Songs Lyrics and YT- Youtube Music Videos

Mungo Jerry - In the Summertime

Mungo Jerry - In the Summertime Lyrics and Youtube Music Videos

Album: In the Summertime
Released: 1970

In the Summertime Lyrics

Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh

In the Summertime when the weather is hot
You can stretch right up and touch the sky
When the weather's fine
You got women, you got women on your mind
Have a drink, have a drive
Go out and see what you can find

If her daddy's rich take her out for a meal
If her daddy's poor just do what you feel
Speed along the lane
Do a ton or a ton an' twenty-five
When the sun goes down
You can make it, make it good in a lay-by

We're no threat, people
We're not dirty, we're not mean
We love everybody but we do as we please
When the weather's fine
We go fishin' or go swimmin' in the sea
We're always happy
Life's for livin' yeah, that's our philosophy

Sing along with us
Dee dee dee-dee dee
Dah dah dah-dah dah
Yeah we're hap-happy
Dah dah-dah
Dee-dah-do dee-dah-do dah-do-dah
Dah-do-dah-dah-dah
Dah-dah-dah do-dah-dah

Alright ah

Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh

When the winter's here, yeah it's party time
Bring your bottle, wear your bright clothes
It'll soon be summertime
And we'll sing again
We'll go drivin' or maybe we'll settle down
If she's rich, if she's nice
Bring your friends and we'll all go into town

Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh, uh
Chh chh-chh, uh, Chh chh-chh

In the summertime when the weather is hot
You can stretch right up and touch the sky
When the weather's fine
You got women, you got women on your mind
Have a drink, have a drive
Go out and see what you can find

If her daddy's rich take her out for a meal
If her daddy's poor just do what you feel
Speed along the lane
Do a ton or a ton an' twenty-five
When the sun goes down
You can make it, make it good in a lay-by

We're no threat, people
We're not dirty, we're not mean
We love everybody but we do as we please
When the weather's fine
We go fishin' or go swimmin' in the sea
We're always happy
Life's for livin' yeah, that's our philosophy

Sing along with us
Dee dee dee-dee dee
Dah dah dah-dah dah
Yeah we're hap-happy
Dah dah-dah
Dee-dah-do dee-dah-do dah-do-dah
Dah-do-dah-dah-dah

Writer/s: DORSET, RAY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

In the Summertime

This buoyant tune was written by Ray Dorset, who was the group's lead singer and guitarist. He penned the song in 1968 when he was working for Timex in the UK - his band was just getting started and music was more of a hobby at the time. Dorest says that the famous melody just popped into his head one day, and the next day he wrote the lyrics very quickly.

"It's got no chorus; all it's got is a melody that goes over and over again with a set of lyrics that conjure up a celebration of life," he said. "Especially if you're a young person: it's a great day, you've managed to get a car - preferably with the top off - you're cruising around, and if you're a guy you're picking up girls."

The band was known as Memphis Leather and The Good Earth before getting a record deal and changing their name to Mungo Jerry (after the character Mungojerrie from the T. S. Eliot book Old Possum's Book of Practical Cats - later the basis for the Broadway play Cats).

Barry Murray, a producer at Pye Records, was a friend of Ray Dorset's and signed the group to the label's more adventurous imprint, Dawn Records, which released "In The Summertime" as their first single. The song took off, going to #1 in their native UK and making #3 in America. The UK fortunes of the song were aided by the group's appearance at the Hollywood Music Festival in Staffordshire England on May 23, 1970, shortly after the song was released. Playing on low on a bill with the Grateful Dead, Black Sabbath, Free and Traffic, the song got the attention of the 35,000 or so fans in attendance, giving it a huge lift.

The American appeal of this song can be attributed to the lyrical inspiration: American beach movies that lead singer Ray Dorset grew up watching. "That was the teenage dream," he said. "What more can you want?"

There is some very interesting instrumentation on this track. Ray Dorset did the vocals and played guitars (acoustic and electric), as well as a shaker instrument called cabasa. Paul King played banjo and jug; Mike Cole played string bass; Colin Earl played piano.

Note that there are no drums, although you can hear Dorset stomping his foot to the rhythm. This was influenced by John Lee Hooker, who often used his foot as a percussion instrument.

Another structural anomaly: the title is repeated just twice in the song.

Few songs have endured like this one, which finds its way onto playlists every summer and is constantly being commissioned for movies, TV shows and commercials. "It's an honor for me to have a song that I wrote that people want to associate with so many different moods and feelings and events," Ray Dorset said. "The longer it goes on, the more it becomes like 'Happy Birthday,' because when everybody thinks of the summer, they think of 'In The Summertime.'"

Around the two-minute mark, the song stops and we hear a car drive by, punctuating the line, "we'll all go into town." This was a recording of the engineer's sports car driving by the studio.

The band made a video for this song, which some UK groups did to promote their wares on European TV shows. Like most videos of the time, it's a performance piece, but thanks to the jug and upright bass it was a very unusual performance. Also distinguishing the video: lead singer Ray Dorset's sweet mutton chops, scarf and fishnet shirt.

The Reggae artist Shaggy covered this in 1995. His version, which features the singer Rayvon, reached #5 in the UK. Ray Dorset re-recorded his guitar part for Shaggy's version.

In the UK, this was issued as a "maxi-single," which was a 7-inch record played at 33 1/3 RPM instead of the standard 45, which allowed for more music in the limited space. Also included on the single were two other songs: "Mighty Man" and "Dust Pneumonia Blues."

In the US, "In The Summertime" was issued as a standard single and also included on the album of the same name. In the UK, the group's first album was called Mungo Jerry, and did not include this song.

Mungo Jerry never again charted in the US, but fared very well in the UK, where the following year "Baby Jump" went to #1 and "Lady Rose" made #5. The group scored five more Top 40 UK hits by 1974. They have since been sporadically active under Ray Dorset's guidance with a number of different lineups.

This sold over 16 million copies worldwide and was Britain's biggest-selling single in 1970. In that territory, it really was the "song of the summer," peaking in June that year. By the time the song caught on in America, summer was coming to an end - it reached it's peak position on September 12.

Some of the many TV shows to use this song include:

The Simpsons (2004)
Life on Mars (2007)
New Girl (2014)

Movies include:
The Substitute (1996)
Breaking Out (1999)
Mr. Deeds (2002)
Anita and Me (2002)
Wedding Crashers (2005)
Despicable Me 2 (2013)

Bruce Springsteen - Lucky Town

Bruce Springsteen - Lucky Town Lyrics and Youtube Music Videos

Album: Lucky Town
Released: 1992

Lucky Town Lyrics

Lucky Town Song Chart

This was the title track to the album released simultaneously with Human Touch. It probably would have sold better, but Springsteen alienated many fans by releasing both albums the same day at full price.

A live version was released as a single in England.

In 2007, this was used in the film Lucky You, a box office flop starring Drew Barrymore and Robert Duvall. (thanks, Bertrand - Paris, France)

The Beatles - P.S. I Love You

The Beatles - P.S. I Love You Lyrics and Youtube Music Videos
Album: Please Please Me
Released: 1962

P.S. I Love You Lyrics

As I write this letter, send my love to you
Remember that I'll always be in love with you
Treasure these few words till we're together
Keep all my love forever

P.S. I Love You, you, you, you
As I write this letter, send my love to you
Remember that I'll always be in love with you

I'll be coming home again to you, love
And till the day I do, love, you, you, you, you

Writer/s: PAUL MCCARTNEY, JOHN LENNON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

P.S. I Love You Song Chart

Paul McCartney wrote this song in Hamburg, Germany while The Beatles were the house band at The Star Club, where they spent much of 1962 improving their skills with constant live performances. An early favorite, the band performed the song at their Parlophone Records audition on June 6, 1962.

A very early Beatles song, this is a great example of how the group forged a very personal relationship with their fans through songs that spoke directly to the listener. The words "I," "You," "Me" and "Love" show up in many of their early hits, creating a strong connection between band and listener.

This was used as the B-side of "Love Me Do," the first Beatles release in England. It was going to be their first single, but Peggy Lee had a song out with the same title so the record company decided to release "Love Me Do" instead.

In 2007, a movie called P.S. I Love You was released starring Hilary Swank, Lisa Kudrow and Gerald Butler.

Please Please Me is the only Beatles album with the original songs credited to "McCartney/Lennon"; hereafter (and in subsequent releases of this album on CD), they would be credited as the more familiar "Lennon/McCartney." (thanks, Bertrand - Paris, France)

Chris Cornell - Wave Goodbye

Chris Cornell - Wave Goodbye Lyrics and Youtube Music Videos

Album: Euphoria Morning
Released: 1999

Wave Goodbye Lyrics

Words get tangled on your tongue
And you stumble on your feet
When you miss somebody
And everywhere you think you see them
Walking down the street
When you miss somebody
When you miss somebody
You tell yourself a hundred thousand times
Nobody ever lives forever
So you give it one more try
To Wave Goodbye, wave goodbye

Every hurtful thing you ever said
Is ringing in your ear
When you miss somebody
And everything of beauty that you see
Only brings a tear
When you miss somebody
When you miss somebody
You tell yourself everything will be alright
Try to stand up strong and brave
When all you want to do is lay down and die

How long I've waited for an answer or a sign
Lonely and weary from
The troubled task of trying
To wave goodbye

So now you start to recognize
That every single path you see
Leads to a tear in your eye
So wave goodbye, wave goodbye

Writer/s: Cornell, Chris
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Wave Goodbye

Cornell wrote this for his good friend Jeff Buckley, who had recently died. Cornell has said that it was one of the most straightforward songs that he has ever written. (thanks, sinead - Galway, Ireland)

Jeff Buckley was an acclaimed singer/songwriter who drowned in 1997 while swimming in the Mississippi River. His father, Tim, was a very influential folk singer who died of a heroin overdose in 1977. Tim was 28 when he died, Jeff was 30.

Euphoria Morning was Cornell's first solo album, which he followed in 2007 with Carry On and in 2009 with Scream. He was formerly lead singer of Soundgarden, and went on to form Audioslave.

Dire Straits - Romeo And Juliet

Dire Straits - Romeo And Juliet Lyrics and Youtube Music Videos

Album: Making Movies
Released: 1980

Romeo And Juliet Lyrics

A lovestruck Romeo sings the streets of serenade
Laying everybody low with a love song that he made
Finds a convenient streetlight steps out of the shade
Says something like you and me babe how about it?

Juliet says hey it's Romeo you nearly gimme me a heart attack
He's underneath the window she's singing hey la my boyfriend's back
You shouldn't come around here singing up at people like that
Anyway what you gonna do about it?

Juliet the dice were loaded from the start
And I bet and you exploded in my heart
And I forget I forget the movie song
When you gonna realize it was just that the time was wrong, Juliet?

Come up on different streets they booth were streets of shame
Both dirty both mean yes and the dream was just the same
And I dreamed your dream for you and now your dream is real
How can you look at me as if I was just another one of your deals?

When you can fall for chains of silver you can fall for chains of gold
You can fall for pretty strangers and the promises they hold
You promised me everything you promised me thick and thin
Now you just say oh Romeo yeah you know I used to have a scene with him

Juliet when we made love you used to cry
You said I love you like the stars above I'll love you till I die
There's a place for us you know the movie song
When you gonna realize it was just that the time was wrong Juliet?

I can't do the talk like they talk on TV
And I can't do a love song like the way it's meant to be
I can't do everything but I'd do anything for you
I can't do anything except be in love with you

And all I do is miss you and the way we used to be
All I do is keep the beat and bad company
All I do is kiss you through the bars of Orion
Julie I'd do the stars with you any time

Juliet when we made love you used to cry
You said I love you like the stars above I'll love you till I die
There's a place for us you know the movie song
When you gonna realize it was just that the time was wrong Juliet?

A lovestruck Romeo sings the streets of serenade
Laying everybody low with a love song that he made
Finds a convenient streetlight steps out of the shade
Says something like you and me babe how about it?

Writer/s: Gorman, Freddie / Hamilton, Bob
Publisher: EMI Music Publishing
Lyrics licensed and provided by LyricFind

Romeo And Juliet

This song was inspired by Mark Knopfler's broken romance with Holly Vincent, who was the leader of the band Holly And The Italians. Some of the lyrics indicate that Knopfler felt she used him to boost her career.

The line, "Now you just say, oh Romeo, yeah, you know I used to have a scene with him," came from an interview where Holly Vincent was quoted as saying: "What happened was that I had a scene with Mark Knopfler and it got to the point where he couldn't handle it and we split up."

Knopfler's younger brother David, how was rhythm guitarist in Dire Straits, left the band during the album sessions. Having two brothers in the same band caused tension and arguments. Said David: "I left because it was no longer possible for Mark and I to work in the same band. We'd be walking around in the studio with eyes averted to the floor. We no longer had a communicating relationship."

Roy Bittan from Bruce Springsteen's E Street Band played keyboards on the album.

This song is about a couple who are in love, but they break up because "The time wasn't right." It's a sad sentiment, as the guy will always love the girl.

This is played in the movie Empire Records, although it does not appear on the soundtrack.

Dire Straits recorded a popular live version for their album On The Night.

Making Movies was recorded at The Power Station in New York City with producer Jimmy Iovine. He had been engineer/mixer on Bruce Springsteen's Born To Run and producer on Patti Smith's Easter.

The Killers covered this on their 2007 B-sides, covers and rarities compilation Sawdust. In an interview with Q magazine January 2008, the band's drummer Ronnie Vannucci explained why they chose this song: "We've covered 'Romeo And Juliet' because it's a great song - Brandon was really into it. The original idea was to do the song with Johnny Borrell (Vocalist of British band Razorlight) though, but he got really sick and couldn't do it." Frontman Brandon Flowers added: "We're not overly anxious about Dire Straits, though. We're not ashamed of covering 'Romeo And Juliet,' either. It's one of the finest songs ever. Brilliant melodies."

Starland Vocal Band - Afternoon Delight

Starland Vocal Band - Afternoon Delight Lyrics and Youtube Music Videos
Album: Starland Vocal Band
Released: 1976

Afternoon Delight Lyrics

Gonna find my baby, gonna hold her tight
Gonna grab some Afternoon Delight
My motto's always been 'when it's right, it's right'
Why wait until the middle of a cold dark night?
When everything's a little clearer in the light of day
And we know the night is always gonna be there any way

Thinkin' of you's workin' up my appetite
Looking forward to a little afternoon delight
Rubbin' sticks and stones together makes the sparks ingite
And the thought of lovin' you is getting so exciting
Sky rockets in flight
Afternoon delight
Afternoon delight
Afternoon delight

Started out this morning feeling so polite
I always though a fish could not be caught who wouldn't bite
But you've got some bait a waitin' and I think I might try nibbling
A little afternoon delight
Sky rockets in flight
Afternoon delight
Afternoon delight
Afternoon delight

Please be waiting for me, baby, when I come around
We could make a lot of lovin' 'for the sun goes down

Thinkin' of you's workin' up my appetite
Looking forward to a little afternoon delight
Rubbin' sticks and stones together makes the sparks ingite
And the thought of lovin' you is getting so exciting
Sky rockets in flight
Afternoon delight
Afternoon delight
Afternoon delight

Afternoon delight!

Writer/s: BILL DANOFF
Publisher: BMG RIGHTS MANAGEMENT US, LLC, Reservoir One Music, RESERVOIR MEDIA MANAGEMENT INC
Lyrics licensed and provided by LyricFind

Afternoon Delight Song Chart

This is a double entendre song named after the late-afternoon appetizer menu at the restaurant Clyde's Of Georgetown in Washington, DC, where they have a gold record from this song hanging in the bar. That's the official explanation at least: the other meaning is daytime sex. The inspirational menu heading read: "Afternoon Delights."

The Starland vocal band delivered 4-part harmonies with the married couple Bill and Taffy Danoff (Taffy Nivert after they split up), and another couple: Margot Chapman and Jon Carroll (the baby of the bunch, he was just 19 when the song was released). Taffy spiced up the stage banter when they performed this song, explaining that the title came from the menu, but adding some version of "...then Bill came home and we had our own Afternoon Delight. We wrote the song instead of having a cigarette."

Bill says the songwriting was far from sexy: he wrote it over the course of six months, often on Sundays when he was watching Redskins football. "All that energy coming out of the tube gets my creative juices flowing," he told People magazine.

This was the only hit for the Starland Vocal Band, who won the Grammy for Best New Artist of 1976, beating out the band Boston. In a VH1 special on One-Hit-Wonders, Bill Danoff of Starland Vocal Band said: "We got two of the five Grammys - one was Best New Artist. So that was basically the kiss of death and I feel sorry for everyone who's gotten it since."
Starland Vocal Band was a newcomer, but the Danoffs had already released four albums, two under the name Fat City and two as Billy and Taffy. The Starland Vocal Band split up after their fourth album.

Despite having only this one hit, the Starland Vocal Band were given their own TV series called The Starland Vocal Band in 1977. An unknown comic named David Letterman appeared on the show.

Under the name Fat City, the group sang backup on John Denver's "Take Me Home Country Roads." Bill and Taffy co-wrote the song. Denver helped get the Starland Vocal Band a record deal with RCA, where he had his own vanity label, Windsong Records.

From 1997-2007, Bill Danoff had his own restaurant in Washington DC called The Starland Cafe.

This was used in two 2004 movies that were set in the '70s: Anchorman and Starsky and Hutch. The Anchorman DVD contains a video of the cast performing the song, with an intro by Will Ferrell, who in his Ron Burgundy character says: "If you don't think this song is the greatest song ever, I will fight you." (thanks, Billy - Pittsburgh, PA)

Arcade Fire - You Already Know

Arcade Fire - You Already Know Lyrics and Youtube Music Videos

Album: Reflektor
Released: 2013

You Already Know Lyrics

We have fabulous music from
The fantastic
Arcade Fire!

Sometimes it moves so fast
Sometimes it moves so fast
If you stop to ask
It's already passed
So how can you move so slow?
How can you move so slow?
You miss it if you don't
You miss it if you

Don't already know
Already know
Already know
Already know
Already know

When your love is right
When your love is right
You can't sleep at night
You've been sleeping just fine
But when your love is bad
When your love is bad
Don't know why you're so sad
But it's time to go

You Already Know
Already know
You already know
You already know
You already know
You already know
You already know
Already know

Sometimes it moves so fast
Sometimes it moves so fast
If you stop to ask
It's already passed
So how can you move so slow?
How can you move it so slow?
You missed it, you know
You missed it

You already know
Already know
You already know
You already know
You already know
You already know
You already know

Please stop wondering why you feel so bad
You already know (Already know)
Please stop wondering why you feel so sad
When you already know (Already know)
Please stop wondering why you feel so bad
When you already know (Already know)
Please stop wondering why you feel so sad
When you already know (Already know)

Already know
It's time to go

She said
"Well how do I know
When I know
When I know?" (You already know)

Well then he said
"Well how do I know
When I know
When I know?" (You already know)

She said
"Well how do I know
When I know
When I know?"

(Arcade Fire ladies and gentlemen)

Writer/s: Butler, Win / Chassagne, Regine / Butler, William / Parry, Richard R / Gara, Jeremy / Kingsbury, Tim
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

You Already Know

This Post-Punk song starts with a clip from Arcade Fire's 2007 performance on Jonathan Ross's BBC talk show when Win Butler smashed a camera live on television with an ukulele. "We have fantastic music from the fantastic Awcade Fiyah," introduced the famously 'r'-challenged chat show presenter.

This is one of several tracks on Reflektor where there's a dance-music influence. Win Butler told BBC Radio 1's Zane Lowe that it was the album's co-producer, LCD Soundsystem mainman James Murphy, that provided the band with a guiding path for their more rhythmic direction. "If you can get James tapping his foot," Butler said, "you know you're on the right track."

Arcade Fire had the first ideas for Reflektor when playing a gig in rural Haiti, which led the group to making a more dancier album, Win Butler explained to Rolling Stone: "You're playing for people who have never heard the Beatles before. In rural Haiti, they've never heard 'I Want To Hold Your Hand.' They've never heard Elvis. So if you don't have any of this kind of context of rock & roll, if you just play a song, what makes it connect? There's the rhythmic elements of the songs and the emotion in the vocal — you're able to really connect with people that you don't share language or a common culture with."

"You know, 'Headlights Look Like Diamonds' is on our first EP and that's pretty much like a New Order dance song, and New Order is probably one of our biggest influences from the beginning," Butler added. "That's one of the things we always connected to with James Murphy. LCD to me is like New Order and the B-52's and we deeply share a lot of those influences, and we did completely different things with it. Régine (Chassagne, bandmate and wife) is kind of the person who dances. At any given minute, if you can get Régine to dance, you're kind of on the right track, so I think we just wanted to make a record that Régine could dance to."

Jonathan Ross re-enacted his epilogue on stage with the band during their performances at Coachella and Later Live... with Jools Holland.

The music video was filmed and directed by Win Butler. As the band perform the song in a sun-lit bedroom, the camera pans to various pink-eyed framed portraits who come alive and lip-sync to the track.

Arthur Brown - Fire

Arthur Brown - Fire Youtube Music Videos and Lyrics

Album: The Crazy World of Arthur Brown
Released: 1968

Fire Lyrics

I am the god of hell Fire and I bring you:

Fire
I'll take you to burn.
Fire
I'll take you to learn.
I'll see you burn!
You fought hard and you saved and learned

but all of it's going to burn.
And your mind
Your tiny mind
You know you've really been so blind.
Now's your time burn your mind.
You're falling far too far behind.
Oh no
Oh no
Oh no
You gonna burn!

Fire
To destroy all you've done.
Fire
To end all you've become.
I'll feel your burn!

You've been living like a little girl
In the middle of your little world.
And your mind
Your tiny mind
You know you've really been so blind.
Now's your time burn your mind
You're falling far too far behind.

Fire
I'll take you to burn.
Fire
I'll take you to learn.
You gonna burn, burn, burn
Fire
I'll take you to burn

Writer/s: HOWLETT, LIAM/GAD, PABLO/FREDDY, DADDY/BROWN, ARTHUR L.
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC, Peermusic Publishing, Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group, GOWMONK, INC., Ultra Tunes, Reservoir One Music, Walt Disney Music Company
Lyrics licensed and provided by LyricFind

Fire Song Chart

Brown was born Arthur Wilton in Yorkshire, England. Bridging the gap between Screaming Jay Hawkins and Alice Cooper, his incendiary hit was a sensation in 1968, but the flames burned out fast, as "Fire" proved to be his only hit.

Brown often performed this song while wearing a flaming hat. He was known for his zany and outrageous stage act, as witnessed by British beat writer Charles Fox on the album notes: "At first-with Arthur Brown being lowered by crane on to the stage - it looked like being just another piece of zaniness. But once Brown began his (not legible) dancing, his face concealed inside a glistening helmet and visor, a saffron robe floating from his shoulders, one became aware of a uniqueness. He belongs to a tradition which goes beyond Music Hall, right back to Mummers' plays. Yet there is a sinister element, too, and one which recalls the smell of seaweed and the rattle of spades and pails. For somehow Arthur Brown contrives to be both the malevolent Punch and-in drag, with grotesque wig and flowered gown-a psychedelic Judy. The effect is disquieting, especially when joined to the singing-fastish blues, and sung exceptionally well, with a voice that can swoop and screech and flutter. So far the Hippies have done little except to opt for smugness instead of hypocrisy. Arthur Brown could easily be the first genuine artist to come out of our local underground. He's disconcerting, even faintly perverse, but distinctly original and very, very English."

Carl Palmer, who went on to join Emerson, Lake, and Palmer, was Brown's drummer. Palmer was 17 at the time and appeared in the video. (thanks, Maeve - Cincinnati, OH)

Vocalist Brown and organist Vincent Crane are the genius behind the band. Their album is a unique insight into actions that lead to a miserable life. All cuts on the album were penned by Brown and/or Crane (they wrote "Fire" together) except for "I Put A Spell On You" by Screamin Jay Hawkins and "Money" by James Brown.

This song was often attributed to "The Crazy World of Arthur Brown" when actually that was the album title. The artist is simply Arthur Brown.

The group's organist, Vincent Crane, who was also a member of Atomic Rooster, also provided the orchestral arrangements.

The album was produced by Kit Lambert and Pete Townshend. Although the group is considered a "one hit wonder," there is a lot more to this album. "Fire" makes more sense when heard as it was meant to be, preceded by "Prelude-Nightmare" and "Fanfare-Fire Poem." (thanks, David - Lubbock, TX, for above 5)

At the famous Mothers Of Invention concert of December 4, 1971 at the Montreux Casino, a guy with a flare gun shot into the ceiling and a fire broke out. When the small fire was first noticed, Mark Vollman the announcer was joking "The fire?... Arthur Brown in person Ladies and Gentlemen!" Later the casino burned down to the ground, an event documented in the song "Smoke On The Water." (thanks, Eberhard Hasche - Berlin, Germany)

At a concert in Lewes, England on August 25, 2007, Arthur Brown's act went awry when the fire in his flaming hat spread to Brown. He wasn't seriously hurt, but it did disrupt the performance. (thanks, Bertrand - Paris, France)

Kelis - Milkshake

Kelis - Milkshake Lyrics and Youtube Music Videos

Album: Tasty
Released: 2003

Milkshake Lyrics

My milk shake brings all the boys to the yard,
And there like,
Its better than yours,
Damn right its better than yours,
I can teach you,
But I have to charge

I know you want it,
The thing that makes me,
What the guys go crazy for.
They lose their minds,
The way I wind,
I think its time

La la-la la la,
Warm it up.
Lala-lalala,
The boys are waiting

My milk shake brings all the boys to the yard,
And there like,
Its better than yours,
Damn right its better than yours,
I can teach you,
But I have to charge

I can see you're on it,
You want me to teach the
Techniques that freaks these boys,
It can't be bought,
Just know, thieves get caught,
Watch if your smart,

La la-la la la,
Warm it up,
La la-la la la,
The boys are waiting,

My milk shake brings all the boys to the yard,
And there like,
Its better than yours,
Damn right its better than yours,
I can teach you,
But I have to charge

Once you get involved,
Everyone will look this way-so,
You must maintain your charm,
Same time maintain your halo,
Just get the perfect blend,
Plus what you have within,
Then next his eyes are squint,
Then he's picked up your scent,

Lala-lalala,
Warm it up,
Lala-lalala,
The boys are waiting,

My milk shake brings all the boys to the yard,
And there like,
Its better than yours,
Damn right its better than yours,
I can teach you,
But I have to charge.

Writer/s:
Publisher: UNIVERSAL MUSIC PUB GROUP, WARNER CHAPPELL MUSIC INC, SONY ATV MUSIC PUB LLC
Lyrics licensed and provided by LyricFind

Milkshake

A "Milkshake" is a girl's sensual energy - what makes her stand out from the other girls. Taken more literally, it is about a girl who dances seductively and attracts the attention of boys in the club. Her "milkshake" is the way she shakes her boobs (the source of mother's milk). It can also be taken to mean oral sex. Bringing the "boys to the yard" could be about attracting boys like a dog in heat.

Kelis (last name: Rogers) was 24 when she recorded this, but it was still a comeback. After graduation from La Guardia High School, which was inspiration for the movie Fame, she signed a record deal and released her first album in 1999. The album was produced by The Neptunes - Chad Hugo and Pharrell Williams - who went on produce hits for acts singers like Nelly, Justin Timberlake and Britney Spears. Despite a hit single called "Caught Out There," Kelis was dropped from her label and waited years before Arista Records signed her and released Tasty. Williams and Hugo wrote this song.

In the December 12, 2004 Observer Music Magazine, Kelis said that Milkshake "means whatever people want it to; it was just a word we came up with on a whim, but then the song took on a life of its own."

Kelis performed this on Saturday Night Live February 14, 2004. Later that year, the song was featured in the movie Mean Girls, which was written by SNL star Tina Fey. According to Fey, the scene was written as the character Regina George's little sister giving a lap dance to a teddy bear, but the director insisted they change it. Instead, they had the girl dance to "Milkshake."

This was used in the movies Dodgeball: A True Underdog Story (2004) and Norbit (2007). It was also featured on the TV shows The Simpsons, Nip/Tuck, and Ugly Betty.

In 2014, Kelis dropped the bombshell that she doesn't drink milkshakes. She said she has positive feelings about the song, however, telling Spin: "It played a huge part in where music went. I'm aware of that, I don't regret it or resent it at all."

The video was directed by Jake Nava, who did many of Beyoncé'a clips, including "Single Ladies (Put a Ring on It)" and "Crazy In Love."

"Milkshake" was shot in a Brooklyn diner called Relish, with the signage changed to make it "Tasty's Yard." Kelis gave some hints to the song's true meaning with lots of provocative poses and dance moves in the video.

The Neptunes' production was inspired by Brazilian women. When Pharrell Williams of the duo was in Brazil, he found himself surrounded by beautiful girls and a type of music that he compared to as "booty shakin' music in Portuguese." Inspired, he created a dance all night feeling for this song.

Bon Jovi - Livin' on a Prayer

Bon Jovi - Livin' on a Prayer Lyrics and Youtube Music Videos

Album: Slippery When Wet
Released: 1986

Livin' on a Prayer Lyrics

Once upon a time
Not so long ago

Tommy used to work on the docks
Union's been on strike
He's down on his luck, it's tough, so tough
Gina works the diner all day
Working for her man, she brings home her pay
For love, for love

She says we've got to hold on to what we've got
'Cause it doesn't make a difference
If we make it or not
We've got each other and that's a lot
For love, we'll give it a shot

Whooah, we're half way there
Livin' on a Prayer
Take my hand and we'll make it, I swear
Livin' on a prayer

Tommy's got his six string in hock
Now he's holding in what he used
To make it talk, o tough, it's tough
Gina dreams of running away
When she cries in the night
Tommy whispers baby it's okay, someday

We've got to hold on to what we've got
'Cause it doesn't make a difference
If we make it or not
We've got each other and that's a lot
For love, we'll give it a shot

Whooah, we're half way there
Livin' on a prayer
Take my hand and we'll make it, I swear
Livin' on a prayer

We've got to hold on ready or not
You live for the fight when it's all that you've got

Whooah, we're half way there
Livin' on a prayer
Take my hand and we'll make it, I swear
Livin' on a prayer

Writer/s: SAMBORA, RICHARD / CHILD, DESMOND / BON JOVI, JON
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Livin' on a Prayer Song Chart

The follow up to Bon Jovi's #1 hit "You Give Love A Bad Name," this song tells the story of Tommy and Gina, two kids working to make it on their own despite constant hardships. It struck a chord with America's youth, especially the ones from New Jersey. The characters in the song relate to the working class fans Bon Jovi played to. "Tommy" works on the docks, while "Gina" works in a diner.

Jon Bon Jovi and Richie Sambora wrote this with Desmond Child , a prolific songwriter who was brought in by the record company to give them a more commercial sound like he did for Kiss on "I Was Made For Lovin' You."

The characters Tommy and Gina were based on a real life situation Desmond encountered in the late '70s with his then girlfriend, Maria Vidal, who he was living with. According to the notes in his Desmond Child & Rouge: Runners In The Night album, Desmond was a New York taxi cab driver and Maria was a waitress in a diner. (thanks, Gavin Radcliffe - Colchester, United Kingdom)

Derek Shulman, who was the lead singer and multi-instrumentalist in the band Gentle Giant, signed Bon Jovi to Mercury Records. In our 2009 interview with Derek, he said: "Slippery When Wet was a really well-constructed pop album. When it was done, I knew in my gut that it was gonna be this big. Because it was the right time, the right place, the right artist. And I had learned some of the business side from being in the business that long, and also having a musical background, I knew that this was gonna be that big. And in fact I also put them together with a co-writer called Desmond Child, who could write great choruses. Here's me looking at Desmond Child and I'm thinking, Man, I wish I would have had choruses like they could write." (Check out the full Gentle Giant interview with Derek and his brother Ray Shulman)

At first, Jon Bon Jovi wanted to leave this off the Slippery When Wet album, thinking it wasn't good enough. According to Jon, a meeting with a group of teenagers changed his mind and it was added to the album.

Richie Sambora used a talkbox on this, which gave it a very distinctive sound. A talkbox is an electronic device that allows a guitar player to make distorted sounds with his mouth. Peter Frampton is famous for using one on his 1976 album Frampton Comes Alive, but the technique lost popularity a few years later. When Bon Jovi released this, it was the first time many young people heard a song featuring a talkbox. Peter Frampton builds all of Richie Sambora's talkboxes for him.

Jon Bon Jovi told Q magazine December 2009 about the difficulties of using a talkbox: "You know that thing is not very easy to play. Basically everything gets fed through a one-inch tube that goes in your mouth. Then you try to sing through it into a live mic. I tried it once. It will damn near take your face off. Your eyeballs are being dislodged from their sockets, man."

The album was going to be called "Wanted Dead Or Alive" (another song on the album) and show the band on the cover dressed as cowboys. After doing the photo shoot in a mine shaft, the band decided they were taking it too seriously, changed the title to "Slippery When Wet," and found a Jersey girl with big boobs to wear a wet T-shirt for the cover. When parents' groups protested the cover, they changed it to a wet trash bag with the title written on it.

This opens with a 14-second synthesizer note. You could get away with that in the '80s.

In a 2007 interview with Time magazine, Jon Bon Jovi was asked what song showed "The Real You." His response: "I think if there was only one, it would be a tough choice between 'Livin' On A Prayer' and 'Wanted Dead Or Alive.' Maybe because the themes of 'Wanted' are a little more universal, it makes 'Prayer' that much more unique. There is nothing that you can say is derivative about the song. It is its own entity." He went on to say: "I think I find more strength in faith than I do in organized religion. 'Livin' On A Prayer' is most certainly nondenominational."

In the 2000 Bon Jovi song "It's My Life," the two characters from this track are mentioned in the line, "This is for the ones who stood their ground, for Tommy and Gina who never backed down." Sambora used a talkbox on that song as well.

Bon Jovi played a slow version of this September 21, 2001 as part of the "Tribute To Heroes" telethon to benefit victims of the terrorist attacks on the US. Almost 60 million people watched the show, which included performances by U2, Sting, Billy Joel, Mariah Carey, and Neil Young. Celebrities answering phones included Selma Hayek, Jack Nicholson, and Brad Pitt. The slow version was also performed at the "Concert For New York" to honor the rescue workers at The World Trade Center.

Bon Jovi performed this, along with "It's My Life," at the closing ceremonies of the 2002 winter Olympics.

On VH1's The Greatest Songs of the '80s special, this was voted the best song of the decade. (thanks, Dawson - Draper, UT)

In March 2008 this returned to the UK charts at #70, thanks to its use by Gareth Gates on the celebrity Ice Skating show Dancing On Ice. Despite the interest stirred up by the use of this track by Gates, the routine resulted in his elimination.

In an interview with The Guardian November 5, 2009, Jon Bon Jovi was asked whether the Tommy character was a strike-breaker. He replied: "No. He just lost his job - it wasn't that he crossed the [picket] line. The industry left the town and he didn't get the job back. It was a fictional character. The inspiration was a young couple who got pregnant and gave up everything they had, but that didn't read right, so we changed the story."

Jon Bon Jovi told The London Times in May 2010 that he never gets tired of singing this song: "Not when I see the jet with my name on it."

At the 2010 Grammy Awards, Bon Jovi performed this song as a result of a fan vote. As the show progressed, viewers were asked to choose which song the band would perform: "Livin' On A Prayer," "It's My Life" or "Always." Vote totals were not divulged, but it's likely that this fan-favorite won in a landslide. Richie Sambora talked about it after the show: "Jon came up with the idea of actually doing a three-song medley, and we opened up with 'We Weren't Born To Follow.' And then we went into the Grammy song with Jennifer Nettles that we won - 'Who Says You Can't Go Home.' And then we had - which I thought was the interesting part of it - a contest. So the fans actually voted on the song we would play. It was legit, man. We didn't know 'til the last minute what we were gonna to do. We had them all ready to go. We rehearsed them all and then at the last minute, that's what they told us - they said, 'Livin' On A Prayer' was the one." (thanks, DeeTheWriter - Saint Petersburg, Russia Federation)

Classic songs often make their way back to the charts years later if they are used in commercials, movies or TV shows, or otherwise granted some fresh, high-profile attention. Thanks to a change in Billboard's method for tabulating the Hot 100, however, this song made it back to the chart thanks to a viral video.

In February 2013, YouTube views and other streams became a factor in the Hot 100, resulting in "Harlem Shake" hitting the top spot. In October, a video was posted of basketball fan Jeremy Fry dancing to "Livin' On A Prayer" during a stoppage in play at a Boston Celtics' home game from March 2009. The Celtics were the defending NBA champs and doing very well at the time; Fry's performance embodied the camaraderie and enthusiasm in the arena, as he spontaneously used his two minutes of glory to glide down an aisle, singing to delighted onlookers along the way.

Fry's dance routine drew millions of worldwide views, and on November 20, the song charted at #25, 26 years after if first appeared.

"I think the most interesting part of that song, it was the first time we ever used characters," Richie Sambora told Fuse TV. "And quite frankly it was because in our life at that point, in that juncture of time, we were 26 years old. I was. Jon was probably 24 at the time. And all we knew at that point was being on the road and women, so that's predominantly what we kind of sang about in those days. Then we decided to jump into the social lyric with 'Livin' on a Prayer,' and bring in two characters, Tommy and Gina, which essentially were some blue collar people trying to make ends meet through life, and essentially that was my parents. It could've been Jon and I in that particular part of time. It could've been anything, but what that did, they became everybody across the world. Because at a time, every couple, no matter what, is going through that hardship where they're trying to make ends meet and it's not coming easy. They gotta get over that hurdle. So that was a very inspirational song, and it's morphed and transformed throughout the years."

Sambora on resurrecting his old talkbox for the record: "I had put it down for many, many years, and for some reason in the studio that night, I just said, 'I'm just gonna try this whacked idea on you guys, and you're probably gonna think it's crazy but it might be really cool.' And as soon as it sounded everybody just went, Hit. Record."

Jennifer Batten - Inner Journey

Jennifer Batten - Inner Journey Lyrics and Youtube Music Videos

Album: Whatever
Released: 2007

Inner Journey Lyrics

Inner Journey

Jennifer Batten: "'Inner Journey' may well be the launching pad for this record. The percussion is based on body noise samples. This is the comedic highlight of the CD with a whacky video to match. Though the title "Inner Journey" sounds like a spiritual endeavour, it's more like the inner journey your body takes in digestion. Most female recording artists use body parts to promote their music, which has been done to death, and I find that's quite lacking in imagination! I prefer a more creative shocking attention grabbing angle."

John Mellencamp - Rural Route

John Mellencamp - Rural Route Lyrics and Youtube Music Videos

Album: Freedom's Road
Released: 2007

Rural Route Lyrics

Little girl disappeared and gone
From the Rural Route
Seven days missing something's wrong
On the rural route
Amber alert all over the nation
From the rural route
Two lane highway full of cops
On the rural route
Rural route

Police dogs howl from wire cages
On the rural route
Last seen leavin' a trailer
On the rural route
Just walkin' home alone
On the rural route
Newspaper prints her fifth grade picture
From the rural route
Rural route

Air stinks of crystal meth
On the rural route
Some one predicts a young girl's death
On the rural route
Father refuses to answer any questions
From the rural route
The man he runs around with comes up missing
Off the rural route
Rural route

Twenty miles away by a lake
On the rural route
Girl's body's found, it's been raped
By the rural route
Twenty-eight year old friend of the father
Arrested on the rural route
Father traded his daughter for favors
On the rural route
Rural route
Rural route

Here's my prayer loud and clear
From the rural route
Forgive us Lord, get us out of here
Off this rural route
Oh merciful Father, show us the will
Here on the rural route
Give us the mercy for the drug-addicted
And the mentally ill
On the rural route

Writer/s: MELLENCAMP
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Rural Route

Speaking with Rolling Stone contributor Anthony DeCurtis, Mellencamp explained the song originated with, "a phone call from my mother, who said that the body of a 10-year-old girl who'd been raped and killed had been found not far from where my parents live."

The last verse, he added, "prays for forgiveness, because nobody could have done such a gruesome thing if they had been in their right mind. When you live out here in the middle of nowhere, it's easy to get lost."

Emblem3 - 3000 Miles

Emblem3 - 3000 Miles Lyrics and Youtube Music Videos

Album: Nothing to Lose
Released: 2013

3000 Miles Lyrics

First winter's snowfall
Throwing backyard snowballs
Warming up by the fireplace
Marshmallows catch fire on an open flame
All my friends get together
Wishing I was there but I'm never
Living in the sunshine oh but dreaming of a place called home

I wanna run wanna run away
I'm dreaming of a place called home
I could try but I'm stuck in today
I'm dreaming of a place that's
3000 Miles away
Feels like is forever
Seems like yesterday
We were we were running 'round town together
This place, just ain't the same
I miss the stormy weather
I'm not okay
3000 miles away

You don't pick up but I keep redialing
Cause you're asleep got your phone on silent
Still early here I'm wide awake
I just wanna hear you tell me all about today
Although I never really showed it
I had to leave for me to notice
That living in the sunshine's cold I'm dreaming of a place called home

I wanna run wanna run away
I'm dreaming of a place called home
I could try but I'm stuck in today
I'm dreaming of a place that's 3000 miles away
Feels like is forever
Seems like yesterday
We were we were running 'round town together
This place, just ain't the same
I miss the stormy weather
I'm not okay
3000 miles

If I could go back for the weekend
Or just for a day
To see to see familiar faces, that's all it would take
But it's too far

3000 miles away
Feels like it's forever
Seems like yesterday
We were we were running around town together
This place, just ain't the same
I miss the stormy weather
I'm not okay
3000 miles away

3000 miles away
Feels like it's forever
Seems like yesterday
We were we were running around town together
This place, just ain't the same
I miss the stormy weather
I'm not okay
3000 miles away

Writer/s: ANJULIE PERSAUD, JON LEVINE, ROSS GOLAN
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

3000 Miles

Emblem3 formed in their home town of Sequim, Washington in 2007 before relocating to California to pursue their career. This slow ballad finds the trio longing to be back with their family and friends. "For me, this song is about home, and back in Washington state, the town that I grew up in, friends, family that I miss that I don't get to see anymore," Emblem 3 member Drew Chadwick explained to MTV News. "It's basically about missing them and reminiscing about all the good times you used to have."

Sequim to California is a long way, but certainly not 3,000 miles. Our West Coast expert tells us that the driving distance from Sequim to Los Angeles is 1175 Miles and would take just under 18 hours.

The tune has a feel of a rock power ballad from a previous generation. "[The song] does have a lot of '90s influence - actually, you know, it's not the '90s influence," Chadwick said to Radio.com "It's just the basic, traditional song structure with all real instruments. It doesn't have any over the edge synthesizers or extra production. It has the necessities which, when you strip it down like that, it leaves room to actually see the soul and the emotion."

Led Zeppelin - Kashmir

Led Zeppelin - Kashmir Lyrics and Youtube Music Videos

Album: Physical Graffiti
Released: 1975

Kashmir Lyrics

Kashmir Song Chart

All band members agreed this was one of their best musical achievements. Robert Plant said it was "One of my favorites... it was so positive, lyrically." Page has answered the question "What is the greatest Zeppelin riff of all" by citing this song.

Plant wrote the lyrics in 1973 while driving through the Sahara Desert on the way to the National Festival of folklore in Morocco. Kashmir is in Southern Asia; he was nowhere near it. In Mojo magazine, September 2010, Plant explained: "'Kashmir' came from a trip Jimmy and me made down the Moroccan Atlantic coast, from Agadir down to Sidi Ifni. We were just the same as the other hippies really."

The original title was "Driving To Kashmir."

This runs 8:31. Radio stations had no problem playing it, especially after "Stairway To Heaven," which was almost as long, did so well.

Kashmir, also known as Cashmere, is a lush mountain region North of Pakistan. India and Pakistan have disputed control of the area for years. The fabric Cashmere is made from the hair of goats from the region. The area is also famous for growing poppies, from which heroin is made. (thanks, erourke - Raleigh, NC)

Plant thinks John Bonham's drumming is the key to this: "It was what he didn't do that made it work."

The signature guitar riff began as a tuning cycle Jimmy Page had been using for years.

This is one of the few Zeppelin songs to use outside musicians. Session players were brought in for the string and horn sections. Jimmy Page said (Rolling Stone, 2012): "I knew that this wasn't just something guitar-based. All of the guitar parts would be on there. But the orchestra needed to sit there, reflecting those other parts, doing what the guitars were but with the colors of a symphony."

Led Zeppelin played this in every live show from it's debut in 1975 to their last concert in 1980.

Page and Plant recorded this with an orchestra and Moroccan musicians for their 1994 Unledded album.

Puff Daddy (he wasn't Diddy yet) sampled this in 1998 for a song called "Come With Me." He performed it on Saturday Night Live with Page on guitar.

The remaining members of Led Zeppelin performed this at the Atlantic Records 40th anniversary party in 1988 with Jason Bonham on drums. It was a mess - the keyboards got lost in the feed and Plant was bumped by a fan and forgot some of the words. They had more success when they performed the song on December 10, 2007 at a benefit show to raise money for the Ahmet Ertegun education fund.

In the movie Fast Times At Ridgemont High, Mike Damone tells Mark Ratner, "When it comes down to making out, whenever possible, put on side one of Led Zeppelin 4. In the next scene, he is on the date with this song playing in the car. Cameron Crowe, who wrote the screenplay, couldn't get the rights to any of the songs on Led Zeppelin 4, so he used "Kashmir" instead. Crowe used Zeppelin's "That's The Way" on his 2001 movie Almost Famous.

Plant said in an audio documentary that he loved this song not only because of its intensity, but also because it was so intense without being considered "Heavy Metal," a label none of the band liked. (thanks, Adrian - Wilmington, DE)

Jimmy Page: "The intensity of 'Kashmir' was such that when we had it completed, we knew there was something really hypnotic to it, we couldn't even describe such a quality. At the beginning, there was only Bonzo [drummer John Bonham] and me in Headley Grange. He played the rhythm on drums, and I found the riff as well as the overdubs which were thereafter duplicated by an orchestra, to bring more life to the track. It sounded so frightening at first..."

Peter Grant: "I remember Bonzo having me listen to the demo of 'Kashmir' with only him and Jimmy. It was fantastic. What's funny is that after a first recording of the song, we found it sounded a bit like a dirge. We were in Paris, we had Atlantic listen to it, and we all thought it really sounded like a dirge. So Richard (Cole) was sent to Southall in London to find a Pakistanese orchestra. Jonesy put it all together and the final result was exactly what was needed. He was an exceptional arranger." (thanks, Bertrand - Paris, France for above 2)

Wilson Pickett - Mustang Sally

Wilson Pickett - Mustang Sally Lyrics and Youtube Music Videos

Album: Wilson Pickett's Greatest Hits
Released: 1966

Mustang Sally Lyrics

Mustang Sally, think you better slow your mustang down
Mustang Sally, think you better slow your mustang down
You been running all over the town now
Oh! I guess I'll have to put your flat feet on the ground

All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride

One of these early mornings, oh, you gonna be wiping your weeping eyes
I bought you a brand new mustang 'bout nineteen sixty five
Now you come around signifying a woman, you don't want to let me ride
Mustang Sally, think you better slow your mustang down
You been running all over the town now
Oh! I guess I'll have to put your flat feet on the ground

All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride

Writer/s: BONNY RICE
Publisher: Sony/ATV Music Publishing LLC, SPRINGTIME MUSIC INC
Lyrics licensed and provided by LyricFind

Mustang Sally

This song is about a girl who lives a wild life in her brand new Mustang car. The singer bought her the car, which transformed her into "Mustang Sally," and now she's running around town, paying little attention to her sugar daddy. Picket warns her that she needs to slow it down with one of the great threats in Soul music history: "Guess I have to put your flat feet on the ground!"

This song was written by Bonny Rice, also known as Sir Mack Rice. Bonny started singing with a vocal group called the Five Scalders in 1955 and joined The Falcons in 1957. Eddie Floyd was also in The Falcons, and Mack later wrote songs for him when he went solo. In 1960, Wilson Pickett joined The Falcons and sang lead on their 1962 hit "I Found A Love," and left the group for a solo career later that year.

In 1963, The Falcons broke up, and in 1965, Rice wrote a song called "Mustang Mama" after visiting his friend, the actress/singer Della Reese, in New York City. Reese told him that she was thinking about buying her drummer Calvin Shields a new Lincoln for his birthday, which Rice, being from Detroit, thought was a great idea. When he mentioned this to Shields, the drummer replied, "I don't want a Lincoln, I want a Mustang."

As Rice explained on the 2007 Rhythm & Blues Cruise, he had never heard of a Mustang before, but Shields filled him in. They went for a drive and saw a billboard for a Mustang - Rice couldn't believe Shields wanted such a small car instead of a big ol' Lincoln. When he returned to Detroit, Rice started writing the song as "Mustang Mama," with the chorus "ride, Sally, ride." His publisher knew Aretha Franklin well, and brought Rice by her house, and he sang some of the song for her. Aretha suggested he change the title to "Mustang Sally" to better suit the chorus.

In May of 1965 Bonny Rice released his original version of this song as Sir Mack Rice, and it hit the R&B charts, peaking at #15. Wilson Pickett came across the song when Rice was booked to play at The Apollo theater, and the headliner Clyde McPhatter didn't show. Rice called his old bandmate Pickett, who performed in McPhatter's place. When Pickett heard Rice perform "Mustang Sally," he decided to record it himself. His version hit the R&B and Pop charts a year and a half after Rice originally recorded the song.

Mack Rice later sang with Ollie and the Nightingales, joining them in 1970. He was also a staff songwriter for Stax Records, and wrote the hits "Respect Yourself" for the Staple Singers and "Cheaper To Keep Her" for Johnny Taylor.

This song was recorded at FAME studios in Muscle Shoals, Alabama. FAME had been operating since 1959 and had a big hit recording "When A Man Loves A Woman" for Percy Sledge. The Muscle Shoals musicians were building a reputation as some of the best in the business, and they caught the attention of Jerry Wexler at Atlantic Records, which was Pickett's label. Wexler sent Pickett (a native of Prattville, Alabama) to record there, and the sessions produced this song and also his hit "Land Of 1,000 Dances." Wexler started sending more acts to Muscle Shoals, and in 1969, some of their top musicians, including guitarist Jimmy Johnson and drummer Roger Hawkins, left FAME and formed their own studio a few miles away, financed by Wexler. This became Muscle Shoals Sound Studios, where Paul Simon, Bob Seger, Rod Stewart, Lynyrd Skynyrd The Rolling Stones, Cher and hundreds of other acts would record in the '70s.

According to Rolling Stone magazine's Top 500 Songs, "Mustang Sally nearly ended up on the studio floor - literally. After Pickett finished his final take at FAME Studios in Muscle Shoals, Alabama, the tape suddenly flew off the reel and broke into pieces. But the session engineer, the legendary Tom Dowd, calmly cleared the room and told everyone to come back in half an hour. Dowd pieced the tape back together and saved what became one of the funkiest soul anthems of the '60s."

Spooner Oldham, who is one of the top Muscle Shoals musicians and co-writer of the hits "I'm Your Puppet" (James and Bobby Purify) and "Cry Like a Baby" (The Box Tops), played the keyboard on this song. The keyboards are one of the most distinctive parts of the song, but they weren't on the demo - Spooner had to create the part so he could play on the record (and get paid). When we spoke with Oldham in 2011, he told us: "I was sitting on a stool, and we listened to a demo of Sir Mack Rice who wrote the song, and the first thing I noticed was there was no keyboard on that record. But I'm here, I want the job - what am I going to do that will work within that song? And I just closed eyes for a second, daydreaming, and said, 'I wonder what it would sound like if I pretended I was a Harley Davidson motorcycle and was driving through the studio, what would that sound like?' There's a little pause in that record where there's not much going on, and I do rorp-rorp-rorp kind of revving engine thing. And Jerry Wexler liked it, because he later tried to get me to do it again when I was in New York. Of course, I didn't, it was specific for that song."

This was featured in the 1991 movie The Commitments, which was about an Irish Soul band. Pickett's music got a lot more exposure after the movie came out.

Other films that used the song include Road House (1989), Miss Congeniality (2000), Bandits (2001), and P.S. I Love You (2007).

TV shows that have used the song include The Wonder Years, Miami Vice, and My Name Is Earl.

Arctic Monkeys - Why'd You Only Call Me When You're High?

Arctic Monkeys - Why'd You Only Call Me When You're High? Lyrics and Youtube Music Videos

Album: AM
Released: 2013

Why'd You Only Call Me When You're High? Lyrics

The mirror's image,
It tells me it's home time,
But I'm not finished,
'Cause you're not by my side.

And as I arrived I thought I saw you leaving,
Carrying your shoes,
Decided that once again I was just dreaming,
Of bumping into you.

Now it's three in the morning,
And I'm trying to change your mind,
Left you multiple missed calls
And to my message you reply.
Why'd You Only Call Me When You're High?
High
Why'd you only call me when you're high?

Somewhere darker,
Talking the same shite,
I need a partner,
Well are you out tonight?

It's harder and harder to get you to listen,
More I get through the gears,
Incapable of making alright decisions,
And having bad ideas.

Now it's three in the morning,
And I'm trying to change your mind,
Left you multiple missed calls
And to my message you reply.
(Message you reply)
Why'd you only call me when you're high?
(Why'd you only call me when you're)
High
Why'd you only call me when you're high?

And I can't see you here when I'm high,
Sort of feels like I'm running out of time,
I haven't found all I was hoping to find,
You said you got to be up in the morning,
Gonna have an early night,
And you starting to bore me, baby,
Why'd you only call me when you're high?

Why'd you only ever phone me when you're high?
Why'd you only ever phone me when you're high?

Why'd you only ever phone me when you're high?
Why'd you only ever phone me when you're high?

Writer/s: ALEX TURNER
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Why'd You Only Call Me When You're High?

The third single from AM, this is the last in the album's trilogy of question-mark songs following "R U Mine?" and "Do I Wanna Know?"

Set at 3am at some party, frontman Alex Turner told Q magazine the song was inspired by a voicemail he got "along those lines."

The 3am hour seems to inspire a lot of songs. "3 AM" by Matchbox Twenty and "25 Or 6 To 4" by Chicago both take place in this timeframe.

The song's music video was directed by the Chicago-born photographer Nabil Elderkin and recorded the Monday after the band's Glastonbury headline performance. It finds a drunk Alex Turner hallucinating as he leaves a the Howl At The Moon pub in Hoxton, London, where he's been drinking with his bandmates. The singer and stumbles through the streets of East London repeatedly texting a girl called Stephanie in a fairly literal interpretation of this ode to booty calls and debauchery. "I had no idea the shoot was going to be so explicit," model Lamie Stewart, who plays Stephanie, told NME. "I missed an email, so when I turned up I was like... riiiight! The scene where I have sex with the man in the kebab shop was quite hilarious, especially: the kebab guy was actually the sweetest thing. He was more nervous than I was! I've been a fan of the band for a very long time, since 6th form, so was very happy when I won the role to be in the video, despite being passed around via Alex's drunken mind state!"

This was the Arctic's first song to make the Top Ten on the UK singles chart since their 2007 #5 hit "Fluorescent Adolescent."