 that Nirvana sometimes played as their introduction music when they took the stage.

    Amos was on tour when Cobain died in 1994 and performed her version two days later at a show in Dublin. Patti Smith also recorded the song for her covers album Twelve.
  • The song was re-released as a limited edition 7-inch vinyl single in December 2011 for an online campaign to get it to the Christmas number one in the UK Singles Chart. However, the track only reached #11 - four places lower than the peak originally scaled by the song 20 years previously.
  • The band's producer, Butch Vig, heard this song for the first time on a low quality cassette recording the band made. He couldn't make out much of the song because it was so distorted. When the band started rehearsing it in the studio, however, Vig heard the potential in the song. He made sure it was the first track on the album, since it made a statement. Vig told NPR: "Even though we're not really sure what Kurt is singing about, there's something in there that you understand; the sense of frustration and alienation. To me, 'Smells Like Teen Spirit' reminds me a little bit of how Bob Dylan's songs affected people in the '60s. In a way, I feel the song affected a generation of kids in the '90s. They could relate to it."
  • The lines, "And we all just. Entertainers. And we're stupid. And contagious," were interpolated by Jay-Z on his 2013 song "Holy Grail." Hova's track debuted at #8 on the Hot 100 resulting in Kurt Cobain receiving his first Top 10 writing credit since this song charted.
  • When Nirvana was inducted into the Rock and Roll Hall of Fame in 2014, the surviving members performed a selection of songs with various female singers. For this song, Joan Jett joined them. The following year, Jett was inducted into the Rock Hall.

  • G.R.L. Songs - Lighthouse
    G.R.L. - Lighthouse


    G.R.L. - Lighthouse Lyrics and Youtube Music Videos

    Album: Single Release Only
    Released: 2015

    Lighthouse Lyrics


    Lighthouse Song Chart
  • On September 5, 2014 G.R.L founder member Simone Battle was found dead at her West Hollywood home leaving the group a quartet. Her death was ruled a suicide by Los Angeles authorities. This is the first song release by G.R.L. since their tragic loss.
  • The track is dedicated to Battle. The group's Emmalyn Estrada told People: "We rehearsed the other day without her and it's just weird. But she was so passionate about singing and this group, and I feel like we're keeping her memory alive by being together. But right now we're focused on the song and the positive message overall, about being together in hard times. We're taking everything else one day at a time."

  • The Rolling Stones Songs - Around And Around
    The Rolling Stones - Around And Around


    The Rolling Stones - Around And Around Lyrics and Youtube Music Videos

    Album: 12 x 5
    Released: 1964

    Around And Around Lyrics


    I said the joint was rocking
    Goin' round and round
    Yeah, reeling and a rocking
    What a crazy sound
    And they never stopped rocking
    'Til the moon went down

    Well it sounds so sweet
    I had to take me chance
    Rose out of my seat
    I just had to dance
    Started moving my feet
    Whoa to clapping my hands

    I said the joint was a rocking
    Goin' round and round
    Yeah, reeling and a rocking
    What a crazy sound
    And they never stopped rocking
    'Til the moon went down

    Yeah at twelve o'clock
    Yeah the place was packed
    Front doors was locked
    Yeah the place was packed
    And when the police knocked
    Those doors flew back

    But they kept on rocking
    Goin' round and round
    Yeah, reeling and a rocking
    What a crazy sound
    And they never stopped rocking
    'Til the moon went down

    And they go on rocking
    Goin' round and round
    Yeah, reeling and a rocking
    What a crazy sound
    And they never stopped rocking
    'Til the moon went down

    Well the joint stayed a rocking
    Goin' round and round
    Yeah, reeling and a rocking
    What a crazy sound
    And they never stopped rocking
    'Til the moon went down

    Writer/s: CHUCK BERRY
    Publisher: BMG PLATINUM SONGS
    Lyrics licensed and provided by LyricFind

    Around And Around Song Chart
  • Chuck Berry wrote this and was the first to record it. Keith Richards thought Chuck Berry was "The epitome of rock and roll playing."
  • This was the first song Mick Jagger sang when he and Keith Richards sat in with the group Blues Inc. in 1962. It was also the first song The Rolling Stones ever recorded. They cut it in March of 1962, although this version was never released. They re-recorded it in 1964 for the 12 x 5 album. (thanks, Bertrand - Paris, France)
  • The Stones performed this on their first Ed Sullivan show appearance in 1964. Sullivan announced that he would never have them on again, but ended up inviting them back several times.
  • Probable lineup:
    Drums: Charlie Watts
    Bass: Bill Wyman
    Rhythm electric guitar: Brian Jones
    Lead electric guitar: Keith Richards
    Vocal: Mick Jagger
    Piano: Ian Stewart (thanks, Bertrand - Paris, France)

  • Kat Dahlia Songs - Just Another Dude
    Kat Dahlia - Just Another Dude


    Kat Dahlia - Just Another Dude Lyrics and Youtube Music Videos

    Album: My Garden
    Released: 2015

    Just Another Dude Lyrics


    What a strange thought
    I'm running around town
    I'm trying to find my heart but it's been shot
    By the one who holds the gun
    Oo he got me, he shot me good
    Oo he got me, he shot me good

    You, you treat me like a fool
    You're making me feel used, by you
    Oh what do I do to break loose
    Oo I'm so confused
    I guess I'll pay my dues
    Why do I like this abuse, by you
    Oh what do I do to break loose
    You're Just Another Dude

    I used stand so tall
    Now I can't stand at all
    Baby made me fall
    He shot me on the wall
    Oo he got me, he shot me good
    Oo he got me
    He had the gun he had the pen I was the mark

    Oo baby you, you treat me like a fool
    You're making me feel used, by you
    Oh what do I do to break loose
    Oo I'm so confused
    I guess I'll pay my dues
    Why do I like this abuse, by you
    Oh what do I do to break loose

    Oo baby you got me running running running running all over town
    I got nothing nothing nothing nothing nothing to show
    But these wounds are proof
    It's all cause of you, cause of you

    Oo baby you got me running running running running all over town
    I got nothing nothing nothing nothing nothing to show
    But these wounds are proof
    It's all cause of you, cause of you
    You're just another dude

    Writer/s: JULCA, DAVID / JULCA, JONATHAN / HUGUET, KATRIANA SANDRA / GARCIA, JAVIER
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Just Another Dude Song Chart
  • Kat Dahlia closes My Garden with this acoustic guitar-driven song in which she details the pain of a broken heart after suffering a betrayal from her lover. Dahlia said during a Reddit AMA that this is the most post personal song on the record. "I literally went into the booth and just sang it out without even writing anything down - literally sang out my feelings in the moment, and we pretty much kept that take," she recalled. "We only did two takes, and we kept those takes in the moment."

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